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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E104D2 it is the complementary color #1EFB2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E104D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E104D2 shade: #E604CD, #F716E0, #FF28F3, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E104D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E104D2 shade: #E104D2, #D000BF, #BF00AC, #AE0099 and #9D0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E104D2 shade: #E203D2, #E20396, #E2035A, #E2031E and #E20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E104D2 shade: #E203D2, #B503E2, #7903E2, #3D03E2 and #0303E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E104D2 shade matches the following richer shades: #E203D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E104D2 shade: #E203D2, #CF16C2, #BC28B2, #AA3BA2 and #974D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E104D2 shade: #7A03E2, #B503E2, #E203D3, #E20397 and #E2035C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E104D2 shade: #900287, #B902AD, #E203D2, #FB13EB and #FC3BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E104D2 shade: #E104D2, #E23E03 and #03E297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E104D2 shade: #E104D2, #D3E203 and #03D3E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E104D2 shade: #E104D2, #E23E03, #03E212 and #03A6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E104D2 shade: #E104D2, #E28103, #03E212 and #0363E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

Complementary color

CMYK 88 / 0 / 82 / 2

HEX #1EFB2D

RGB 30 251 45

HSL 124.07, 0.97%, 0.55%

LAB 86.73, -82.71, 76.13

 

CMYK 0 / 98 / 11 / 10

HEX #E604CD

RGB 230 4 205

HSL 306.64, 0.97%, 0.46%

LAB 53.3, 87.21, -44.1

 

CMYK 0 / 91 / 9 / 3

HEX #F716E0

RGB 247 22 224

HSL 306.13, 0.93%, 0.53%

LAB 57.78, 91.18, -47.63

 

CMYK 0 / 84 / 5 / 0

HEX #FF28F3

RGB 255 40 243

HSL 303.35, 1%, 0.58%

LAB 61, 92.63, -53.09

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

CMYK 0 / 100 / 8 / 18

HEX #D000BF

RGB 208 0 191

HSL 304.9, 1%, 0.41%

LAB 48.48, 81.89, -43.89

 

CMYK 0 / 100 / 10 / 25

HEX #BF00AC

RGB 191 0 172

HSL 305.97, 1%, 0.37%

LAB 44.31, 76.38, -39.51

 

CMYK 0 / 100 / 12 / 32

HEX #AE0099

RGB 174 0 153

HSL 307.24, 1%, 0.34%

LAB 40.08, 70.78, -35.02

 

CMYK 0 / 100 / 15 / 38

HEX #9D0086

RGB 157 0 134

HSL 308.79, 1%, 0.31%

LAB 35.77, 65.08, -30.39

 

CMYK 0 / 99 / 7 / 11

HEX #E203D2

RGB 226 3 210

HSL 304.3, 0.97%, 0.45%

LAB 52.83, 87.26, -47.76

 

CMYK 0 / 99 / 34 / 11

HEX #E20396

RGB 226 3 150

HSL 320.45, 0.97%, 0.45%

LAB 50.02, 80.19, -16.99

 

CMYK 0 / 99 / 60 / 11

HEX #E2035A

RGB 226 3 90

HSL 336.59, 0.97%, 0.45%

LAB 48.22, 75.45, 17.03

 

CMYK 0 / 99 / 87 / 11

HEX #E2031E

RGB 226 3 30

HSL 352.74, 0.97%, 0.45%

LAB 47.4, 73.21, 50.9

 

CMYK 0 / 99 / 99 / 11

HEX #E20303

RGB 226 3 3

HSL 0, 0.97%, 0.45%

LAB 47.29, 72.9, 60.49

 

CMYK 0 / 99 / 7 / 11

HEX #E203D2

RGB 226 3 210

HSL 304.3, 0.97%, 0.45%

LAB 52.83, 87.26, -47.76

 

CMYK 20 / 99 / 0 / 11

HEX #B503E2

RGB 181 3 226

HSL 287.89, 0.97%, 0.45%

LAB 46.15, 82.88, -68.04

 

CMYK 46 / 99 / 0 / 11

HEX #7903E2

RGB 121 3 226

HSL 271.75, 0.97%, 0.45%

LAB 37.15, 76.23, -83.14

 

CMYK 73 / 99 / 0 / 11

HEX #3D03E2

RGB 61 3 226

HSL 255.61, 0.97%, 0.45%

LAB 30.76, 72.72, -93.94

 

CMYK 99 / 99 / 0 / 11

HEX #0303E2

RGB 3 3 226

HSL 240, 0.97%, 0.45%

LAB 28.32, 71.77, -98.08

 

CMYK 0 / 99 / 7 / 11

HEX #E203D2

RGB 226 3 210

HSL 304.3, 0.97%, 0.45%

LAB 52.83, 87.26, -47.76

 

CMYK 0 / 99 / 7 / 11

HEX #E203D2

RGB 226 3 210

HSL 304.3, 0.97%, 0.45%

LAB 52.83, 87.26, -47.76

 

