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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0EAAD it is the complementary color #1F1552. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0EAAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0EAAD shade: #E5EAA8, #F6FCBB, #FFFFCE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0EAAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0EAAD shade: #E0EAAD, #CFD89A, #BEC687, #ADB474 and #9CA261

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0EAAD shade: #E0EAAD, #EAE3AD, #EAD3AD, #EAC3AD and #EAB3AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0EAAD shade: #E0EAAD, #CFEAAD, #BFEAAD, #AFEAAD and #ADEABC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0EAAD shade matches the following richer shades: #E0EAAD, #E5F2A5 and #EBFA9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0EAAD shade: #E0EAAD, #DAE1B6, #D5D9BE, #CFD1C6 and #CAC9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0EAAD shade: #EAD3AD, #EAE3AD, #E1EAAD, #D1EAAD and #C0EAAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0EAAD shade: #C7D96C, #D3E18D, #E0EAAD, #ECF2CE and #F9FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0EAAD shade: #E0EAAD, #ADEAC2 and #DBADEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0EAAD shade: #E0EAAD, #ADE1EA and #EAADE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0EAAD shade: #E0EAAD, #ADEAC2, #B6ADEA and #EAADD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0EAAD shade: #E0EAAD, #ADEAD5, #B6ADEA and #EAADC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

Complementary color

CMYK 62 / 74 / 0 / 68

HEX #1F1552

RGB 31 21 82

HSL 249.84, 0.59%, 0.2%

LAB 12.2, 24.24, -35.62

 

CMYK 2 / 0 / 28 / 8

HEX #E5EAA8

RGB 229 234 168

HSL 64.55, 0.61%, 0.79%

LAB 90.93, -11.96, 31.58

 

CMYK 2 / 0 / 26 / 1

HEX #F6FCBB

RGB 246 252 187

HSL 65.54, 0.92%, 0.86%

LAB 97.15, -12.13, 30.55

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 4 / 0 / 29 / 15

HEX #CFD89A

RGB 207 216 154

HSL 68.71, 0.44%, 0.73%

LAB 84.33, -13.01, 29.63

 

CMYK 4 / 0 / 32 / 22

HEX #BEC687

RGB 190 198 135

HSL 67.62, 0.36%, 0.65%

LAB 77.92, -12.85, 30.72

 

CMYK 4 / 0 / 36 / 29

HEX #ADB474

RGB 173 180 116

HSL 66.56, 0.3%, 0.58%

LAB 71.41, -12.65, 31.86

 

CMYK 4 / 0 / 40 / 36

HEX #9CA261

RGB 156 162 97

HSL 65.54, 0.26%, 0.51%

LAB 64.78, -12.41, 33.06

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 0 / 3 / 26 / 8

HEX #EAE3AD

RGB 234 227 173

HSL 53.11, 0.59%, 0.8%

LAB 89.6, -5.93, 27.3

 

CMYK 0 / 10 / 26 / 8

HEX #EAD3AD

RGB 234 211 173

HSL 37.38, 0.59%, 0.8%

LAB 85.55, 2.26, 21.75

 

CMYK 0 / 17 / 26 / 8

HEX #EAC3AD

RGB 234 195 173

HSL 21.64, 0.59%, 0.8%

LAB 81.59, 10.63, 16.24

 

CMYK 0 / 24 / 26 / 8

HEX #EAB3AD

RGB 234 179 173

HSL 5.9, 0.59%, 0.8%

LAB 77.73, 19.11, 10.79

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 12 / 0 / 26 / 8

HEX #CFEAAD

RGB 207 234 173

HSL 86.56, 0.59%, 0.8%

LAB 89.45, -19.29, 26.77

 

CMYK 18 / 0 / 26 / 8

HEX #BFEAAD

RGB 191 234 173

HSL 102.3, 0.59%, 0.8%

LAB 88.42, -24.88, 25.19

 

CMYK 25 / 0 / 26 / 8

HEX #AFEAAD

RGB 175 234 173

HSL 118.03, 0.59%, 0.8%

LAB 87.47, -30.25, 23.74

 

CMYK 26 / 0 / 20 / 8

HEX #ADEABC

RGB 173 234 188

HSL 134.75, 0.59%, 0.8%

LAB 87.66, -28.31, 16.21

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 5 / 0 / 32 / 5

HEX #E5F2A5

RGB 229 242 165

HSL 70.13, 0.75%, 0.8%

LAB 92.96, -16.29, 35.8

 

CMYK 6 / 0 / 37 / 2

HEX #EBFA9D

RGB 235 250 157

HSL 69.68, 0.9%, 0.8%

LAB 95.36, -18.91, 42.97

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 3 / 0 / 19 / 12

HEX #DAE1B6

RGB 218 225 182

HSL 69.77, 0.42%, 0.8%

LAB 88.03, -9.53, 20.29

 

