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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E14EF7 it is the complementary color #1EB108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E14EF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E14EF7 shade: #E64EF2, #F760FF, #FF72FF, #FF84FF and #FF96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E14EF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E14EF7 shade: #E14EF7, #D03CE4, #BF2AD1, #AE18BE and #9D06AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E14EF7 shade: #E04FF6, #F64FDF, #F64FB2, #F64F85 and #F64F58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E14EF7 shade: #E04FF6, #B34FF6, #864FF6, #594FF6 and #4F4FF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E14EF7 shade matches the following richer shades: #E04FF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E14EF7 shade: #E04FF6, #D65EE7, #CB6DD9, #C07CCA and #B58BBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E14EF7 shade: #874FF6, #B34FF6, #E04FF6, #F64FE0 and #F64FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E14EF7 shade: #CC0AE8, #DA28F4, #E04FF6, #E777F8 and #EE9EFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E14EF7 shade: #E14EF7, #F65A4F and #4FF69D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E14EF7 shade: #E14EF7, #F6E04F and #4FF6E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E14EF7 shade: #E14EF7, #F65A4F, #65F64F and #4FEBF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E14EF7 shade: #E14EF7, #F68C4F, #65F64F and #4FB9F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

Complementary color

CMYK 83 / 0 / 95 / 31

HEX #1EB108

RGB 30 177 8

HSL 112.19, 0.91%, 0.36%

LAB 63.13, -63.26, 62.51

 

CMYK 5 / 68 / 0 / 5

HEX #E64EF2

RGB 230 78 242

HSL 295.61, 0.86%, 0.63%

LAB 60.5, 77.58, -53.57

 

CMYK 3 / 62 / 0 / 0

HEX #F760FF

RGB 247 96 255

HSL 296.98, 1%, 0.69%

LAB 66.03, 76.75, -51.83

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

CMYK 9 / 74 / 0 / 11

HEX #D03CE4

RGB 208 60 228

HSL 292.86, 0.76%, 0.56%

LAB 54.28, 76.77, -55.84

 

CMYK 9 / 80 / 0 / 18

HEX #BF2AD1

RGB 191 42 209

HSL 293.53, 0.67%, 0.49%

LAB 48.68, 75.52, -54.15

 

CMYK 8 / 87 / 0 / 25

HEX #AE18BE

RGB 174 24 190

HSL 294.22, 0.78%, 0.42%

LAB 43.32, 73.33, -51.9

 

CMYK 8 / 96 / 0 / 33

HEX #9D06AB

RGB 157 6 171

HSL 294.91, 0.93%, 0.35%

LAB 38.27, 69.89, -48.93

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 0 / 68 / 9 / 4

HEX #F64FDF

RGB 246 79 223

HSL 308.26, 0.9%, 0.64%

LAB 62.09, 77.81, -40.28

 

CMYK 0 / 68 / 28 / 4

HEX #F64FB2

RGB 246 79 178

HSL 324.43, 0.9%, 0.64%

LAB 60.25, 71.82, -17.54

 

CMYK 0 / 68 / 46 / 4

HEX #F64F85

RGB 246 79 133

HSL 340.6, 0.9%, 0.64%

LAB 58.86, 67.12, 6.6

 

CMYK 0 / 68 / 64 / 4

HEX #F64F58

RGB 246 79 88

HSL 356.77, 0.9%, 0.64%

LAB 57.93, 63.86, 31.62

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 27 / 68 / 0 / 4

HEX #B34FF6

RGB 179 79 246

HSL 275.93, 0.9%, 0.64%

LAB 53.85, 67.35, -66.85

 

CMYK 46 / 68 / 0 / 4

HEX #864FF6

RGB 134 79 246

HSL 259.76, 0.9%, 0.64%

LAB 48.65, 58.94, -75.52

 

CMYK 64 / 68 / 0 / 4

HEX #594FF6

RGB 89 79 246

HSL 243.59, 0.9%, 0.64%

LAB 44.76, 52.15, -82.05

 

CMYK 68 / 68 / 0 / 4

HEX #4F4FF6

RGB 79 79 246

HSL 240, 0.9%, 0.64%

LAB 44.1, 50.96, -83.15

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 7 / 59 / 0 / 9

HEX #D65EE7

RGB 214 94 231

HSL 292.55, 0.74%, 0.64%

LAB 59.95, 65.63, -48.45

 

CMYK 6 / 50 / 0 / 15

HEX #CB6DD9

RGB 203 109 217

HSL 292.22, 0.59%, 0.64%

LAB 60.47, 53.11, -39.89

 

