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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E131A9 it is the complementary color #1ECE56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E131A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E131A9 shade: #E631A4, #F743B7, #FF55CA, #FF67DD and #FF79F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E131A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E131A9 shade: #E131A9, #D01F96, #BF0D83, #AE0070 and #9D005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E131A9 shade: #E131A9, #E1317A, #E1314A and #E13131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E131A9 shade: #E131A9, #E131D9, #BA31E1, #8B31E1 and #5B31E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E131A9 shade matches the following richer shades: #E131A9 and #F41EB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E131A9 shade: #E131A9, #CE44A2, #BB579B, #A86A94 and #957D8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E131A9 shade: #BB31E1, #E131D8, #E131A9, #E1317B and #E1314C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E131A9 shade: #A8187A, #CC1D95, #E131A9, #E655B8 and #EB79C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E131A9 shade: #E131A9, #E18C31 and #31E1D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E131A9 shade: #E131A9, #A9E131 and #31A9E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E131A9 shade: #E131A9, #E18C31, #31E169 and #3186E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E131A9 shade: #E131A9, #E1C131, #31E169 and #3151E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

Complementary color

CMYK 85 / 0 / 58 / 19

HEX #1ECE56

RGB 30 206 86

HSL 139.09, 0.75%, 0.46%

LAB 72.95, -66.13, 47.33

 

CMYK 0 / 79 / 29 / 10

HEX #E631A4

RGB 230 49 164

HSL 321.88, 0.78%, 0.55%

LAB 53.71, 75.58, -19.61

 

CMYK 0 / 73 / 26 / 3

HEX #F743B7

RGB 247 67 183

HSL 321.33, 0.92%, 0.62%

LAB 59.17, 76.69, -22.06

 

CMYK 0 / 67 / 21 / 0

HEX #FF55CA

RGB 255 85 202

HSL 318.71, 1%, 0.67%

LAB 63.36, 74.96, -26.36

 

CMYK 0 / 60 / 13 / 0

HEX #FF67DD

RGB 255 103 221

HSL 313.42, 1%, 0.7%

LAB 66.66, 70.58, -31.95

 

CMYK 0 / 53 / 6 / 0

HEX #FF79F0

RGB 255 121 240

HSL 306.72, 1%, 0.74%

LAB 70.33, 65.67, -36.76

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 85 / 28 / 18

HEX #D01F96

RGB 208 31 150

HSL 319.66, 0.74%, 0.47%

LAB 47.74, 73.11, -20.77

 

CMYK 0 / 93 / 31 / 25

HEX #BF0D83

RGB 191 13 131

HSL 320.22, 0.87%, 0.4%

LAB 42.77, 70.12, -17.14

 

CMYK 0 / 100 / 36 / 32

HEX #AE0070

RGB 174 0 112

HSL 321.38, 1%, 0.34%

LAB 38.14, 65.89, -12.67

 

CMYK 0 / 100 / 41 / 38

HEX #9D005D

RGB 157 0 93

HSL 324.46, 1%, 0.31%

LAB 33.9, 60.32, -7.28

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 78 / 46 / 12

HEX #E1317A

RGB 225 49 122

HSL 335.11, 0.75%, 0.54%

LAB 51.39, 70.14, 1.91

 

CMYK 0 / 78 / 67 / 12

HEX #E1314A

RGB 225 49 74

HSL 351.48, 0.75%, 0.54%

LAB 50.33, 66.87, 29.47

 

CMYK 0 / 78 / 78 / 12

HEX #E13131

RGB 225 49 49

HSL 0, 0.75%, 0.54%

LAB 50.01, 65.85, 43.46

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 78 / 4 / 12

HEX #E131D9

RGB 225 49 217

HSL 302.73, 0.75%, 0.54%

LAB 55.29, 81.46, -47.85

 

CMYK 17 / 78 / 0 / 12

HEX #BA31E1

RGB 186 49 225

HSL 286.7, 0.75%, 0.54%

LAB 49.58, 75.49, -61.88

 

CMYK 38 / 78 / 0 / 12

HEX #8B31E1

RGB 139 49 225

HSL 270.68, 0.75%, 0.54%

LAB 42.95, 67.71, -72.96

 

CMYK 60 / 78 / 0 / 12

HEX #5B31E1

RGB 91 49 225

HSL 254.32, 0.75%, 0.54%

LAB 37.58, 61.4, -81.96

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 88 / 28 / 4

HEX #F41EB0

RGB 244 30 176

HSL 319.07, 0.91%, 0.54%

LAB 55.38, 83.79, -23.86

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 67 / 21 / 19

HEX #CE44A2

RGB 206 68 162

HSL 319.13, 0.58%, 0.54%

LAB 51.68, 63.34, -21.88

 

