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Color name
HEX #E128D4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E128D4 it is the complementary color #1ED72B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E128D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E128D4 shade: #E628CF, #F73AE2, #FF4CF5, #FF5EFF and #FF70FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E128D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E128D4 shade: #E128D4, #D016C1, #BF04AE, #AE009B and #9D0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E128D4 shade: #E127D4, #E127A2, #E12770, #E1273E and #E12727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E128D4 shade: #E127D4, #BC27E1, #8A27E1, #5827E1 and #2727E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E128D4 shade matches the following richer shades: #E127D4 and #F513E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E128D4 shade: #E127D4, #CD3BC3, #BA4FB2, #A662A1 and #927690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E128D4 shade: #8A27E1, #BC27E1, #E127D5, #E127A3 and #E12771

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E128D4 shade: #A01596, #C51AB9, #E127D4, #E64BDB and #EB70E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E128D4 shade: #E128D4, #E15927 and #27E1A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E128D4 shade: #E128D4, #D5E127 and #27D5E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E128D4 shade: #E128D4, #E15927, #27E133 and #27B0E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E128D4 shade: #E128D4, #E19127, #27E133 and #2778E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

Complementary color

CMYK 86 / 0 / 80 / 16

HEX #1ED72B

RGB 30 215 43

HSL 124.22, 0.76%, 0.48%

LAB 75.48, -72.81, 66.24

 

CMYK 0 / 83 / 10 / 10

HEX #E628CF

RGB 230 40 207

HSL 307.26, 0.79%, 0.53%

LAB 54.91, 83.04, -42.69

 

CMYK 0 / 77 / 9 / 3

HEX #F73AE2

RGB 247 58 226

HSL 306.67, 0.92%, 0.6%

LAB 60.15, 84.85, -45.01

 

CMYK 0 / 70 / 4 / 0

HEX #FF4CF5

RGB 255 76 245

HSL 303.35, 1%, 0.65%

LAB 64.18, 84.05, -49.17

 

CMYK 0 / 63 / 0 / 0

HEX #FF5EFF

RGB 255 94 255

HSL 300, 1%, 0.68%

LAB 66.89, 79.34, -50.4

 

CMYK 0 / 56 / 0 / 0

HEX #FF70FF

RGB 255 112 255

HSL 300, 1%, 0.72%

LAB 69.52, 72.09, -46.25

 

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

CMYK 0 / 89 / 7 / 18

HEX #D016C1

RGB 208 22 193

HSL 304.84, 0.81%, 0.45%

LAB 49.29, 80.07, -43.76

 

CMYK 0 / 98 / 9 / 25

HEX #BF04AE

RGB 191 4 174

HSL 305.45, 0.96%, 0.38%

LAB 44.55, 76.29, -40.33

 

CMYK 0 / 100 / 11 / 32

HEX #AE009B

RGB 174 0 155

HSL 306.55, 1%, 0.34%

LAB 40.19, 71.05, -36.06

 

CMYK 0 / 100 / 13 / 38

HEX #9D0088

RGB 157 0 136

HSL 308.03, 1%, 0.31%

LAB 35.88, 65.35, -31.45

 

CMYK 0 / 83 / 6 / 12

HEX #E127D4

RGB 225 39 212

HSL 304.19, 0.76%, 0.52%

LAB 54.25, 82.99, -46.65

 

CMYK 0 / 83 / 28 / 12

HEX #E127A2

RGB 225 39 162

HSL 320.32, 0.76%, 0.52%

LAB 51.91, 76.58, -21.25

 

CMYK 0 / 83 / 50 / 12

HEX #E12770

RGB 225 39 112

HSL 336.45, 0.76%, 0.52%

LAB 50.25, 71.8, 6.33

 

CMYK 0 / 83 / 72 / 12

HEX #E1273E

RGB 225 39 62

HSL 352.58, 0.76%, 0.52%

LAB 49.26, 68.87, 35.27

 

CMYK 0 / 83 / 83 / 12

HEX #E12727

RGB 225 39 39

HSL 0, 0.76%, 0.52%

LAB 49.01, 68.12, 47.76

 

CMYK 0 / 83 / 6 / 12

HEX #E127D4

RGB 225 39 212

HSL 304.19, 0.76%, 0.52%

LAB 54.25, 82.99, -46.65

 

CMYK 16 / 83 / 0 / 12

HEX #BC27E1

RGB 188 39 225

HSL 288.06, 0.76%, 0.52%

LAB 48.98, 78.48, -62.83

 

CMYK 39 / 83 / 0 / 12

HEX #8A27E1

RGB 138 39 225

HSL 271.94, 0.76%, 0.52%

LAB 41.67, 70.9, -75.05

 

CMYK 61 / 83 / 0 / 12

HEX #5827E1

RGB 88 39 225

HSL 255.81, 0.76%, 0.52%

LAB 35.91, 65.18, -84.74

 

CMYK 83 / 83 / 0 / 12

HEX #2727E1

RGB 39 39 225

HSL 240, 0.76%, 0.52%

LAB 32.52, 61.97, -90.46

 

CMYK 0 / 83 / 6 / 12

HEX #E127D4

RGB 225 39 212

HSL 304.19, 0.76%, 0.52%

LAB 54.25, 82.99, -46.65

 

CMYK 0 / 92 / 7 / 4

HEX #F513E5

RGB 245 19 229

HSL 304.25, 0.92%, 0.52%

LAB 57.59, 91.81, -50.77

 

