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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0F077 it is the complementary color #1F0F88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0F077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0F077 shade: #E5F072, #F6FF85, #FFFF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0F077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0F077 shade: #E0F077, #CFDE64, #BECC51, #ADBA3E and #9CA82B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0F077 shade: #DFEF75, #EFDE75, #EFBD75, #EF9C75 and #EF7B75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0F077 shade: #DFEF75, #BEEF75, #9DEF75, #7CEF75 and #75EF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0F077 shade matches the following richer shades: #DFEF75 and #E8FC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0F077 shade: #DFEF75, #D6E381, #CDD68E, #C4CA9A and #BBBEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0F077 shade: #EFBC75, #EFDD75, #E1EF75, #C0EF75 and #A0EF75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0F077 shade: #CEE72B, #D7EB50, #DFEF75, #E8F39A and #F0F7BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0F077 shade: #E0F077, #75EF9C and #CD75EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0F077 shade: #E0F077, #75E1EF and #EF75E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0F077 shade: #E0F077, #75EF9C, #8375EF and #EF75C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0F077 shade: #E0F077, #75EFC0, #8375EF and #EF75A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

Complementary color

CMYK 77 / 89 / 0 / 47

HEX #1F0F88

RGB 31 15 136

HSL 247.93, 0.8%, 0.3%

LAB 17.51, 45.13, -62.17

 

CMYK 5 / 0 / 53 / 6

HEX #E5F072

RGB 229 240 114

HSL 65.24, 0.81%, 0.69%

LAB 91.77, -20.63, 58.79

 

CMYK 4 / 0 / 48 / 0

HEX #F6FF85

RGB 246 255 133

HSL 64.43, 1%, 0.76%

LAB 97.15, -19.59, 56.8

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

CMYK 7 / 0 / 55 / 13

HEX #CFDE64

RGB 207 222 100

HSL 67.38, 0.65%, 0.63%

LAB 85.21, -21.76, 57.1

 

CMYK 7 / 0 / 60 / 20

HEX #BECC51

RGB 190 204 81

HSL 66.83, 0.55%, 0.56%

LAB 78.88, -21.28, 58.03

 

CMYK 7 / 0 / 67 / 27

HEX #ADBA3E

RGB 173 186 62

HSL 66.29, 0.5%, 0.49%

LAB 72.46, -20.67, 58.7

 

CMYK 7 / 0 / 74 / 34

HEX #9CA82B

RGB 156 168 43

HSL 65.76, 0.59%, 0.41%

LAB 65.94, -19.91, 58.91

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 0 / 7 / 51 / 6

HEX #EFDE75

RGB 239 222 117

HSL 51.64, 0.79%, 0.7%

LAB 87.91, -7.53, 53.07

 

CMYK 0 / 21 / 51 / 6

HEX #EFBD75

RGB 239 189 117

HSL 35.41, 0.79%, 0.7%

LAB 79.63, 9.46, 43

 

CMYK 0 / 35 / 51 / 6

HEX #EF9C75

RGB 239 156 117

HSL 19.18, 0.79%, 0.7%

LAB 71.83, 26.9, 33.13

 

CMYK 0 / 49 / 51 / 6

HEX #EF7B75

RGB 239 123 117

HSL 2.95, 0.79%, 0.7%

LAB 64.8, 43.96, 23.88

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 21 / 0 / 51 / 6

HEX #BEEF75

RGB 190 239 117

HSL 84.1, 0.79%, 0.7%

LAB 88.91, -34.74, 53.4

 

CMYK 34 / 0 / 51 / 6

HEX #9DEF75

RGB 157 239 117

HSL 100.33, 0.79%, 0.7%

LAB 87.09, -46.22, 50.79

 

CMYK 48 / 0 / 51 / 6

HEX #7CEF75

RGB 124 239 117

HSL 116.56, 0.79%, 0.7%

LAB 85.66, -56.16, 48.72

 

CMYK 51 / 0 / 40 / 6

HEX #75EF8F

RGB 117 239 143

HSL 132.79, 0.79%, 0.7%

LAB 85.75, -54.28, 36.2

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 8 / 0 / 59 / 1

HEX #E8FC68

RGB 232 252 104

HSL 68.11, 0.96%, 0.7%

LAB 95.07, -25.94, 66.91

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 6 / 0 / 43 / 11

HEX #D6E381

RGB 214 227 129

HSL 67.96, 0.64%, 0.7%

LAB 87.4, -18.76, 46.25

 

CMYK 4 / 0 / 34 / 16

HEX #CDD68E

RGB 205 214 142

HSL 67.5, 0.47%, 0.7%

LAB 83.46, -14.3, 34.6

 

