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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E15075 it is the complementary color #1EAF8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E15075. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E15075 shade: #E65070, #F76283, #FF7496, #FF86A9 and #FF98BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E15075. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E15075 shade: #E15075, #D03E62, #BF2C4F, #AE1A3C and #9D0829

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E15075 shade: #E15075 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E15075 shade: #E15075, #E1509C, #E150C3, #D850E1 and #B150E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E15075 shade matches the following richer shades: #E15075 and #F1406D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E15075 shade: #E15075, #D0617D, #C07185, #AF828D and #9F9295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E15075 shade: #E150C4, #E1509D, #E15077, #E15050 and #E17750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E15075 shade: #BF2048, #DB2D59, #E15075, #E77391 and #ED97AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E15075 shade: #E15075, #E1D750 and #50B1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E15075 shade: #E15075, #77E150 and #5077E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E15075 shade: #E15075, #E1D750, #50E1BA and #505AE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E15075 shade: #E15075, #BFE150, #50E1BA and #7250E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

Complementary color

CMYK 83 / 0 / 21 / 31

HEX #1EAF8A

RGB 30 175 138

HSL 164.69, 0.71%, 0.4%

LAB 63.98, -45.1, 8.78

 

CMYK 0 / 65 / 51 / 10

HEX #E65070

RGB 230 80 112

HSL 347.2, 0.75%, 0.61%

LAB 55.82, 60.16, 14.29

 

CMYK 0 / 60 / 47 / 3

HEX #F76283

RGB 247 98 131

HSL 346.71, 0.9%, 0.68%

LAB 61.78, 59.62, 11.93

 

CMYK 0 / 55 / 41 / 0

HEX #FF7496

RGB 255 116 150

HSL 345.32, 1%, 0.73%

LAB 66.48, 55.98, 7.87

 

CMYK 0 / 47 / 34 / 0

HEX #FF86A9

RGB 255 134 169

HSL 342.64, 1%, 0.76%

LAB 70.3, 49.49, 2.65

 

CMYK 0 / 40 / 26 / 0

HEX #FF98BC

RGB 255 152 188

HSL 339.03, 1%, 0.8%

LAB 74.41, 42.86, -1.91

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 70 / 53 / 18

HEX #D03E62

RGB 208 62 98

HSL 345.21, 0.61%, 0.53%

LAB 49.18, 59.27, 12.89

 

CMYK 0 / 77 / 59 / 25

HEX #BF2C4F

RGB 191 44 79

HSL 345.71, 0.63%, 0.46%

LAB 43.42, 59.01, 16.19

 

CMYK 0 / 85 / 66 / 32

HEX #AE1A3C

RGB 174 26 60

HSL 346.22, 0.74%, 0.39%

LAB 37.96, 57.93, 20.3

 

CMYK 0 / 95 / 74 / 38

HEX #9D0829

RGB 157 8 41

HSL 346.71, 0.9%, 0.32%

LAB 32.92, 55.62, 25.41

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 64 / 31 / 12

HEX #E1509C

RGB 225 80 156

HSL 328.55, 0.71%, 0.6%

LAB 56.23, 63.1, -11.16

 

CMYK 0 / 64 / 13 / 12

HEX #E150C3

RGB 225 80 195

HSL 312.41, 0.71%, 0.6%

LAB 57.74, 68.28, -31.45

 

CMYK 4 / 64 / 0 / 12

HEX #D850E1

RGB 216 80 225

HSL 296.28, 0.71%, 0.6%

LAB 57.82, 70.86, -48.44

 

CMYK 21 / 64 / 0 / 12

HEX #B150E1

RGB 177 80 225

HSL 280.14, 0.71%, 0.6%

LAB 52.42, 62.06, -57.38

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 73 / 55 / 5

HEX #F1406D

RGB 241 64 109

HSL 344.75, 0.86%, 0.6%

LAB 55.55, 68.96, 16.01

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 53 / 40 / 18

HEX #D0617D

RGB 208 97 125

HSL 344.86, 0.54%, 0.6%

LAB 55.52, 46.61, 5.72

 

CMYK 0 / 41 / 31 / 25

HEX #C07185

RGB 192 113 133

HSL 344.81, 0.39%, 0.6%

LAB 56.79, 33.63, 2.58

 