CMYK 5 / 39 / 0 / 21

HEX #C07CCA

RGB 192 124 202

HSL 292.31, 0.42%, 0.64%

LAB 61.56, 39.17, -29.85

 

CMYK 3 / 26 / 0 / 27

HEX #B58BBB

RGB 181 139 187

HSL 292.5, 0.26%, 0.64%

LAB 63.24, 24.37, -18.91

 

CMYK 45 / 68 / 0 / 4

HEX #874FF6

RGB 135 79 246

HSL 260.12, 0.9%, 0.64%

LAB 48.76, 59.11, -75.35

 

CMYK 27 / 68 / 0 / 4

HEX #B34FF6

RGB 179 79 246

HSL 275.93, 0.9%, 0.64%

LAB 53.85, 67.35, -66.85

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 0 / 68 / 9 / 4

HEX #F64FE0

RGB 246 79 224

HSL 307.9, 0.9%, 0.64%

LAB 62.14, 77.96, -40.77

 

CMYK 0 / 68 / 27 / 4

HEX #F64FB3

RGB 246 79 179

HSL 324.07, 0.9%, 0.64%

LAB 60.28, 71.94, -18.06

 

CMYK 12 / 96 / 0 / 9

HEX #CC0AE8

RGB 204 10 232

HSL 292.43, 0.92%, 0.47%

LAB 50.55, 86.52, -64.14

 

CMYK 11 / 84 / 0 / 4

HEX #DA28F4

RGB 218 40 244

HSL 292.35, 0.9%, 0.56%

LAB 55.03, 86.42, -63.55

 

CMYK 9 / 68 / 0 / 4

HEX #E04FF6

RGB 224 79 246

HSL 292.1, 0.9%, 0.64%

LAB 59.97, 76.62, -56.69

 

CMYK 7 / 52 / 0 / 3

HEX #E777F8

RGB 231 119 248

HSL 292.09, 0.9%, 0.72%

LAB 67.25, 61.58, -46.21

 

CMYK 5 / 37 / 0 / 2

HEX #EE9EFA

RGB 238 158 250

HSL 292.17, 0.9%, 0.8%

LAB 75.78, 44.32, -33.93

 

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

CMYK 0 / 63 / 68 / 4

HEX #F65A4F

RGB 246 90 79

HSL 3.95, 0.9%, 0.64%

LAB 59.41, 59.03, 38.5

 

CMYK 68 / 0 / 36 / 4

HEX #4FF69D

RGB 79 246 157

HSL 148.02, 0.9%, 0.64%

LAB 87, -62.33, 30.64

 

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

CMYK 0 / 9 / 68 / 4

HEX #F6E04F

RGB 246 224 79

HSL 52.1, 0.9%, 0.64%

LAB 88.67, -8.24, 70.51

 

CMYK 68 / 0 / 9 / 4

HEX #4FF6E0

RGB 79 246 224

HSL 172.1, 0.9%, 0.64%

LAB 88.43, -47.47, -1.91

 

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

CMYK 0 / 63 / 68 / 4

HEX #F65A4F

RGB 246 90 79

HSL 3.95, 0.9%, 0.64%

LAB 59.41, 59.03, 38.5

 

CMYK 59 / 0 / 68 / 4

HEX #65F64F

RGB 101 246 79

HSL 112.1, 0.9%, 0.64%

LAB 86.62, -68.48, 65.83

 

CMYK 68 / 4 / 0 / 4

HEX #4FEBF6

RGB 79 235 246

HSL 183.95, 0.9%, 0.64%

LAB 85.87, -36.65, -17.23

 

CMYK 9 / 68 / 0 / 3

HEX #E14EF7

RGB 225 78 247

HSL 292.19, 0.91%, 0.64%

LAB 60.04, 77.37, -57.12

 

CMYK 0 / 43 / 68 / 4

HEX #F68C4F

RGB 246 140 79

HSL 21.92, 0.9%, 0.64%

LAB 68.69, 35.32, 49.24

 

CMYK 59 / 0 / 68 / 4

HEX #65F64F

RGB 101 246 79

HSL 112.1, 0.9%, 0.64%

LAB 86.62, -68.48, 65.83

 

CMYK 68 / 25 / 0 / 4

HEX #4FB9F6

RGB 79 185 246

HSL 201.92, 0.9%, 0.64%

LAB 71.56, -11.67, -39.15

 

Description

Color code: HEX #E14EF7 | qconv.com Color code: HEX #E14EF7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 78 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 78 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 68 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 68% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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