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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0DBAD it is the complementary color #1F2452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0DBAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0DBAD shade: #E5DBA8, #F6EDBB, #FFFFCE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0DBAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0DBAD shade: #E0DBAD, #CFC99A, #BEB787, #ADA574 and #9C9361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0DBAD shade: #E0DBAD, #E0CDAD, #E0BFAD, #E0B2AD and #E0ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0DBAD shade: #E0DBAD, #D7E0AD, #C9E0AD, #BCE0AD and #AEE0AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0DBAD shade matches the following richer shades: #E0DBAD, #E9E2A4, #F2E99B and #FBF192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0DBAD shade: #E0DBAD, #D7D3B6, #CDCCBF, #C4C5C8 and #BBBED1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0DBAD shade: #E0C0AD, #E0CDAD, #E0DBAD, #D7E0AD and #CAE0AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0DBAD shade: #C9C071, #D4CE8F, #E0DBAD, #EBE8CB and #F6F5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0DBAD shade: #E0DBAD, #ADE0B2 and #C6ADE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0DBAD shade: #E0DBAD, #ADE0DB and #DBADE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0DBAD shade: #E0DBAD, #ADE0B2, #ADB2E0 and #E0ADDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0DBAD shade: #E0DBAD, #ADE0C1, #ADB2E0 and #E0ADCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

Complementary color

CMYK 62 / 56 / 0 / 68

HEX #1F2452

RGB 31 36 82

HSL 234.12, 0.45%, 0.22%

LAB 16.32, 13.62, -28.94

 

CMYK 0 / 4 / 27 / 10

HEX #E5DBA8

RGB 229 219 168

HSL 50.16, 0.54%, 0.78%

LAB 87.07, -4.4, 26.37

 

CMYK 0 / 4 / 24 / 4

HEX #F6EDBB

RGB 246 237 187

HSL 50.85, 0.77%, 0.85%

LAB 93.34, -4.67, 25.37

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 0 / 3 / 26 / 19

HEX #CFC99A

RGB 207 201 154

HSL 53.21, 0.36%, 0.71%

LAB 80.39, -5.35, 24.3

 

CMYK 0 / 4 / 29 / 25

HEX #BEB787

RGB 190 183 135

HSL 52.36, 0.3%, 0.64%

LAB 73.91, -5.07, 25.36

 

CMYK 0 / 5 / 33 / 32

HEX #ADA574

RGB 173 165 116

HSL 51.58, 0.26%, 0.57%

LAB 67.32, -4.75, 26.49

 

CMYK 0 / 6 / 38 / 39

HEX #9C9361

RGB 156 147 97

HSL 50.85, 0.23%, 0.5%

LAB 60.6, -4.36, 27.69

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 0 / 8 / 23 / 12

HEX #E0CDAD

RGB 224 205 173

HSL 37.65, 0.45%, 0.78%

LAB 83.19, 1.64, 18.35

 

CMYK 0 / 15 / 23 / 12

HEX #E0BFAD

RGB 224 191 173

HSL 21.18, 0.45%, 0.78%

LAB 79.69, 9, 13.43

 

CMYK 0 / 21 / 23 / 12

HEX #E0B2AD

RGB 224 178 173

HSL 5.88, 0.45%, 0.78%

LAB 76.5, 15.93, 8.91

 

CMYK 0 / 23 / 23 / 12

HEX #E0ADAD

RGB 224 173 173

HSL 0, 0.45%, 0.78%

LAB 75.3, 18.61, 7.19

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 4 / 0 / 23 / 12

HEX #D7E0AD

RGB 215 224 173

HSL 70.59, 0.45%, 0.78%

LAB 87.38, -11.43, 24.02

 

CMYK 10 / 0 / 23 / 12

HEX #C9E0AD

RGB 201 224 173

HSL 87.06, 0.45%, 0.78%

LAB 86.38, -16.49, 22.49

 

CMYK 16 / 0 / 23 / 12

HEX #BCE0AD

RGB 188 224 173

HSL 102.35, 0.45%, 0.78%

LAB 85.51, -21.06, 21.16

 

CMYK 22 / 0 / 23 / 12

HEX #AEE0AD

RGB 174 224 173

HSL 118.82, 0.45%, 0.78%

LAB 84.65, -25.82, 19.83

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 0 / 3 / 30 / 9

HEX #E9E2A4

RGB 233 226 164

HSL 53.91, 0.61%, 0.78%

LAB 89.11, -6.96, 31.24

 

CMYK 0 / 4 / 36 / 5

HEX #F2E99B

RGB 242 233 155

HSL 53.79, 0.77%, 0.78%

LAB 91.47, -8.13, 39.04

 

