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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E10DFC it is the complementary color #1EF203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E10DFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E10DFC shade: #E60DF7, #F71FFF, #FF31FF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E10DFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E10DFC shade: #E10DFC, #D000E9, #BF00D6, #AE00C3 and #9D00B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E10DFC shade: #E10CFC, #FC0CD6, #FC0C96, #FC0C55 and #FC0C14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E10DFC shade: #E10CFC, #A00CFC, #600CFC, #1F0CFC and #0C0CFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E10DFC shade matches the following richer shades: #E10CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E10DFC shade: #E10CFC, #D220E8, #C234D4, #B348C1 and #A45BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E10DFC shade: #600CFC, #A00CFC, #E00CFC, #FC0CD8 and #FC0C98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E10DFC shade: #A001B4, #C402DD, #E10CFC, #E635FC and #EB5EFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E10DFC shade: #E10DFC, #FC200C and #0CFC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E10DFC shade: #E10DFC, #FCE00C and #0CFCE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E10DFC shade: #E10DFC, #FC200C, #28FC0C and #0CE8FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E10DFC shade: #E10DFC, #FC680C, #28FC0C and #0CA0FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

Complementary color

CMYK 88 / 0 / 99 / 5

HEX #1EF203

RGB 30 242 3

HSL 113.22, 0.98%, 0.48%

LAB 83.85, -81.47, 79.88

 

CMYK 7 / 95 / 0 / 3

HEX #E60DF7

RGB 230 13 247

HSL 295.64, 0.94%, 0.51%

LAB 55.91, 92.48, -63.7

 

CMYK 3 / 88 / 0 / 0

HEX #F71FFF

RGB 247 31 255

HSL 297.86, 1%, 0.56%

LAB 59.87, 94.39, -61.65

 

CMYK 0 / 81 / 0 / 0

HEX #FF31FF

RGB 255 49 255

HSL 300, 1%, 0.6%

LAB 62.23, 92.63, -57.79

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

CMYK 11 / 100 / 0 / 9

HEX #D000E9

RGB 208 0 233

HSL 293.56, 1%, 0.46%

LAB 51.03, 88.02, -63.9

 

CMYK 11 / 100 / 0 / 16

HEX #BF00D6

RGB 191 0 214

HSL 293.55, 1%, 0.42%

LAB 46.88, 82.57, -59.91

 

CMYK 11 / 100 / 0 / 24

HEX #AE00C3

RGB 174 0 195

HSL 293.54, 1%, 0.38%

LAB 42.67, 77.03, -55.86

 

CMYK 11 / 100 / 0 / 31

HEX #9D00B0

RGB 157 0 176

HSL 293.52, 1%, 0.35%

LAB 38.38, 71.39, -51.73

 

CMYK 11 / 95 / 0 / 1

HEX #E10CFC

RGB 225 12 252

HSL 293.25, 0.98%, 0.52%

LAB 55.38, 92.58, -67.39

 

CMYK 0 / 95 / 15 / 1

HEX #FC0CD6

RGB 252 12 214

HSL 309.5, 0.98%, 0.52%

LAB 57.86, 91.66, -41.78

 

CMYK 0 / 95 / 40 / 1

HEX #FC0C96

RGB 252 12 150

HSL 325.5, 0.98%, 0.52%

LAB 55.24, 84.88, -8.62

 

CMYK 0 / 95 / 66 / 1

HEX #FC0C55

RGB 252 12 85

HSL 341.75, 0.98%, 0.52%

LAB 53.62, 80.52, 28.15

 

CMYK 0 / 95 / 92 / 1

HEX #FC0C14

RGB 252 12 20

HSL 358, 0.98%, 0.52%

LAB 52.96, 78.71, 61.4

 

CMYK 11 / 95 / 0 / 1

HEX #E10CFC

RGB 225 12 252

HSL 293.25, 0.98%, 0.52%

LAB 55.38, 92.58, -67.39

 

CMYK 37 / 95 / 0 / 1

HEX #A00CFC

RGB 160 12 252

HSL 277, 0.98%, 0.52%

LAB 45.31, 84.29, -84.22

 

CMYK 62 / 95 / 0 / 1

HEX #600CFC

RGB 96 12 252

HSL 261, 0.98%, 0.52%

LAB 37.44, 79.07, -97.48

 

CMYK 88 / 95 / 0 / 1

HEX #1F0CFC

RGB 31 12 252

HSL 244.75, 0.98%, 0.52%

LAB 33.1, 76.92, -104.83

 

CMYK 95 / 95 / 0 / 1

HEX #0C0CFC

RGB 12 12 252

HSL 240, 0.98%, 0.52%

LAB 32.63, 76.73, -105.62

 

CMYK 11 / 95 / 0 / 1

HEX #E10CFC

RGB 225 12 252

HSL 293.25, 0.98%, 0.52%

LAB 55.38, 92.58, -67.39

 

CMYK 11 / 95 / 0 / 1

HEX #E10CFC

RGB 225 12 252

HSL 293.25, 0.98%, 0.52%

LAB 55.38, 92.58, -67.39

 

