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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0EF80 it is the complementary color #1F107F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0EF80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0EF80 shade: #E5EF7B, #F6FF8E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0EF80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0EF80 shade: #E0EF80, #CFDD6D, #BECB5A, #ADB947 and #9CA734

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0EF80 shade: #E0EF7F, #EFE07F, #EFC27F, #EFA47F and #EF867F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0EF80 shade: #E0EF7F, #C2EF7F, #A4EF7F, #86EF7F and #7FEF97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0EF80 shade matches the following richer shades: #E0EF7F and #E8FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0EF80 shade: #E0EF7F, #D7E38B, #CFD897, #C6CCA2 and #BEC1AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0EF80 shade: #EFC27F, #EFE07F, #E0EF7F, #C2EF7F and #A5EF7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0EF80 shade: #CEE636, #D7EA5B, #E0EF7F, #E9F3A4 and #F2F8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0EF80 shade: #E0EF80, #7FEFA5 and #D17FEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0EF80 shade: #E0EF80, #7FE0EF and #EF7FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0EF80 shade: #E0EF80, #7FEFA5, #8E7FEF and #EF7FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0EF80 shade: #E0EF80, #7FEFC6, #8E7FEF and #EF7FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

Complementary color

CMYK 76 / 87 / 0 / 50

HEX #1F107F

RGB 31 16 127

HSL 248.11, 0.78%, 0.28%

LAB 16.48, 41.98, -58.19

 

CMYK 4 / 0 / 49 / 6

HEX #E5EF7B

RGB 229 239 123

HSL 65.17, 0.78%, 0.71%

LAB 91.6, -19.37, 54.48

 

CMYK 4 / 0 / 44 / 0

HEX #F6FF8E

RGB 246 255 142

HSL 64.78, 1%, 0.78%

LAB 97.25, -18.75, 52.73

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

CMYK 6 / 0 / 51 / 13

HEX #CFDD6D

RGB 207 221 109

HSL 67.5, 0.62%, 0.65%

LAB 85.04, -20.5, 52.79

 

CMYK 6 / 0 / 56 / 20

HEX #BECB5A

RGB 190 203 90

HSL 66.9, 0.52%, 0.57%

LAB 78.69, -20.09, 53.84

 

CMYK 6 / 0 / 62 / 27

HEX #ADB947

RGB 173 185 71

HSL 66.32, 0.45%, 0.5%

LAB 72.25, -19.58, 54.75

 

CMYK 7 / 0 / 69 / 35

HEX #9CA734

RGB 156 167 52

HSL 65.74, 0.53%, 0.43%

LAB 65.71, -18.93, 55.37

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 0 / 6 / 47 / 6

HEX #EFE07F

RGB 239 224 127

HSL 51.96, 0.78%, 0.72%

LAB 88.54, -7.66, 49.06

 

CMYK 0 / 19 / 47 / 6

HEX #EFC27F

RGB 239 194 127

HSL 35.89, 0.78%, 0.72%

LAB 81, 7.75, 39.65

 

CMYK 0 / 31 / 47 / 6

HEX #EFA47F

RGB 239 164 127

HSL 19.82, 0.78%, 0.72%

LAB 73.83, 23.59, 30.38

 

CMYK 0 / 44 / 47 / 6

HEX #EF867F

RGB 239 134 127

HSL 3.75, 0.78%, 0.72%

LAB 67.23, 39.3, 21.55

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 19 / 0 / 47 / 6

HEX #C2EF7F

RGB 194 239 127

HSL 84.11, 0.78%, 0.72%

LAB 89.27, -32.23, 49.22

 

CMYK 31 / 0 / 47 / 6

HEX #A4EF7F

RGB 164 239 127

HSL 100.18, 0.78%, 0.72%

LAB 87.56, -42.74, 46.73

 

CMYK 44 / 0 / 47 / 6

HEX #86EF7F

RGB 134 239 127

HSL 116.25, 0.78%, 0.72%

LAB 86.17, -52.07, 44.7

 

CMYK 47 / 0 / 37 / 6

HEX #7FEF97

RGB 127 239 151

HSL 132.86, 0.78%, 0.72%

LAB 86.25, -50.43, 32.91

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 7 / 0 / 54 / 2

HEX #E8FA74

RGB 232 250 116

HSL 68.06, 0.93%, 0.72%

LAB 94.65, -24.08, 61.28

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 5 / 0 / 39 / 11

HEX #D7E38B

RGB 215 227 139

HSL 68.18, 0.61%, 0.72%

LAB 87.61, -17.29, 41.62

 

