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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E137A8 it is the complementary color #1EC857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E137A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E137A8 shade: #E637A3, #F749B6, #FF5BC9, #FF6DDC and #FF7FEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E137A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E137A8 shade: #E137A8, #D02595, #BF1382, #AE016F and #9D005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E137A8 shade: #E137A8, #E1377A, #E1374C and #E13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E137A8 shade: #E137A8, #E137D6, #BE37E1, #9037E1 and #6237E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E137A8 shade matches the following richer shades: #E137A8 and #F324AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E137A8 shade: #E137A8, #CE49A2, #BC5C9B, #A96F95 and #96818F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E137A8 shade: #BF37E1, #E137D5, #E137A8, #E1377B and #E1374D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E137A8 shade: #AC197B, #D01F94, #E137A8, #E65BB7 and #EB7FC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E137A8 shade: #E137A8, #E19137 and #37E1D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E137A8 shade: #E137A8, #A8E137 and #37A8E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E137A8 shade: #E137A8, #E19137, #37E16F and #3786E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E137A8 shade: #E137A8, #E1C437, #37E16F and #3753E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

Complementary color

CMYK 85 / 0 / 57 / 22

HEX #1EC857

RGB 30 200 87

HSL 140.12, 0.74%, 0.45%

LAB 71.06, -64.08, 44.63

 

CMYK 0 / 76 / 29 / 10

HEX #E637A3

RGB 230 55 163

HSL 322.97, 0.78%, 0.56%

LAB 54.24, 73.84, -18.21

 

CMYK 0 / 70 / 26 / 3

HEX #F749B6

RGB 247 73 182

HSL 322.41, 0.92%, 0.63%

LAB 59.81, 74.64, -20.49

 

CMYK 0 / 64 / 21 / 0

HEX #FF5BC9

RGB 255 91 201

HSL 319.76, 1%, 0.68%

LAB 64.13, 72.6, -24.62

 

CMYK 0 / 57 / 14 / 0

HEX #FF6DDC

RGB 255 109 220

HSL 314.38, 1%, 0.71%

LAB 67.55, 67.9, -30.01

 

CMYK 0 / 50 / 6 / 0

HEX #FF7FEF

RGB 255 127 239

HSL 307.5, 1%, 0.75%

LAB 71.33, 62.75, -34.66

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 82 / 28 / 18

HEX #D02595

RGB 208 37 149

HSL 320.7, 0.7%, 0.48%

LAB 48.14, 71.74, -19.57

 

CMYK 0 / 90 / 32 / 25

HEX #BF1382

RGB 191 19 130

HSL 321.28, 0.82%, 0.41%

LAB 42.99, 69.24, -16.18

 

CMYK 0 / 99 / 36 / 32

HEX #AE016F

RGB 174 1 111

HSL 321.85, 0.99%, 0.34%

LAB 38.14, 65.68, -12.04

 

CMYK 0 / 100 / 41 / 38

HEX #9D005C

RGB 157 0 92

HSL 324.84, 1%, 0.31%

LAB 33.86, 60.22, -6.68

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 76 / 46 / 12

HEX #E1377A

RGB 225 55 122

HSL 336.35, 0.74%, 0.55%

LAB 52, 68.42, 2.79

 

CMYK 0 / 76 / 66 / 12

HEX #E1374C

RGB 225 55 76

HSL 352.59, 0.74%, 0.55%

LAB 50.99, 65.21, 29.1

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 76 / 5 / 12

HEX #E137D6

RGB 225 55 214

HSL 303.88, 0.74%, 0.55%

LAB 55.68, 79.44, -45.52

 

CMYK 16 / 76 / 0 / 12

HEX #BE37E1

RGB 190 55 225

HSL 287.65, 0.74%, 0.55%

LAB 50.82, 74.38, -59.85

 

CMYK 36 / 76 / 0 / 12

HEX #9037E1

RGB 144 55 225

HSL 271.41, 0.74%, 0.55%

LAB 44.37, 66.24, -70.6

 

CMYK 56 / 76 / 0 / 12

HEX #6237E1

RGB 98 55 225

HSL 255.18, 0.74%, 0.55%

LAB 39.18, 59.51, -79.31

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 85 / 28 / 5

HEX #F324AE

RGB 243 36 174

HSL 320, 0.9%, 0.55%

LAB 55.45, 82.38, -22.59

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 65 / 21 / 19

HEX #CE49A2

RGB 206 73 162

HSL 319.85, 0.58%, 0.55%

LAB 52.39, 61.38, -20.8

 

