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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0EDBA it is the complementary color #1F1245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0EDBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0EDBA shade: #E5EDB5, #F6FFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0EDBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0EDBA shade: #E0EDBA, #CFDBA7, #BEC994, #ADB781 and #9CA56E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0EDBA shade: #E0EDBA, #EDECBA, #EDDEBA, #EDD0BA and #EDC3BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0EDBA shade: #E0EDBA, #D2EDBA, #C4EDBA, #BAEDBD and #BAEDCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0EDBA shade matches the following richer shades: #E0EDBA, #E3F4B3 and #E7FBAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0EDBA shade: #E0EDBA, #DCE6C1, #D9DFC8, #D5D8CF and #D2D1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0EDBA shade: #EDDEBA, #EDECBA, #E0EDBA, #D2EDBA and #C5EDBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0EDBA shade: #C2DC78, #D1E499, #E0EDBA, #EEF5DA and #FDFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0EDBA shade: #E0EDBA, #BAEDD1 and #E5BAED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0EDBA shade: #E0EDBA, #BAE0ED and #EDBAE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0EDBA shade: #E0EDBA, #BAEDD1, #C6BAED and #EDBAD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0EDBA shade: #E0EDBA, #BAEDE0, #C6BAED and #EDBAC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

Complementary color

CMYK 55 / 74 / 0 / 73

HEX #1F1245

RGB 31 18 69

HSL 255.29, 0.59%, 0.17%

LAB 10.21, 21.66, -29.87

 

CMYK 3 / 0 / 24 / 7

HEX #E5EDB5

RGB 229 237 181

HSL 68.57, 0.61%, 0.82%

LAB 91.94, -11.7, 26.31

 

CMYK 4 / 0 / 22 / 0

HEX #F6FFC8

RGB 246 255 200

HSL 69.82, 1%, 0.89%

LAB 98.15, -11.82, 25.35

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 5 / 0 / 24 / 14

HEX #CFDBA7

RGB 207 219 167

HSL 73.85, 0.42%, 0.76%

LAB 85.36, -12.71, 24.28

 

CMYK 5 / 0 / 26 / 21

HEX #BEC994

RGB 190 201 148

HSL 72.45, 0.33%, 0.68%

LAB 78.96, -12.62, 25.29

 

CMYK 5 / 0 / 30 / 28

HEX #ADB781

RGB 173 183 129

HSL 71.11, 0.27%, 0.61%

LAB 72.45, -12.5, 26.36

 

CMYK 5 / 0 / 33 / 35

HEX #9CA56E

RGB 156 165 110

HSL 69.82, 0.23%, 0.54%

LAB 65.83, -12.36, 27.5

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 0 / 0 / 22 / 7

HEX #EDECBA

RGB 237 236 186

HSL 58.82, 0.59%, 0.83%

LAB 92.37, -7.59, 24.44

 

CMYK 0 / 6 / 22 / 7

HEX #EDDEBA

RGB 237 222 186

HSL 42.35, 0.59%, 0.83%

LAB 88.82, -0.49, 19.53

 

CMYK 0 / 12 / 22 / 7

HEX #EDD0BA

RGB 237 208 186

HSL 25.88, 0.59%, 0.83%

LAB 85.33, 6.75, 14.64

 

CMYK 0 / 18 / 22 / 7

HEX #EDC3BA

RGB 237 195 186

HSL 10.59, 0.59%, 0.83%

LAB 82.15, 13.58, 10.13

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 17 / 0 / 22 / 7

HEX #C4EDBA

RGB 196 237 186

HSL 108.24, 0.59%, 0.83%

LAB 89.79, -22.56, 20.43

 

CMYK 22 / 0 / 20 / 7

HEX #BAEDBD

RGB 186 237 189

HSL 123.53, 0.59%, 0.83%

LAB 89.24, -25.39, 18.02

 

CMYK 22 / 0 / 14 / 7

HEX #BAEDCB

RGB 186 237 203

HSL 140, 0.59%, 0.83%

LAB 89.54, -22.9, 11.18

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 7 / 0 / 27 / 4

HEX #E3F4B3

RGB 227 244 179

HSL 75.69, 0.75%, 0.83%

LAB 93.57, -16.16, 29.53

 

CMYK 8 / 0 / 31 / 2

HEX #E7FBAC

RGB 231 251 172

HSL 75.19, 0.91%, 0.83%

LAB 95.56, -19.05, 35.77

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 4 / 0 / 16 / 10

HEX #DCE6C1

RGB 220 230 193

HSL 76.22, 0.43%, 0.83%

LAB 89.7, -9.65, 16.92

 