CMYK 0 / 4 / 42 / 2

HEX #FBF192

RGB 251 241 146

HSL 54.29, 0.93%, 0.78%

LAB 94.1, -9.6, 46.98

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 0 / 2 / 15 / 16

HEX #D7D3B6

RGB 215 211 182

HSL 52.73, 0.29%, 0.78%

LAB 84.18, -3.46, 14.87

 

CMYK 0 / 0 / 7 / 20

HEX #CDCCBF

RGB 205 204 191

HSL 55.71, 0.12%, 0.78%

LAB 81.8, -1.94, 6.59

 

CMYK 2 / 1 / 0 / 22

HEX #C4C5C8

RGB 196 197 200

HSL 225, 0.04%, 0.78%

LAB 79.52, 0.22, -1.63

 

CMYK 11 / 9 / 0 / 18

HEX #BBBED1

RGB 187 190 209

HSL 231.82, 0.19%, 0.78%

LAB 77.28, 2.68, -9.88

 

CMYK 0 / 14 / 23 / 12

HEX #E0C0AD

RGB 224 192 173

HSL 22.35, 0.45%, 0.78%

LAB 79.93, 8.47, 13.78

 

CMYK 0 / 8 / 23 / 12

HEX #E0CDAD

RGB 224 205 173

HSL 37.65, 0.45%, 0.78%

LAB 83.19, 1.64, 18.35

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 4 / 0 / 23 / 12

HEX #D7E0AD

RGB 215 224 173

HSL 70.59, 0.45%, 0.78%

LAB 87.38, -11.43, 24.02

 

CMYK 10 / 0 / 23 / 12

HEX #CAE0AD

RGB 202 224 173

HSL 85.88, 0.45%, 0.78%

LAB 86.45, -16.13, 22.6

 

CMYK 0 / 4 / 44 / 21

HEX #C9C071

RGB 201 192 113

HSL 53.86, 0.45%, 0.62%

LAB 76.87, -7.95, 40.82

 

CMYK 0 / 3 / 33 / 17

HEX #D4CE8F

RGB 212 206 143

HSL 54.78, 0.45%, 0.7%

LAB 81.9, -7.43, 32.14

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 0 / 1 / 14 / 8

HEX #EBE8CB

RGB 235 232 203

HSL 54.38, 0.44%, 0.86%

LAB 91.54, -3.79, 14.48

 

CMYK 0 / 0 / 5 / 4

HEX #F6F5E9

RGB 246 245 233

HSL 55.38, 0.42%, 0.94%

LAB 96.32, -1.72, 5.88

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 23 / 0 / 21 / 12

HEX #ADE0B2

RGB 173 224 178

HSL 125.88, 0.45%, 0.78%

LAB 84.69, -25.29, 17.27

 

CMYK 12 / 23 / 0 / 12

HEX #C6ADE0

RGB 198 173 224

HSL 269.41, 0.45%, 0.78%

LAB 74.37, 18.61, -22.32

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 23 / 0 / 2 / 12

HEX #ADE0DB

RGB 173 224 219

HSL 174.12, 0.45%, 0.78%

LAB 85.66, -17.35, -2.93

 

CMYK 2 / 23 / 0 / 12

HEX #DBADE0

RGB 219 173 224

HSL 294.12, 0.45%, 0.78%

LAB 76.27, 25.43, -19.25

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 23 / 0 / 21 / 12

HEX #ADE0B2

RGB 173 224 178

HSL 125.88, 0.45%, 0.78%

LAB 84.69, -25.29, 17.27

 

CMYK 23 / 21 / 0 / 12

HEX #ADB2E0

RGB 173 178 224

HSL 234.12, 0.45%, 0.78%

LAB 73.61, 8.02, -23.65

 

CMYK 0 / 23 / 2 / 12

HEX #E0ADDB

RGB 224 173 219

HSL 305.88, 0.45%, 0.78%

LAB 76.59, 26.16, -16.01

 

CMYK 0 / 2 / 23 / 12

HEX #E0DBAD

RGB 224 219 173

HSL 54.12, 0.45%, 0.78%

LAB 86.76, -5.59, 23.29

 

CMYK 23 / 0 / 14 / 12

HEX #ADE0C1

RGB 173 224 193

HSL 143.53, 0.45%, 0.78%

LAB 85.02, -22.56, 9.86

 

CMYK 23 / 21 / 0 / 12

HEX #ADB2E0

RGB 173 178 224

HSL 234.12, 0.45%, 0.78%

LAB 73.61, 8.02, -23.65

 

CMYK 0 / 23 / 9 / 12

HEX #E0ADCB

RGB 224 173 203

HSL 324.71, 0.45%, 0.78%

LAB 76.1, 23.35, -8.03

 

Description

Color code: HEX #E0DBAD | qconv.com Color code: HEX #E0DBAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 219 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 219 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 23 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 23% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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