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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0F0B7 it is the complementary color #1F0F48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0F0B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0F0B7 shade: #E5F0B2, #F6FFC5, #FFFFD8, #FFFFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0F0B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0F0B7 shade: #E0F0B7, #CFDEA4, #BECC91, #ADBA7E and #9CA86B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0F0B7 shade: #E0F0B7, #EFF0B7, #F0E1B7, #F0D2B7 and #F0C2B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0F0B7 shade: #E0F0B7, #D0F0B7, #C1F0B7, #B7F0BC and #B7F0CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0F0B7 shade matches the following richer shades: #E0F0B7, #E3F7B0 and #E6FEA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0F0B7 shade: #E0F0B7, #DDE9BE, #DAE2C5, #D6DBCC and #D3D4D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0F0B7 shade: #F0E1B7, #F0F0B7, #E1F0B7, #D1F0B7 and #C2F0B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0F0B7 shade: #C2E272, #D1E994, #E0F0B7, #EEF7D9 and #FDFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0F0B7 shade: #E0F0B7, #B7F0D1 and #E8B7F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0F0B7 shade: #E0F0B7, #B7E1F0 and #F0B7E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0F0B7 shade: #E0F0B7, #B7F0D1, #C6B7F0 and #F0B7D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0F0B7 shade: #E0F0B7, #B7F0E2, #C6B7F0 and #F0B7C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

Complementary color

CMYK 57 / 79 / 0 / 72

HEX #1F0F48

RGB 31 15 72

HSL 256.84, 0.66%, 0.17%

LAB 9.8, 24.6, -32.63

 

CMYK 5 / 0 / 26 / 6

HEX #E5F0B2

RGB 229 240 178

HSL 70.65, 0.67%, 0.82%

LAB 92.66, -13.61, 28.82

 

CMYK 4 / 0 / 23 / 0

HEX #F6FFC5

RGB 246 255 197

HSL 69.31, 1%, 0.89%

LAB 98.09, -12.24, 26.79

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD8

RGB 255 255 216

HSL 60, 1%, 0.92%

LAB 99.12, -6.32, 18.67

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 7 / 0 / 26 / 13

HEX #CFDEA4

RGB 207 222 164

HSL 75.52, 0.47%, 0.76%

LAB 86.1, -14.64, 26.84

 

CMYK 7 / 0 / 29 / 20

HEX #BECC91

RGB 190 204 145

HSL 74.24, 0.37%, 0.68%

LAB 79.71, -14.56, 27.88

 

CMYK 7 / 0 / 32 / 27

HEX #ADBA7E

RGB 173 186 126

HSL 73, 0.3%, 0.61%

LAB 73.23, -14.45, 28.98

 

CMYK 7 / 0 / 36 / 34

HEX #9CA86B

RGB 156 168 107

HSL 71.8, 0.26%, 0.54%

LAB 66.62, -14.32, 30.14

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 0 / 0 / 24 / 6

HEX #EFF0B7

RGB 239 240 183

HSL 61.05, 0.66%, 0.83%

LAB 93.49, -9.28, 27.53

 

CMYK 0 / 6 / 24 / 6

HEX #F0E1B7

RGB 240 225 183

HSL 44.21, 0.66%, 0.83%

LAB 89.76, -1.34, 22.43

 

CMYK 0 / 13 / 24 / 6

HEX #F0D2B7

RGB 240 210 183

HSL 28.42, 0.66%, 0.83%

LAB 86.03, 6.39, 17.23

 

CMYK 0 / 19 / 24 / 6

HEX #F0C2B7

RGB 240 194 183

HSL 11.58, 0.66%, 0.83%

LAB 82.12, 14.78, 11.73

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 13 / 0 / 24 / 6

HEX #D0F0B7

RGB 208 240 183

HSL 93.68, 0.66%, 0.83%

LAB 91.3, -20.37, 24.18

 

CMYK 20 / 0 / 24 / 6

HEX #C1F0B7

RGB 193 240 183

HSL 109.47, 0.66%, 0.83%

LAB 90.36, -25.5, 22.73

 

CMYK 24 / 0 / 22 / 6

HEX #B7F0BC

RGB 183 240 188

HSL 125.26, 0.66%, 0.83%

LAB 89.87, -27.97, 19.39

 

CMYK 24 / 0 / 15 / 6

HEX #B7F0CB

RGB 183 240 203

HSL 141.05, 0.66%, 0.83%

LAB 90.18, -25.3, 12.07

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 8 / 0 / 29 / 3

HEX #E3F7B0

RGB 227 247 176

HSL 76.9, 0.82%, 0.83%

LAB 94.31, -18.04, 32.03

 

CMYK 9 / 0 / 33 / 0

HEX #E6FEA9

RGB 230 254 169

HSL 76.94, 0.98%, 0.83%

LAB 96.23, -21.24, 38.13

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 5 / 0 / 18 / 9

HEX #DDE9BE

RGB 221 233 190

HSL 76.74, 0.49%, 0.83%

LAB 90.49, -11.27, 19.59

 

