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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E13C53 it is the complementary color #1EC3AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E13C53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E13C53 shade: #E63C4E, #F74E61, #FF6074, #FF7287 and #FF849A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E13C53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E13C53 shade: #E13C53, #D02A40, #BF182D, #AE061A and #9D0007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E13C53 shade: #E03C53 and #E03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E13C53 shade: #E03C53, #E03C7F, #E03CAC, #E03CD8 and #BC3CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E13C53 shade matches the following richer shades: #E03C53 and #F22A46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E13C53 shade: #E03C53, #CE4F60, #BC616D, #AA737B and #988588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E13C53 shade: #E03CAC, #E03C81, #E03C55, #E0503C and #E07B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E13C53 shade: #AF1B30, #D32039, #E03C53, #E66073 and #EB8492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E13C53 shade: #E13C53, #D8E03C and #3C96E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E13C53 shade: #E13C53, #55E03C and #3C55E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E13C53 shade: #E13C53, #D8E03C, #3CE0C8 and #453CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E13C53 shade: #E13C53, #A7E03C, #3CE0C8 and #763CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

Complementary color

CMYK 85 / 0 / 12 / 24

HEX #1EC3AC

RGB 30 195 172

HSL 171.64, 0.73%, 0.44%

LAB 71.07, -44.6, 0.33

 

CMYK 0 / 74 / 66 / 10

HEX #E63C4E

RGB 230 60 78

HSL 353.65, 0.77%, 0.57%

LAB 52.51, 65.18, 30.03

 

CMYK 0 / 68 / 61 / 3

HEX #F74E61

RGB 247 78 97

HSL 353.25, 0.91%, 0.64%

LAB 58.12, 65.07, 26.69

 

CMYK 0 / 62 / 55 / 0

HEX #FF6074

RGB 255 96 116

HSL 352.45, 1%, 0.69%

LAB 62.41, 61.77, 21.65

 

CMYK 0 / 55 / 47 / 0

HEX #FF7287

RGB 255 114 135

HSL 351.06, 1%, 0.72%

LAB 65.78, 55.46, 15.41

 

CMYK 0 / 48 / 40 / 0

HEX #FF849A

RGB 255 132 154

HSL 349.27, 1%, 0.76%

LAB 69.54, 48.78, 9.96

 

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

CMYK 0 / 80 / 69 / 18

HEX #D02A40

RGB 208 42 64

HSL 352.05, 0.66%, 0.49%

LAB 46.23, 63.55, 29.66

 

CMYK 0 / 87 / 76 / 25

HEX #BF182D

RGB 191 24 45

HSL 352.46, 0.78%, 0.42%

LAB 41.09, 62.25, 34.18

 

CMYK 0 / 97 / 85 / 32

HEX #AE061A

RGB 174 6 26

HSL 352.86, 0.93%, 0.35%

LAB 36.37, 59.82, 39.16

 

CMYK 0 / 100 / 96 / 38

HEX #9D0007

RGB 157 0 7

HSL 357.32, 1%, 0.31%

LAB 32.22, 55.85, 43.36

 

CMYK 0 / 73 / 63 / 12

HEX #E03C53

RGB 224 60 83

HSL 351.59, 0.73%, 0.56%

LAB 51.5, 63.7, 25.55

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 73 / 63 / 12

HEX #E03C53

RGB 224 60 83

HSL 351.59, 0.73%, 0.56%

LAB 51.5, 63.7, 25.55

 

CMYK 0 / 73 / 43 / 12

HEX #E03C7F

RGB 224 60 127

HSL 335.49, 0.73%, 0.56%

LAB 52.52, 67.04, 0.52

 

CMYK 0 / 73 / 23 / 12

HEX #E03CAC

RGB 224 60 172

HSL 319.02, 0.73%, 0.56%

LAB 54.09, 71.97, -23.8

 

CMYK 0 / 73 / 4 / 12

HEX #E03CD8

RGB 224 60 216

HSL 302.93, 0.73%, 0.56%

LAB 56.12, 78.1, -45.97

 

CMYK 16 / 73 / 0 / 12

HEX #BC3CE0

RGB 188 60 224

HSL 286.83, 0.73%, 0.56%

LAB 51.04, 72.15, -58.94

 

CMYK 0 / 73 / 63 / 12

HEX #E03C53

RGB 224 60 83

HSL 351.59, 0.73%, 0.56%

LAB 51.5, 63.7, 25.55

 

CMYK 0 / 83 / 71 / 5

HEX #F22A46

RGB 242 42 70

HSL 351.6, 0.88%, 0.56%

LAB 52.92, 73.04, 35.73

 

CMYK 0 / 73 / 63 / 12

HEX #E03C53

RGB 224 60 83

HSL 351.59, 0.73%, 0.56%

LAB 51.5, 63.7, 25.55

 