CMYK 2 / 0 / 12 / 15

HEX #D5D9BE

RGB 213 217 190

HSL 68.89, 0.26%, 0.8%

LAB 85.75, -6.01, 12.84

 

CMYK 1 / 0 / 5 / 18

HEX #CFD1C6

RGB 207 209 198

HSL 70.91, 0.11%, 0.8%

LAB 83.41, -2.64, 5.2

 

CMYK 2 / 2 / 0 / 19

HEX #CAC9CE

RGB 202 201 206

HSL 252, 0.05%, 0.8%

LAB 81.17, 1.27, -2.37

 

CMYK 0 / 10 / 26 / 8

HEX #EAD3AD

RGB 234 211 173

HSL 37.38, 0.59%, 0.8%

LAB 85.55, 2.26, 21.75

 

CMYK 0 / 3 / 26 / 8

HEX #EAE3AD

RGB 234 227 173

HSL 53.11, 0.59%, 0.8%

LAB 89.6, -5.93, 27.3

 

CMYK 4 / 0 / 26 / 8

HEX #E1EAAD

RGB 225 234 173

HSL 68.85, 0.59%, 0.8%

LAB 90.72, -12.77, 28.7

 

CMYK 11 / 0 / 26 / 8

HEX #D1EAAD

RGB 209 234 173

HSL 84.59, 0.59%, 0.8%

LAB 89.59, -18.57, 26.97

 

CMYK 18 / 0 / 26 / 8

HEX #C0EAAD

RGB 192 234 173

HSL 101.31, 0.59%, 0.8%

LAB 88.48, -24.54, 25.28

 

CMYK 8 / 0 / 50 / 15

HEX #C7D96C

RGB 199 217 108

HSL 69.91, 0.59%, 0.64%

LAB 83.36, -21.8, 51.13

 

CMYK 6 / 0 / 37 / 12

HEX #D3E18D

RGB 211 225 141

HSL 70, 0.58%, 0.72%

LAB 86.81, -17.6, 39.54

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 2 / 0 / 15 / 5

HEX #ECF2CE

RGB 236 242 206

HSL 70, 0.58%, 0.88%

LAB 94.22, -8.02, 16.72

 

CMYK 1 / 0 / 5 / 2

HEX #F9FBEF

RGB 249 251 239

HSL 70, 0.6%, 0.96%

LAB 98.18, -2.73, 5.5

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 26 / 0 / 17 / 8

HEX #ADEAC2

RGB 173 234 194

HSL 140.66, 0.59%, 0.8%

LAB 87.79, -27.21, 13.27

 

CMYK 6 / 26 / 0 / 8

HEX #DBADEA

RGB 219 173 234

HSL 285.25, 0.59%, 0.8%

LAB 76.61, 27.36, -24.16

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 26 / 4 / 0 / 8

HEX #ADE1EA

RGB 173 225 234

HSL 188.85, 0.59%, 0.8%

LAB 86.34, -14.59, -9.83

 

CMYK 0 / 26 / 4 / 8

HEX #EAADE1

RGB 234 173 225

HSL 308.85, 0.59%, 0.8%

LAB 77.77, 30.55, -17.39

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 26 / 0 / 17 / 8

HEX #ADEAC2

RGB 173 234 194

HSL 140.66, 0.59%, 0.8%

LAB 87.79, -27.21, 13.27

 

CMYK 22 / 26 / 0 / 8

HEX #B6ADEA

RGB 182 173 234

HSL 248.85, 0.59%, 0.8%

LAB 73.4, 15.82, -29.36

 

CMYK 0 / 26 / 9 / 8

HEX #EAADD5

RGB 234 173 213

HSL 320.66, 0.59%, 0.8%

LAB 77.39, 28.47, -11.44

 

CMYK 4 / 0 / 26 / 8

HEX #E0EAAD

RGB 224 234 173

HSL 69.84, 0.59%, 0.8%

LAB 90.65, -13.14, 28.59

 

CMYK 26 / 0 / 9 / 8

HEX #ADEAD5

RGB 173 234 213

HSL 159.34, 0.59%, 0.8%

LAB 88.22, -23.53, 3.97

 

CMYK 22 / 26 / 0 / 8

HEX #B6ADEA

RGB 182 173 234

HSL 248.85, 0.59%, 0.8%

LAB 73.4, 15.82, -29.36

 

CMYK 0 / 26 / 17 / 8

HEX #EAADC2

RGB 234 173 194

HSL 339.34, 0.59%, 0.8%

LAB 76.85, 25.39, -1.91

 

Description

Color code: HEX #E0EAAD | qconv.com Color code: HEX #E0EAAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 234 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 234 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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