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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0FE94 it is the complementary color #1F016B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0FE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0FE94 shade: #E5FE8F, #F6FFA2, #FFFFB5, #FFFFC8 and #FFFFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0FE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0FE94 shade: #E0FE94, #CFEC81, #BEDA6E, #ADC85B and #9CB648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0FE94 shade: #E0FD94, #FCFD94, #FDE394, #FDC694 and #FDAA94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0FE94 shade: #E0FD94, #C3FD94, #A7FD94, #94FD9E and #94FDBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0FE94 shade matches the following richer shades: #E0FD94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0FE94 shade: #E0FD94, #DCF59D, #D8ECA6, #D4E3AE and #D1DBB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0FE94 shade: #FDE194, #FDFD94, #E1FD94, #C5FD94 and #A9FD94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0FE94 shade: #C8FD43, #D4FD6C, #E0FD94, #ECFEBD and #F7FEE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0FE94 shade: #E0FE94, #94FDC5 and #EF94FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0FE94 shade: #E0FE94, #94E1FD and #FD94E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0FE94 shade: #E0FE94, #94FDC5, #B094FD and #FD94CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0FE94 shade: #E0FE94, #94FDE5, #B094FD and #FD94AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

Complementary color

CMYK 71 / 99 / 0 / 58

HEX #1F016B

RGB 31 1 107

HSL 256.98, 0.98%, 0.21%

LAB 11.79, 42.18, -53.05

 

CMYK 10 / 0 / 44 / 0

HEX #E5FE8F

RGB 229 254 143

HSL 73.51, 0.98%, 0.78%

LAB 95.8, -24.6, 50.2

 

CMYK 4 / 0 / 36 / 0

HEX #F6FFA2

RGB 246 255 162

HSL 65.81, 1%, 0.82%

LAB 97.52, -16.66, 43.47

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

CMYK 12 / 0 / 45 / 7

HEX #CFEC81

RGB 207 236 129

HSL 76.26, 0.74%, 0.72%

LAB 89.32, -25.78, 48.52

 

CMYK 13 / 0 / 50 / 15

HEX #BEDA6E

RGB 190 218 110

HSL 75.56, 0.59%, 0.64%

LAB 83.03, -25.6, 49.64

 

CMYK 14 / 0 / 55 / 22

HEX #ADC85B

RGB 173 200 91

HSL 74.86, 0.5%, 0.57%

LAB 76.65, -25.35, 50.72

 

CMYK 14 / 0 / 60 / 29

HEX #9CB648

RGB 156 182 72

HSL 74.18, 0.43%, 0.5%

LAB 70.17, -25.01, 51.69

 

CMYK 11 / 0 / 42 / 1

HEX #E0FD94

RGB 224 253 148

HSL 76.57, 0.96%, 0.79%

LAB 95.26, -25.45, 47.06

 

CMYK 0 / 0 / 42 / 1

HEX #FCFD94

RGB 252 253 148

HSL 60.57, 0.96%, 0.79%

LAB 97.26, -14.9, 50

 

CMYK 0 / 10 / 42 / 1

HEX #FDE394

RGB 253 227 148

HSL 45.14, 0.96%, 0.79%

LAB 90.76, -1.61, 41.79

 

CMYK 0 / 22 / 42 / 1

HEX #FDC694

RGB 253 198 148

HSL 28.57, 0.96%, 0.79%

LAB 83.66, 13.31, 32.54

 

CMYK 0 / 33 / 42 / 1

HEX #FDAA94

RGB 253 170 148

HSL 12.57, 0.96%, 0.79%

LAB 77.14, 27.98, 23.8

 

CMYK 11 / 0 / 42 / 1

HEX #E0FD94

RGB 224 253 148

HSL 76.57, 0.96%, 0.79%

LAB 95.26, -25.45, 47.06

 

CMYK 23 / 0 / 42 / 1

HEX #C3FD94

RGB 195 253 148

HSL 93.14, 0.96%, 0.79%

LAB 93.45, -35.86, 44.38

 

CMYK 34 / 0 / 42 / 1

HEX #A7FD94

RGB 167 253 148

HSL 109.14, 0.96%, 0.79%

LAB 91.96, -45.15, 42.17

 

CMYK 42 / 0 / 38 / 1

HEX #94FD9E

RGB 148 253 158

HSL 125.71, 0.96%, 0.79%

LAB 91.24, -49.39, 36.17

 

CMYK 42 / 0 / 26 / 1

HEX #94FDBA

RGB 148 253 186

HSL 141.71, 0.96%, 0.79%

LAB 91.73, -44.67, 22.73

 

CMYK 11 / 0 / 42 / 1

HEX #E0FD94

RGB 224 253 148

HSL 76.57, 0.96%, 0.79%

LAB 95.26, -25.45, 47.06

 

CMYK 11 / 0 / 42 / 1

HEX #E0FD94

RGB 224 253 148

HSL 76.57, 0.96%, 0.79%

LAB 95.26, -25.45, 47.06

 