CMYK 4 / 0 / 30 / 15

HEX #CFD897

RGB 207 216 151

HSL 68.31, 0.45%, 0.72%

LAB 84.28, -13.4, 31.1

 

CMYK 3 / 0 / 21 / 20

HEX #C6CCA2

RGB 198 204 162

HSL 68.57, 0.29%, 0.72%

LAB 80.63, -9.13, 20.29

 

CMYK 2 / 0 / 10 / 24

HEX #BEC1AE

RGB 190 193 174

HSL 69.47, 0.13%, 0.72%

LAB 77.37, -4.42, 9.2

 

CMYK 0 / 19 / 47 / 6

HEX #EFC27F

RGB 239 194 127

HSL 35.89, 0.78%, 0.72%

LAB 81, 7.75, 39.65

 

CMYK 0 / 6 / 47 / 6

HEX #EFE07F

RGB 239 224 127

HSL 51.96, 0.78%, 0.72%

LAB 88.54, -7.66, 49.06

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 19 / 0 / 47 / 6

HEX #C2EF7F

RGB 194 239 127

HSL 84.11, 0.78%, 0.72%

LAB 89.27, -32.23, 49.22

 

CMYK 31 / 0 / 47 / 6

HEX #A5EF7F

RGB 165 239 127

HSL 99.64, 0.78%, 0.72%

LAB 87.61, -42.41, 46.81

 

CMYK 10 / 0 / 77 / 10

HEX #CEE636

RGB 206 230 54

HSL 68.18, 0.78%, 0.56%

LAB 86.99, -28.74, 76.31

 

CMYK 8 / 0 / 61 / 8

HEX #D7EA5B

RGB 215 234 91

HSL 67.97, 0.77%, 0.64%

LAB 88.95, -25.02, 65.27

 

CMYK 6 / 0 / 47 / 6

HEX #E0EF7F

RGB 224 239 127

HSL 68.04, 0.78%, 0.72%

LAB 91.29, -20.93, 52.14

 

CMYK 4 / 0 / 33 / 5

HEX #E9F3A4

RGB 233 243 164

HSL 67.59, 0.77%, 0.8%

LAB 93.5, -15.42, 37.06

 

CMYK 2 / 0 / 19 / 3

HEX #F2F8C9

RGB 242 248 201

HSL 67.66, 0.77%, 0.88%

LAB 96.09, -9.64, 21.96

 

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

CMYK 47 / 0 / 31 / 6

HEX #7FEFA5

RGB 127 239 165

HSL 140.36, 0.78%, 0.72%

LAB 86.49, -48.02, 26.13

 

CMYK 13 / 47 / 0 / 6

HEX #D17FEF

RGB 209 127 239

HSL 283.93, 0.78%, 0.72%

LAB 65.72, 49.93, -43.83

 

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

CMYK 47 / 6 / 0 / 6

HEX #7FE0EF

RGB 127 224 239

HSL 188.04, 0.78%, 0.72%

LAB 83.99, -24.74, -16.22

 

CMYK 0 / 47 / 6 / 6

HEX #EF7FE0

RGB 239 127 224

HSL 308.04, 0.78%, 0.72%

LAB 68.69, 55.73, -30.65

 

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

CMYK 47 / 0 / 31 / 6

HEX #7FEFA5

RGB 127 239 165

HSL 140.36, 0.78%, 0.72%

LAB 86.49, -48.02, 26.13

 

CMYK 41 / 47 / 0 / 6

HEX #8E7FEF

RGB 142 127 239

HSL 248.04, 0.78%, 0.72%

LAB 59.12, 32.25, -54.7

 

CMYK 0 / 47 / 15 / 6

HEX #EF7FCA

RGB 239 127 202

HSL 319.82, 0.78%, 0.72%

LAB 67.87, 52.22, -19.67

 

CMYK 6 / 0 / 46 / 6

HEX #E0EF80

RGB 224 239 128

HSL 68.11, 0.78%, 0.72%

LAB 91.3, -20.84, 51.68

 

CMYK 47 / 0 / 17 / 6

HEX #7FEFC6

RGB 127 239 198

HSL 158.04, 0.78%, 0.72%

LAB 87.15, -41.51, 9.99

 

CMYK 41 / 47 / 0 / 6

HEX #8E7FEF

RGB 142 127 239

HSL 248.04, 0.78%, 0.72%

LAB 59.12, 32.25, -54.7

 

CMYK 0 / 47 / 30 / 6

HEX #EF7FA8

RGB 239 127 168

HSL 338.04, 0.78%, 0.72%

LAB 66.79, 47.45, -2.16

 

Description

Color code: HEX #E0EF80 | qconv.com Color code: HEX #E0EF80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 239 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 239 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 46 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 46% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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