CMYK 9 / 86 / 0 / 9

HEX #D220E8

RGB 210 32 232

HSL 293.4, 0.81%, 0.52%

LAB 52.47, 84.7, -61

 

CMYK 8 / 75 / 0 / 17

HEX #C234D4

RGB 194 52 212

HSL 293.25, 0.65%, 0.52%

LAB 50.31, 73.79, -53.23

 

CMYK 7 / 63 / 0 / 24

HEX #B348C1

RGB 179 72 193

HSL 293.06, 0.49%, 0.52%

LAB 49.58, 59.77, -43.59

 

CMYK 5 / 47 / 0 / 32

HEX #A45BAD

RGB 164 91 173

HSL 293.41, 0.33%, 0.52%

LAB 49.97, 42.68, -31.48

 

CMYK 62 / 95 / 0 / 1

HEX #600CFC

RGB 96 12 252

HSL 261, 0.98%, 0.52%

LAB 37.44, 79.07, -97.48

 

CMYK 37 / 95 / 0 / 1

HEX #A00CFC

RGB 160 12 252

HSL 277, 0.98%, 0.52%

LAB 45.31, 84.29, -84.22

 

CMYK 11 / 95 / 0 / 1

HEX #E00CFC

RGB 224 12 252

HSL 293, 0.98%, 0.52%

LAB 55.21, 92.43, -67.66

 

CMYK 0 / 95 / 14 / 1

HEX #FC0CD8

RGB 252 12 216

HSL 309, 0.98%, 0.52%

LAB 57.96, 91.91, -42.76

 

CMYK 0 / 95 / 40 / 1

HEX #FC0C98

RGB 252 12 152

HSL 325, 0.98%, 0.52%

LAB 55.3, 85.06, -9.71

 

CMYK 11 / 99 / 0 / 29

HEX #A001B4

RGB 160 1 180

HSL 293.3, 0.99%, 0.35%

LAB 39.23, 72.39, -52.72

 

CMYK 11 / 99 / 0 / 13

HEX #C402DD

RGB 196 2 221

HSL 293.15, 0.98%, 0.44%

LAB 48.26, 84.24, -61.66

 

CMYK 11 / 95 / 0 / 1

HEX #E10CFC

RGB 225 12 252

HSL 293.25, 0.98%, 0.52%

LAB 55.38, 92.58, -67.39

 

CMYK 9 / 79 / 0 / 1

HEX #E635FC

RGB 230 53 252

HSL 293.37, 0.97%, 0.6%

LAB 58.41, 86.82, -62.46

 

CMYK 7 / 63 / 0 / 1

HEX #EB5EFD

RGB 235 94 253

HSL 293.21, 0.98%, 0.68%

LAB 63.97, 74.47, -54.11

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

CMYK 0 / 87 / 95 / 1

HEX #FC200C

RGB 252 32 12

HSL 5, 0.98%, 0.52%

LAB 53.77, 76.24, 64.21

 

CMYK 95 / 0 / 49 / 1

HEX #0CFC80

RGB 12 252 128

HSL 149, 0.98%, 0.52%

LAB 87.61, -75.5, 45.49

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

CMYK 0 / 11 / 95 / 1

HEX #FCE00C

RGB 252 224 12

HSL 53, 0.98%, 0.52%

LAB 88.94, -7.63, 87.46

 

CMYK 95 / 0 / 11 / 1

HEX #0CFCE0

RGB 12 252 224

HSL 173, 0.98%, 0.52%

LAB 89.43, -55.12, -0.53

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

CMYK 0 / 87 / 95 / 1

HEX #FC200C

RGB 252 32 12

HSL 5, 0.98%, 0.52%

LAB 53.77, 76.24, 64.21

 

CMYK 84 / 0 / 95 / 1

HEX #28FC0C

RGB 40 252 12

HSL 113, 0.98%, 0.52%

LAB 87.05, -83.23, 81.79

 

CMYK 95 / 8 / 0 / 1

HEX #0CE8FC

RGB 12 232 252

HSL 185, 0.98%, 0.52%

LAB 84.39, -38.52, -22.7

 

CMYK 11 / 95 / 0 / 1

HEX #E10DFC

RGB 225 13 252

HSL 293.22, 0.98%, 0.52%

LAB 55.4, 92.5, -67.35

 

CMYK 0 / 59 / 95 / 1

HEX #FC680C

RGB 252 104 12

HSL 23, 0.98%, 0.52%

LAB 62.19, 53.15, 69

 

CMYK 84 / 0 / 95 / 1

HEX #28FC0C

RGB 40 252 12

HSL 113, 0.98%, 0.52%

LAB 87.05, -83.23, 81.79

 

CMYK 95 / 37 / 0 / 1

HEX #0CA0FC

RGB 12 160 252

HSL 203, 0.98%, 0.52%

LAB 63.55, -1.34, -55.11

 

Description

Color code: HEX #E10DFC | qconv.com Color code: HEX #E10DFC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 13 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 13 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 95 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 95% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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