CMYK 0 / 62 / 53 / 19

HEX #CE4F60

RGB 206 79 96

HSL 351.97, 0.56%, 0.56%

LAB 51.33, 51.56, 17.01

 

CMYK 0 / 48 / 42 / 26

HEX #BC616D

RGB 188 97 109

HSL 352.09, 0.4%, 0.56%

LAB 52.22, 37.72, 10.08

 

CMYK 0 / 32 / 28 / 33

HEX #AA737B

RGB 170 115 123

HSL 351.27, 0.24%, 0.56%

LAB 54.28, 22.83, 4.44

 

CMYK 0 / 13 / 11 / 40

HEX #988588

RGB 152 133 136

HSL 350.53, 0.08%, 0.56%

LAB 57.3, 7.72, 1.03

 

CMYK 0 / 73 / 23 / 12

HEX #E03CAC

RGB 224 60 172

HSL 319.02, 0.73%, 0.56%

LAB 54.09, 71.97, -23.8

 

CMYK 0 / 73 / 42 / 12

HEX #E03C81

RGB 224 60 129

HSL 334.76, 0.73%, 0.56%

LAB 52.58, 67.23, -0.6

 

CMYK 0 / 73 / 62 / 12

HEX #E03C55

RGB 224 60 85

HSL 350.85, 0.73%, 0.56%

LAB 51.54, 63.82, 24.4

 

CMYK 0 / 64 / 73 / 12

HEX #E0503C

RGB 224 80 60

HSL 7.32, 0.73%, 0.56%

LAB 53.93, 54.98, 41.65

 

CMYK 0 / 45 / 73 / 12

HEX #E07B3C

RGB 224 123 60

HSL 23.05, 0.73%, 0.56%

LAB 61.95, 34.42, 50.29

 

CMYK 0 / 85 / 73 / 31

HEX #AF1B30

RGB 175 27 48

HSL 351.49, 0.73%, 0.4%

LAB 38.04, 57.37, 28

 

CMYK 0 / 85 / 73 / 17

HEX #D32039

RGB 211 32 57

HSL 351.62, 0.74%, 0.48%

LAB 45.88, 66.46, 33.57

 

CMYK 0 / 73 / 63 / 12

HEX #E03C53

RGB 224 60 83

HSL 351.59, 0.73%, 0.56%

LAB 51.5, 63.7, 25.55

 

CMYK 0 / 58 / 50 / 10

HEX #E66073

RGB 230 96 115

HSL 351.49, 0.73%, 0.64%

LAB 58.44, 53.55, 16.16

 

CMYK 0 / 44 / 38 / 8

HEX #EB8492

RGB 235 132 146

HSL 351.84, 0.72%, 0.72%

LAB 66.7, 40.86, 10.07

 

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

CMYK 4 / 0 / 73 / 12

HEX #D8E03C

RGB 216 224 60

HSL 62.93, 0.73%, 0.56%

LAB 86.12, -21.55, 73.93

 

CMYK 73 / 33 / 0 / 12

HEX #3C96E0

RGB 60 150 224

HSL 207.07, 0.73%, 0.56%

LAB 60.03, -2.2, -45.21

 

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

CMYK 62 / 0 / 73 / 12

HEX #55E03C

RGB 85 224 60

HSL 110.85, 0.73%, 0.56%

LAB 79.37, -66.09, 65.06

 

CMYK 73 / 62 / 0 / 12

HEX #3C55E0

RGB 60 85 224

HSL 230.85, 0.73%, 0.56%

LAB 42.52, 37.87, -73.36

 

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

CMYK 4 / 0 / 73 / 12

HEX #D8E03C

RGB 216 224 60

HSL 62.93, 0.73%, 0.56%

LAB 86.12, -21.55, 73.93

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 69 / 73 / 0 / 12

HEX #453CE0

RGB 69 60 224

HSL 243.29, 0.73%, 0.56%

LAB 37.62, 53.44, -81.39

 

CMYK 0 / 73 / 63 / 12

HEX #E13C53

RGB 225 60 83

HSL 351.64, 0.73%, 0.56%

LAB 51.68, 63.99, 25.82

 

CMYK 25 / 0 / 73 / 12

HEX #A7E03C

RGB 167 224 60

HSL 80.85, 0.73%, 0.56%

LAB 82.84, -40.97, 69.64

 

CMYK 73 / 0 / 11 / 12

HEX #3CE0C8

RGB 60 224 200

HSL 171.22, 0.73%, 0.56%

LAB 80.98, -46.67, -0.21

 

CMYK 47 / 73 / 0 / 12

HEX #763CE0

RGB 118 60 224

HSL 261.22, 0.73%, 0.56%

LAB 41.95, 59.73, -74.12

 

Description

Color code: HEX #E13C53 | qconv.com Color code: HEX #E13C53 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 60 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 60 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 63 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 63% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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