CMYK 0 / 51 / 18 / 26

HEX #BC5C9B

RGB 188 92 155

HSL 320.63, 0.42%, 0.55%

LAB 52.63, 46.42, -16.55

 

CMYK 0 / 34 / 12 / 34

HEX #A96F95

RGB 169 111 149

HSL 320.69, 0.25%, 0.55%

LAB 54, 28.87, -11.2

 

CMYK 0 / 14 / 5 / 41

HEX #96818F

RGB 150 129 143

HSL 320, 0.09%, 0.55%

LAB 56.26, 10.55, -4.56

 

CMYK 15 / 76 / 0 / 12

HEX #BF37E1

RGB 191 55 225

HSL 288, 0.74%, 0.55%

LAB 50.97, 74.57, -59.6

 

CMYK 0 / 76 / 5 / 12

HEX #E137D5

RGB 225 55 213

HSL 304.24, 0.74%, 0.55%

LAB 55.63, 79.3, -45.04

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 76 / 45 / 12

HEX #E1377B

RGB 225 55 123

HSL 336, 0.74%, 0.55%

LAB 52.03, 68.51, 2.23

 

CMYK 0 / 76 / 66 / 12

HEX #E1374D

RGB 225 55 77

HSL 352.24, 0.74%, 0.55%

LAB 51.01, 65.26, 28.53

 

CMYK 0 / 85 / 28 / 33

HEX #AC197B

RGB 172 25 123

HSL 320, 0.75%, 0.39%

LAB 39.4, 63.15, -17.67

 

CMYK 0 / 85 / 29 / 18

HEX #D01F94

RGB 208 31 148

HSL 320.34, 0.74%, 0.47%

LAB 47.66, 72.89, -19.7

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 60 / 20 / 10

HEX #E65BB7

RGB 230 91 183

HSL 320.29, 0.74%, 0.63%

LAB 59.64, 63.44, -21.57

 

CMYK 0 / 46 / 15 / 8

HEX #EB7FC7

RGB 235 127 199

HSL 320, 0.73%, 0.71%

LAB 67.25, 50.52, -18.98

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 36 / 76 / 12

HEX #E19137

RGB 225 145 55

HSL 31.76, 0.74%, 0.55%

LAB 66.93, 22.99, 57.63

 

CMYK 76 / 0 / 5 / 12

HEX #37E1D5

RGB 55 225 213

HSL 175.76, 0.74%, 0.55%

LAB 81.55, -44.18, -6.29

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 25 / 0 / 76 / 12

HEX #A8E137

RGB 168 225 55

HSL 80.12, 0.74%, 0.55%

LAB 83.15, -41.29, 71.56

 

CMYK 76 / 25 / 0 / 12

HEX #37A8E1

RGB 55 168 225

HSL 200.12, 0.74%, 0.55%

LAB 65.16, -12.58, -37.71

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 36 / 76 / 12

HEX #E19137

RGB 225 145 55

HSL 31.76, 0.74%, 0.55%

LAB 66.93, 22.99, 57.63

 

CMYK 76 / 0 / 51 / 12

HEX #37E16F

RGB 55 225 111

HSL 139.76, 0.74%, 0.55%

LAB 79.51, -66.13, 43.59

 

CMYK 76 / 40 / 0 / 12

HEX #3786E1

RGB 55 134 225

HSL 212.12, 0.74%, 0.55%

LAB 55.38, 7, -53.16

 

CMYK 0 / 76 / 25 / 12

HEX #E137A8

RGB 225 55 168

HSL 320.12, 0.74%, 0.55%

LAB 53.56, 73.23, -22.25

 

CMYK 0 / 13 / 76 / 12

HEX #E1C437

RGB 225 196 55

HSL 49.76, 0.74%, 0.55%

LAB 79.48, -3.97, 69.63

 

CMYK 76 / 0 / 51 / 12

HEX #37E16F

RGB 55 225 111

HSL 139.76, 0.74%, 0.55%

LAB 79.51, -66.13, 43.59

 

CMYK 76 / 63 / 0 / 12

HEX #3753E1

RGB 55 83 225

HSL 230.12, 0.74%, 0.55%

LAB 41.9, 38.94, -74.96

 

Description

Color code: HEX #E137A8 | qconv.com Color code: HEX #E137A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 55 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 55 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 25 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 25% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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