CMYK 4 / 0 / 13 / 11

HEX #DAE2C5

RGB 218 226 197

HSL 76.55, 0.33%, 0.83%

LAB 88.6, -7.7, 13.27

 

CMYK 2 / 0 / 7 / 14

HEX #D6DBCC

RGB 214 219 204

HSL 80, 0.17%, 0.83%

LAB 86.66, -4.35, 6.78

 

CMYK 0 / 0 / 0 / 17

HEX #D3D4D3

RGB 211 212 211

HSL 120, 0.01%, 0.83%

LAB 84.81, -0.52, 0.36

 

CMYK 0 / 6 / 24 / 6

HEX #F0E1B7

RGB 240 225 183

HSL 44.21, 0.66%, 0.83%

LAB 89.76, -1.34, 22.43

 

CMYK 0 / 0 / 24 / 6

HEX #F0F0B7

RGB 240 240 183

HSL 60, 0.66%, 0.83%

LAB 93.57, -8.91, 27.64

 

CMYK 6 / 0 / 24 / 6

HEX #E1F0B7

RGB 225 240 183

HSL 75.79, 0.66%, 0.83%

LAB 92.46, -14.35, 25.96

 

CMYK 13 / 0 / 24 / 6

HEX #D1F0B7

RGB 209 240 183

HSL 92.63, 0.66%, 0.83%

LAB 91.37, -20.02, 24.28

 

CMYK 19 / 0 / 24 / 6

HEX #C2F0B7

RGB 194 240 183

HSL 108.42, 0.66%, 0.83%

LAB 90.42, -25.17, 22.82

 

CMYK 14 / 0 / 50 / 11

HEX #C2E272

RGB 194 226 114

HSL 77.14, 0.66%, 0.67%

LAB 85.54, -27.49, 50.83

 

CMYK 10 / 0 / 36 / 9

HEX #D1E994

RGB 209 233 148

HSL 76.94, 0.66%, 0.75%

LAB 88.91, -21.43, 38.73

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 4 / 0 / 12 / 3

HEX #EEF7D9

RGB 238 247 217

HSL 78, 0.65%, 0.91%

LAB 95.88, -8.09, 13.41

 

CMYK 0 / 0 / 1 / 0

HEX #FDFEFB

RGB 253 254 251

HSL 80, 0.6%, 0.99%

LAB 99.51, -0.85, 1.3

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 24 / 0 / 13 / 6

HEX #B7F0D1

RGB 183 240 209

HSL 147.37, 0.66%, 0.83%

LAB 90.32, -24.17, 9.14

 

CMYK 3 / 24 / 0 / 6

HEX #E8B7F0

RGB 232 183 240

HSL 291.58, 0.66%, 0.83%

LAB 80.36, 27.3, -21.58

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 24 / 6 / 0 / 6

HEX #B7E1F0

RGB 183 225 240

HSL 195.79, 0.66%, 0.83%

LAB 87.1, -10.34, -11.81

 

CMYK 0 / 24 / 6 / 6

HEX #F0B7E1

RGB 240 183 225

HSL 315.79, 0.66%, 0.83%

LAB 80.64, 27.22, -13.01

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 24 / 0 / 13 / 6

HEX #B7F0D1

RGB 183 240 209

HSL 147.37, 0.66%, 0.83%

LAB 90.32, -24.17, 9.14

 

CMYK 18 / 24 / 0 / 6

HEX #C6B7F0

RGB 198 183 240

HSL 255.79, 0.66%, 0.83%

LAB 77.38, 16.55, -26.39

 

CMYK 0 / 24 / 11 / 6

HEX #F0B7D5

RGB 240 183 213

HSL 328.42, 0.66%, 0.83%

LAB 80.29, 25.2, -7.07

 

CMYK 7 / 0 / 24 / 6

HEX #E0F0B7

RGB 224 240 183

HSL 76.84, 0.66%, 0.83%

LAB 92.39, -14.71, 25.85

 

CMYK 24 / 0 / 6 / 6

HEX #B7F0E2

RGB 183 240 226

HSL 165.26, 0.66%, 0.83%

LAB 90.72, -20.83, 0.88

 

CMYK 18 / 24 / 0 / 6

HEX #C6B7F0

RGB 198 183 240

HSL 255.79, 0.66%, 0.83%

LAB 77.38, 16.55, -26.39

 

CMYK 0 / 24 / 18 / 6

HEX #F0B7C4

RGB 240 183 196

HSL 346.32, 0.66%, 0.83%

LAB 79.83, 22.51, 1.44

 

Description

Color code: HEX #E0F0B7 | qconv.com Color code: HEX #E0F0B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 240 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 240 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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