CMYK 3 / 0 / 10 / 13

HEX #D9DFC8

RGB 217 223 200

HSL 75.65, 0.26%, 0.83%

LAB 87.82, -6.03, 10.57

 

CMYK 1 / 0 / 4 / 15

HEX #D5D8CF

RGB 213 216 207

HSL 80, 0.1%, 0.83%

LAB 85.89, -2.62, 4.07

 

CMYK 2 / 2 / 0 / 16

HEX #D2D1D6

RGB 210 209 214

HSL 252, 0.06%, 0.83%

LAB 84.05, 1.26, -2.36

 

CMYK 0 / 6 / 22 / 7

HEX #EDDEBA

RGB 237 222 186

HSL 42.35, 0.59%, 0.83%

LAB 88.82, -0.49, 19.53

 

CMYK 0 / 0 / 22 / 7

HEX #EDECBA

RGB 237 236 186

HSL 58.82, 0.59%, 0.83%

LAB 92.37, -7.59, 24.44

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 11 / 0 / 22 / 7

HEX #D2EDBA

RGB 210 237 186

HSL 91.76, 0.59%, 0.83%

LAB 90.7, -17.75, 21.82

 

CMYK 17 / 0 / 22 / 7

HEX #C5EDBA

RGB 197 237 186

HSL 107.06, 0.59%, 0.83%

LAB 89.85, -22.22, 20.52

 

CMYK 12 / 0 / 45 / 14

HEX #C2DC78

RGB 194 220 120

HSL 75.6, 0.59%, 0.67%

LAB 83.97, -24, 46.06

 

CMYK 8 / 0 / 33 / 11

HEX #D1E499

RGB 209 228 153

HSL 75.2, 0.58%, 0.75%

LAB 87.65, -18.36, 34.57

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 3 / 0 / 11 / 4

HEX #EEF5DA

RGB 238 245 218

HSL 75.56, 0.57%, 0.91%

LAB 95.39, -6.93, 12.2

 

CMYK 0 / 0 / 1 / 0

HEX #FDFEFB

RGB 253 254 251

HSL 80, 0.6%, 0.99%

LAB 99.51, -0.85, 1.3

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 3 / 22 / 0 / 7

HEX #E5BAED

RGB 229 186 237

HSL 290.59, 0.59%, 0.83%

LAB 80.68, 24.16, -19.51

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 22 / 5 / 0 / 7

HEX #BAE0ED

RGB 186 224 237

HSL 195.29, 0.59%, 0.83%

LAB 86.93, -9.59, -10.46

 

CMYK 0 / 22 / 5 / 7

HEX #EDBAE0

RGB 237 186 224

HSL 315.29, 0.59%, 0.83%

LAB 81.02, 24.44, -11.94

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 22 / 0 / 12 / 7

HEX #BAEDD1

RGB 186 237 209

HSL 147.06, 0.59%, 0.83%

LAB 89.68, -21.78, 8.25

 

CMYK 16 / 22 / 0 / 7

HEX #C6BAED

RGB 198 186 237

HSL 254.12, 0.59%, 0.83%

LAB 78.02, 14.26, -23.8

 

CMYK 0 / 22 / 10 / 7

HEX #EDBAD6

RGB 237 186 214

HSL 327.06, 0.59%, 0.83%

LAB 80.73, 22.74, -6.99

 

CMYK 5 / 0 / 22 / 7

HEX #E0EDBA

RGB 224 237 186

HSL 75.29, 0.59%, 0.83%

LAB 91.67, -12.79, 23.32

 

CMYK 22 / 0 / 5 / 7

HEX #BAEDE0

RGB 186 237 224

HSL 164.71, 0.59%, 0.83%

LAB 90.04, -18.85, 0.94

 

CMYK 16 / 22 / 0 / 7

HEX #C6BAED

RGB 198 186 237

HSL 254.12, 0.59%, 0.83%

LAB 78.02, 14.26, -23.8

 

CMYK 0 / 22 / 16 / 7

HEX #EDBAC6

RGB 237 186 198

HSL 345.88, 0.59%, 0.83%

LAB 80.29, 20.15, 1

 

Description

Color code: HEX #E0EDBA | qconv.com Color code: HEX #E0EDBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 237 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 237 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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