CMYK 0 / 26 / 19 / 31

HEX #AF828D

RGB 175 130 141

HSL 345.33, 0.22%, 0.6%

LAB 58.98, 19.02, 0.88

 

CMYK 0 / 8 / 6 / 38

HEX #9F9295

RGB 159 146 149

HSL 346.15, 0.06%, 0.6%

LAB 61.74, 5.36, 0.15

 

CMYK 0 / 64 / 13 / 12

HEX #E150C4

RGB 225 80 196

HSL 312, 0.71%, 0.6%

LAB 57.78, 68.43, -31.96

 

CMYK 0 / 64 / 30 / 12

HEX #E1509D

RGB 225 80 157

HSL 328.14, 0.71%, 0.6%

LAB 56.27, 63.22, -11.69

 

CMYK 0 / 64 / 47 / 12

HEX #E15077

RGB 225 80 119

HSL 343.86, 0.71%, 0.6%

LAB 55.15, 59.22, 9.09

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 47 / 64 / 12

HEX #E17750

RGB 225 119 80

HSL 16.14, 0.71%, 0.6%

LAB 61.46, 37.95, 39.64

 

CMYK 0 / 83 / 62 / 25

HEX #BF2048

RGB 191 32 72

HSL 344.91, 0.71%, 0.44%

LAB 42.12, 61.84, 18.82

 

CMYK 0 / 79 / 59 / 14

HEX #DB2D59

RGB 219 45 89

HSL 344.83, 0.71%, 0.52%

LAB 49.08, 67.16, 18.56

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 50 / 37 / 9

HEX #E77391

RGB 231 115 145

HSL 344.48, 0.71%, 0.68%

LAB 62.76, 47.9, 4.93

 

CMYK 0 / 36 / 27 / 7

HEX #ED97AD

RGB 237 151 173

HSL 344.65, 0.7%, 0.76%

LAB 71.66, 35.08, 2.11

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 4 / 64 / 12

HEX #E1D750

RGB 225 215 80

HSL 55.86, 0.71%, 0.6%

LAB 84.58, -12.38, 65.34

 

CMYK 64 / 21 / 0 / 12

HEX #50B1E1

RGB 80 177 225

HSL 199.86, 0.71%, 0.6%

LAB 68.45, -13.94, -32.55

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 47 / 0 / 64 / 12

HEX #77E150

RGB 119 225 80

HSL 103.86, 0.71%, 0.6%

LAB 80.93, -56.12, 59.53

 

CMYK 64 / 47 / 0 / 12

HEX #5077E1

RGB 80 119 225

HSL 223.86, 0.71%, 0.6%

LAB 52.21, 19.77, -58.17

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 0 / 4 / 64 / 12

HEX #E1D750

RGB 225 215 80

HSL 55.86, 0.71%, 0.6%

LAB 84.58, -12.38, 65.34

 

CMYK 64 / 0 / 17 / 12

HEX #50E1BA

RGB 80 225 186

HSL 163.86, 0.71%, 0.6%

LAB 81.35, -47.75, 7.79

 

CMYK 64 / 60 / 0 / 12

HEX #505AE1

RGB 80 90 225

HSL 235.86, 0.71%, 0.6%

LAB 44.88, 37.72, -70.04

 

CMYK 0 / 64 / 48 / 12

HEX #E15075

RGB 225 80 117

HSL 344.69, 0.71%, 0.6%

LAB 55.1, 59.04, 10.21

 

CMYK 15 / 0 / 64 / 12

HEX #BFE150

RGB 191 225 80

HSL 74.07, 0.71%, 0.6%

LAB 84.74, -30.99, 64.74

 

CMYK 64 / 0 / 17 / 12

HEX #50E1BA

RGB 80 225 186

HSL 163.86, 0.71%, 0.6%

LAB 81.35, -47.75, 7.79

 

CMYK 49 / 64 / 0 / 12

HEX #7250E1

RGB 114 80 225

HSL 254.07, 0.71%, 0.6%

LAB 45.29, 49.18, -69.25

 

Description

Color code: HEX #E15075 | qconv.com Color code: HEX #E15075 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 80 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 80 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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