CMYK 0 / 53 / 17 / 27

HEX #BB579B

RGB 187 87 155

HSL 319.2, 0.42%, 0.54%

LAB 51.55, 48.58, -18.21

 

CMYK 0 / 37 / 12 / 34

HEX #A86A94

RGB 168 106 148

HSL 319.35, 0.26%, 0.54%

LAB 52.7, 31.14, -12.59

 

CMYK 0 / 16 / 5 / 42

HEX #957D8E

RGB 149 125 142

HSL 317.5, 0.1%, 0.54%

LAB 55.08, 12.3, -5.73

 

CMYK 17 / 78 / 0 / 12

HEX #BB31E1

RGB 187 49 225

HSL 287.05, 0.75%, 0.54%

LAB 49.73, 75.66, -61.62

 

CMYK 0 / 78 / 4 / 12

HEX #E131D8

RGB 225 49 216

HSL 303.07, 0.75%, 0.54%

LAB 55.24, 81.31, -47.36

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 78 / 45 / 12

HEX #E1317B

RGB 225 49 123

HSL 334.77, 0.75%, 0.54%

LAB 51.42, 70.23, 1.34

 

CMYK 0 / 78 / 66 / 12

HEX #E1314C

RGB 225 49 76

HSL 350.8, 0.75%, 0.54%

LAB 50.37, 66.97, 28.32

 

CMYK 0 / 86 / 27 / 34

HEX #A8187A

RGB 168 24 122

HSL 319.17, 0.75%, 0.38%

LAB 38.52, 62.33, -18.47

 

CMYK 0 / 86 / 27 / 20

HEX #CC1D95

RGB 204 29 149

HSL 318.86, 0.75%, 0.46%

LAB 46.82, 72.51, -21.65

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 63 / 20 / 10

HEX #E655B8

RGB 230 85 184

HSL 319.03, 0.74%, 0.62%

LAB 58.77, 66.06, -23.48

 

CMYK 0 / 49 / 15 / 8

HEX #EB79C7

RGB 235 121 199

HSL 318.95, 0.74%, 0.7%

LAB 66.11, 53.48, -20.72

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 38 / 78 / 12

HEX #E18C31

RGB 225 140 49

HSL 31.02, 0.75%, 0.54%

LAB 65.74, 25.43, 58.95

 

CMYK 78 / 0 / 6 / 12

HEX #31E1D3

RGB 49 225 211

HSL 175.23, 0.75%, 0.54%

LAB 81.4, -45.31, -5.45

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 25 / 0 / 78 / 12

HEX #A9E131

RGB 169 225 49

HSL 79.09, 0.75%, 0.54%

LAB 83.18, -41.19, 73.39

 

CMYK 78 / 25 / 0 / 12

HEX #31A9E1

RGB 49 169 225

HSL 199.09, 0.75%, 0.54%

LAB 65.33, -13.78, -37.46

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 38 / 78 / 12

HEX #E18C31

RGB 225 140 49

HSL 31.02, 0.75%, 0.54%

LAB 65.74, 25.43, 58.95

 

CMYK 78 / 0 / 53 / 12

HEX #31E169

RGB 49 225 105

HSL 139.09, 0.75%, 0.54%

LAB 79.34, -67.74, 46.21

 

CMYK 78 / 40 / 0 / 12

HEX #3186E1

RGB 49 134 225

HSL 211.02, 0.75%, 0.54%

LAB 55.22, 6.33, -53.43

 

CMYK 0 / 78 / 25 / 12

HEX #E131A9

RGB 225 49 169

HSL 319.09, 0.75%, 0.54%

LAB 53.02, 75.01, -23.67

 

CMYK 0 / 14 / 78 / 12

HEX #E1C131

RGB 225 193 49

HSL 49.09, 0.75%, 0.54%

LAB 78.68, -2.65, 70.86

 

CMYK 78 / 0 / 53 / 12

HEX #31E169

RGB 49 225 105

HSL 139.09, 0.75%, 0.54%

LAB 79.34, -67.74, 46.21

 

CMYK 78 / 64 / 0 / 12

HEX #3151E1

RGB 49 81 225

HSL 229.09, 0.75%, 0.54%

LAB 41.17, 39.62, -76.15

 

Description

Color code: HEX #E131A9 | qconv.com Color code: HEX #E131A9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 49 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 49 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 25 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 25% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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