CMYK 10 / 0 / 36 / 4

HEX #DCF59D

RGB 220 245 157

HSL 77.05, 0.81%, 0.79%

LAB 92.99, -22.06, 39.71

 

CMYK 8 / 0 / 30 / 7

HEX #D8ECA6

RGB 216 236 166

HSL 77.14, 0.65%, 0.79%

LAB 90.48, -18, 31.83

 

CMYK 7 / 0 / 23 / 11

HEX #D4E3AE

RGB 212 227 174

HSL 76.98, 0.49%, 0.79%

LAB 87.96, -13.88, 24.27

 

CMYK 5 / 0 / 16 / 14

HEX #D1DBB7

RGB 209 219 183

HSL 76.67, 0.33%, 0.79%

LAB 85.82, -9.57, 16.58

 

CMYK 0 / 11 / 42 / 1

HEX #FDE194

RGB 253 225 148

HSL 44, 0.96%, 0.79%

LAB 90.26, -0.6, 41.15

 

CMYK 0 / 0 / 42 / 1

HEX #FDFD94

RGB 253 253 148

HSL 60, 0.96%, 0.79%

LAB 97.34, -14.52, 50.11

 

CMYK 11 / 0 / 42 / 1

HEX #E1FD94

RGB 225 253 148

HSL 76, 0.96%, 0.79%

LAB 95.33, -25.08, 47.16

 

CMYK 22 / 0 / 42 / 1

HEX #C5FD94

RGB 197 253 148

HSL 92, 0.96%, 0.79%

LAB 93.56, -35.16, 44.56

 

CMYK 33 / 0 / 42 / 1

HEX #A9FD94

RGB 169 253 148

HSL 108, 0.96%, 0.79%

LAB 92.05, -44.51, 42.32

 

CMYK 21 / 0 / 74 / 1

HEX #C8FD43

RGB 200 253 67

HSL 77.1, 0.98%, 0.63%

LAB 92.99, -40.95, 77.82

 

CMYK 16 / 0 / 57 / 1

HEX #D4FD6C

RGB 212 253 108

HSL 76.97, 0.97%, 0.71%

LAB 94.03, -33.77, 63.69

 

CMYK 11 / 0 / 42 / 1

HEX #E0FD94

RGB 224 253 148

HSL 76.57, 0.96%, 0.79%

LAB 95.26, -25.45, 47.06

 

CMYK 7 / 0 / 26 / 0

HEX #ECFEBD

RGB 236 254 189

HSL 76.62, 0.97%, 0.87%

LAB 96.98, -16.44, 29.2

 

CMYK 3 / 0 / 9 / 0

HEX #F7FEE6

RGB 247 254 230

HSL 77.5, 0.92%, 0.95%

LAB 98.58, -6.4, 10.68

 

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

CMYK 42 / 0 / 22 / 1

HEX #94FDC5

RGB 148 253 197

HSL 148, 0.96%, 0.79%

LAB 91.94, -42.6, 17.41

 

CMYK 6 / 42 / 0 / 1

HEX #EF94FD

RGB 239 148 253

HSL 292, 0.96%, 0.79%

LAB 73.95, 50.35, -38.39

 

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

CMYK 42 / 11 / 0 / 1

HEX #94E1FD

RGB 148 225 253

HSL 196, 0.96%, 0.79%

LAB 85.62, -16.71, -21.06

 

CMYK 0 / 42 / 11 / 1

HEX #FD94E1

RGB 253 148 225

HSL 316, 0.96%, 0.79%

LAB 74.51, 49.69, -22.13

 

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

CMYK 42 / 0 / 22 / 1

HEX #94FDC5

RGB 148 253 197

HSL 148, 0.96%, 0.79%

LAB 91.94, -42.6, 17.41

 

CMYK 30 / 42 / 0 / 1

HEX #B094FD

RGB 176 148 253

HSL 256, 0.96%, 0.79%

LAB 67.65, 32.63, -48.7

 

CMYK 0 / 42 / 19 / 1

HEX #FD94CC

RGB 253 148 204

HSL 328, 0.96%, 0.79%

LAB 73.82, 46.48, -11.64

 

CMYK 12 / 0 / 42 / 0

HEX #E0FE94

RGB 224 254 148

HSL 76.98, 0.98%, 0.79%

LAB 95.53, -25.92, 47.39

 

CMYK 42 / 0 / 9 / 1

HEX #94FDE5

RGB 148 253 229

HSL 166.29, 0.96%, 0.79%

LAB 92.66, -35.96, 1.94

 

CMYK 30 / 42 / 0 / 1

HEX #B094FD

RGB 176 148 253

HSL 256, 0.96%, 0.79%

LAB 67.65, 32.63, -48.7

 

CMYK 0 / 42 / 32 / 1

HEX #FD94AD

RGB 253 148 173

HSL 345.71, 0.96%, 0.79%

LAB 72.94, 42.27, 4.22

 

Description

Color code: HEX #E0FE94 | qconv.com Color code: HEX #E0FE94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 254 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 254 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 42 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 42% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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