CMYK 0 / 89 / 6 / 19

HEX #CF16C2

RGB 207 22 194

HSL 304.22, 0.81%, 0.45%

LAB 49.17, 80.03, -44.54

 

CMYK 0 / 79 / 5 / 26

HEX #BC28B2

RGB 188 40 178

HSL 304.05, 0.65%, 0.45%

LAB 46.21, 70.52, -40.09

 

CMYK 0 / 65 / 5 / 33

HEX #AA3BA2

RGB 170 59 162

HSL 304.32, 0.48%, 0.45%

LAB 44.64, 57.55, -33.29

 

CMYK 0 / 49 / 3 / 41

HEX #974D92

RGB 151 77 146

HSL 304.05, 0.32%, 0.45%

LAB 44.18, 40.97, -24.63

 

CMYK 46 / 99 / 0 / 11

HEX #7A03E2

RGB 122 3 226

HSL 272.02, 0.97%, 0.45%

LAB 37.29, 76.31, -82.91

 

CMYK 20 / 99 / 0 / 11

HEX #B503E2

RGB 181 3 226

HSL 287.89, 0.97%, 0.45%

LAB 46.15, 82.88, -68.04

 

CMYK 0 / 99 / 7 / 11

HEX #E203D3

RGB 226 3 211

HSL 304.04, 0.97%, 0.45%

LAB 52.88, 87.4, -48.24

 

CMYK 0 / 99 / 33 / 11

HEX #E20397

RGB 226 3 151

HSL 320.18, 0.97%, 0.45%

LAB 50.06, 80.29, -17.53

 

CMYK 0 / 99 / 59 / 11

HEX #E2035C

RGB 226 3 92

HSL 336.05, 0.97%, 0.45%

LAB 48.27, 75.56, 15.86

 

CMYK 0 / 99 / 6 / 44

HEX #900287

RGB 144 2 135

HSL 303.8, 0.97%, 0.29%

LAB 33.4, 62.56, -34.93

 

CMYK 0 / 99 / 6 / 27

HEX #B902AD

RGB 185 2 173

HSL 303.93, 0.98%, 0.37%

LAB 43.32, 75.29, -41.75

 

CMYK 0 / 99 / 7 / 11

HEX #E203D2

RGB 226 3 210

HSL 304.3, 0.97%, 0.45%

LAB 52.83, 87.26, -47.76

 

CMYK 0 / 92 / 6 / 2

HEX #FB13EB

RGB 251 19 235

HSL 304.14, 0.97%, 0.53%

LAB 58.95, 93.63, -51.92

 

CMYK 0 / 77 / 5 / 1

HEX #FC3BEF

RGB 252 59 239

HSL 304.04, 0.97%, 0.61%

LAB 61.7, 87.44, -49.78

 

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

CMYK 0 / 73 / 99 / 11

HEX #E23E03

RGB 226 62 3

HSL 15.87, 0.97%, 0.45%

LAB 51.41, 61.25, 62.34

 

CMYK 99 / 0 / 33 / 11

HEX #03E297

RGB 3 226 151

HSL 159.82, 0.97%, 0.45%

LAB 79.98, -62.93, 24.08

 

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

CMYK 7 / 0 / 99 / 11

HEX #D3E203

RGB 211 226 3

HSL 64.04, 0.97%, 0.45%

LAB 86.13, -25.91, 84.64

 

CMYK 99 / 7 / 0 / 11

HEX #03D3E2

RGB 3 211 226

HSL 184.04, 0.97%, 0.45%

LAB 77.34, -37.05, -19.58

 

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

CMYK 0 / 73 / 99 / 11

HEX #E23E03

RGB 226 62 3

HSL 15.87, 0.97%, 0.45%

LAB 51.41, 61.25, 62.34

 

CMYK 99 / 0 / 92 / 11

HEX #03E212

RGB 3 226 18

HSL 124.04, 0.97%, 0.45%

LAB 78.73, -78.23, 74.18

 

CMYK 99 / 27 / 0 / 11

HEX #03A6E2

RGB 3 166 226

HSL 196.14, 0.97%, 0.45%

LAB 63.98, -14.46, -40.15

 

CMYK 0 / 98 / 7 / 12

HEX #E104D2

RGB 225 4 210

HSL 304.07, 0.97%, 0.45%

LAB 52.67, 87.02, -48.01

 

CMYK 0 / 43 / 99 / 11

HEX #E28103

RGB 226 129 3

HSL 33.9, 0.97%, 0.45%

LAB 63.24, 30.72, 69.2

 

CMYK 99 / 0 / 92 / 11

HEX #03E212

RGB 3 226 18

HSL 124.04, 0.97%, 0.45%

LAB 78.73, -78.23, 74.18

 

CMYK 99 / 56 / 0 / 11

HEX #0363E2

RGB 3 99 226

HSL 214.17, 0.97%, 0.45%

LAB 44.85, 26.05, -70.75

 

Description

Color code: HEX #E104D2 | qconv.com Color code: HEX #E104D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 4 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 4 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 7 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 7% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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