CMYK 0 / 83 / 6 / 12

HEX #E127D4

RGB 225 39 212

HSL 304.19, 0.76%, 0.52%

LAB 54.25, 82.99, -46.65

 

CMYK 0 / 71 / 5 / 20

HEX #CD3BC3

RGB 205 59 195

HSL 304.11, 0.59%, 0.52%

LAB 51.89, 71.1, -40.84

 

CMYK 0 / 58 / 4 / 27

HEX #BA4FB2

RGB 186 79 178

HSL 304.49, 0.44%, 0.52%

LAB 50.97, 55.8, -32.61

 

CMYK 0 / 41 / 3 / 35

HEX #A662A1

RGB 166 98 161

HSL 304.41, 0.28%, 0.52%

LAB 51.17, 37.23, -22.57

 

CMYK 0 / 19 / 1 / 43

HEX #927690

RGB 146 118 144

HSL 304.29, 0.11%, 0.52%

LAB 53.04, 15.64, -9.98

 

CMYK 39 / 83 / 0 / 12

HEX #8A27E1

RGB 138 39 225

HSL 271.94, 0.76%, 0.52%

LAB 41.67, 70.9, -75.05

 

CMYK 16 / 83 / 0 / 12

HEX #BC27E1

RGB 188 39 225

HSL 288.06, 0.76%, 0.52%

LAB 48.98, 78.48, -62.83

 

CMYK 0 / 83 / 5 / 12

HEX #E127D5

RGB 225 39 213

HSL 303.87, 0.76%, 0.52%

LAB 54.3, 83.13, -47.14

 

CMYK 0 / 83 / 28 / 12

HEX #E127A3

RGB 225 39 163

HSL 320, 0.76%, 0.52%

LAB 51.95, 76.69, -21.78

 

CMYK 0 / 83 / 50 / 12

HEX #E12771

RGB 225 39 113

HSL 336.13, 0.76%, 0.52%

LAB 50.28, 71.88, 5.76

 

CMYK 0 / 87 / 6 / 37

HEX #A01596

RGB 160 21 150

HSL 304.32, 0.77%, 0.35%

LAB 38.22, 65.02, -36.31

 

CMYK 0 / 87 / 6 / 23

HEX #C51AB9

RGB 197 26 185

HSL 304.21, 0.77%, 0.44%

LAB 47.12, 76.31, -42.66

 

CMYK 0 / 83 / 6 / 12

HEX #E127D4

RGB 225 39 212

HSL 304.19, 0.76%, 0.52%

LAB 54.25, 82.99, -46.65

 

CMYK 0 / 67 / 5 / 10

HEX #E64BDB

RGB 230 75 219

HSL 304.26, 0.76%, 0.6%

LAB 58.95, 74.95, -43.15

 

CMYK 0 / 52 / 4 / 8

HEX #EB70E2

RGB 235 112 226

HSL 304.39, 0.75%, 0.68%

LAB 65.55, 62.06, -36.68

 

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

CMYK 0 / 60 / 83 / 12

HEX #E15927

RGB 225 89 39

HSL 16.13, 0.76%, 0.52%

LAB 55.38, 50.68, 53.55

 

CMYK 83 / 0 / 28 / 12

HEX #27E1A3

RGB 39 225 163

HSL 160, 0.76%, 0.52%

LAB 80.14, -58.16, 18.09

 

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

CMYK 5 / 0 / 83 / 12

HEX #D5E127

RGB 213 225 39

HSL 63.87, 0.76%, 0.52%

LAB 86.08, -24.01, 79.61

 

CMYK 83 / 5 / 0 / 12

HEX #27D5E1

RGB 39 213 225

HSL 183.87, 0.76%, 0.52%

LAB 78.14, -36.73, -17.81

 

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

CMYK 0 / 60 / 83 / 12

HEX #E15927

RGB 225 89 39

HSL 16.13, 0.76%, 0.52%

LAB 55.38, 50.68, 53.55

 

CMYK 83 / 0 / 77 / 12

HEX #27E133

RGB 39 225 51

HSL 123.87, 0.76%, 0.52%

LAB 78.76, -74.36, 67.07

 

CMYK 83 / 22 / 0 / 12

HEX #27B0E1

RGB 39 176 225

HSL 195.81, 0.76%, 0.52%

LAB 67.22, -18.43, -34.54

 

CMYK 0 / 82 / 6 / 12

HEX #E128D4

RGB 225 40 212

HSL 304.22, 0.76%, 0.52%

LAB 54.32, 82.78, -46.54

 

CMYK 0 / 36 / 83 / 12

HEX #E19127

RGB 225 145 39

HSL 34.19, 0.76%, 0.52%

LAB 66.83, 22.43, 63.63

 

CMYK 83 / 0 / 77 / 12

HEX #27E133

RGB 39 225 51

HSL 123.87, 0.76%, 0.52%

LAB 78.76, -74.36, 67.07

 

CMYK 83 / 47 / 0 / 12

HEX #2778E1

RGB 39 120 225

HSL 213.87, 0.76%, 0.52%

LAB 51.04, 14.01, -60.14

 

Description

Color code: HEX #E128D4 | qconv.com Color code: HEX #E128D4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 40 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 40 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 6 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 6% 12% C M Y K

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Provide designers and agencies with accurate color values.

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