CMYK 3 / 0 / 24 / 21

HEX #C4CA9A

RGB 196 202 154

HSL 67.5, 0.31%, 0.7%

LAB 79.79, -10.02, 23.34

 

CMYK 2 / 0 / 13 / 25

HEX #BBBEA6

RGB 187 190 166

HSL 67.5, 0.16%, 0.7%

LAB 76.16, -5.27, 11.77

 

CMYK 0 / 21 / 51 / 6

HEX #EFBC75

RGB 239 188 117

HSL 34.92, 0.79%, 0.7%

LAB 79.39, 9.98, 42.7

 

CMYK 0 / 8 / 51 / 6

HEX #EFDD75

RGB 239 221 117

HSL 51.15, 0.79%, 0.7%

LAB 87.65, -7.03, 52.76

 

CMYK 6 / 0 / 51 / 6

HEX #E1EF75

RGB 225 239 117

HSL 66.89, 0.79%, 0.7%

LAB 91.25, -21.46, 56.75

 

CMYK 20 / 0 / 51 / 6

HEX #C0EF75

RGB 192 239 117

HSL 83.11, 0.79%, 0.7%

LAB 89.03, -34, 53.58

 

CMYK 33 / 0 / 51 / 6

HEX #A0EF75

RGB 160 239 117

HSL 98.85, 0.79%, 0.7%

LAB 87.24, -45.23, 51

 

CMYK 11 / 0 / 81 / 9

HEX #CEE72B

RGB 206 231 43

HSL 67.98, 0.8%, 0.54%

LAB 87.22, -29.59, 79.44

 

CMYK 9 / 0 / 66 / 8

HEX #D7EB50

RGB 215 235 80

HSL 67.74, 0.79%, 0.62%

LAB 89.13, -26.2, 69.82

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 5 / 0 / 37 / 5

HEX #E8F39A

RGB 232 243 154

HSL 67.42, 0.79%, 0.78%

LAB 93.27, -16.98, 41.72

 

CMYK 3 / 0 / 23 / 3

HEX #F0F7BF

RGB 240 247 191

HSL 67.5, 0.78%, 0.86%

LAB 95.5, -11.29, 26.21

 

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

CMYK 51 / 0 / 35 / 6

HEX #75EF9C

RGB 117 239 156

HSL 139.18, 0.79%, 0.7%

LAB 85.96, -52.12, 29.94

 

CMYK 14 / 51 / 0 / 6

HEX #CD75EF

RGB 205 117 239

HSL 283.28, 0.79%, 0.7%

LAB 63.29, 53.96, -47.7

 

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

CMYK 51 / 6 / 0 / 6

HEX #75E1EF

RGB 117 225 239

HSL 186.89, 0.79%, 0.7%

LAB 83.9, -27.38, -16.41

 

CMYK 0 / 51 / 6 / 6

HEX #EF75E1

RGB 239 117 225

HSL 306.89, 0.79%, 0.7%

LAB 66.91, 60.68, -33.96

 

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

CMYK 51 / 0 / 35 / 6

HEX #75EF9C

RGB 117 239 156

HSL 139.18, 0.79%, 0.7%

LAB 85.96, -52.12, 29.94

 

CMYK 45 / 51 / 0 / 6

HEX #8375EF

RGB 131 117 239

HSL 246.89, 0.79%, 0.7%

LAB 55.87, 35.52, -59.96

 

CMYK 0 / 51 / 16 / 6

HEX #EF75C8

RGB 239 117 200

HSL 319.18, 0.79%, 0.7%

LAB 65.94, 56.76, -21.49

 

CMYK 7 / 0 / 50 / 6

HEX #E0F077

RGB 224 240 119

HSL 67.93, 0.8%, 0.7%

LAB 91.46, -22.15, 56.07

 

CMYK 51 / 0 / 20 / 6

HEX #75EFC0

RGB 117 239 192

HSL 156.89, 0.79%, 0.7%

LAB 86.66, -45.12, 12.37

 

CMYK 45 / 51 / 0 / 6

HEX #8375EF

RGB 131 117 239

HSL 246.89, 0.79%, 0.7%

LAB 55.87, 35.52, -59.96

 

CMYK 0 / 51 / 31 / 6

HEX #EF75A4

RGB 239 117 164

HSL 336.89, 0.79%, 0.7%

LAB 64.77, 51.85, -2.87

 

Description

Color code: HEX #E0F077 | qconv.com Color code: HEX #E0F077 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 240 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 240 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 50 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 50% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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