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Color name
HEX #E1698D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1698D it is the complementary color #1E9672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1698D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1698D shade: #E66988, #F77B9B, #FF8DAE, #FF9FC1 and #FFB1D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1698D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1698D shade: #E1698D, #D0577A, #BF4567, #AE3354 and #9D2141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1698D shade: #E1698D, #E1696D and #E16969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1698D shade: #E1698D, #E169AE, #E169CE, #D469E1 and #B469E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1698D shade matches the following richer shades: #E1698D, #EF5B88 and #FE4D82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1698D shade: #E1698D, #D37893, #C48699, #B6959F and #A7A3A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1698D shade: #E169CD, #E169AD, #E1698D, #E1696D and #E18569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1698D shade: #CF295B, #DA4773, #E1698D, #E88CA7 and #EFAEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1698D shade: #E1698D, #E1D569 and #69BDE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1698D shade: #E1698D, #8DE169 and #698DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1698D shade: #E1698D, #E1D569, #69E1BD and #6975E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1698D shade: #E1698D, #C9E169, #69E1BD and #8169E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

Complementary color

CMYK 80 / 0 / 24 / 41

HEX #1E9672

RGB 30 150 114

HSL 162, 0.67%, 0.35%

LAB 55.38, -40.65, 10.04

 

CMYK 0 / 54 / 41 / 10

HEX #E66988

RGB 230 105 136

HSL 345.12, 0.71%, 0.66%

LAB 60.52, 51.4, 6.88

 

CMYK 0 / 50 / 37 / 3

HEX #F77B9B

RGB 247 123 155

HSL 344.52, 0.89%, 0.73%

LAB 66.75, 50.55, 5.27

 

CMYK 0 / 45 / 32 / 0

HEX #FF8DAE

RGB 255 141 174

HSL 342.63, 1%, 0.78%

LAB 71.8, 46.62, 2.04

 

CMYK 0 / 38 / 24 / 0

HEX #FF9FC1

RGB 255 159 193

HSL 338.75, 1%, 0.81%

LAB 76.01, 39.96, -2.31

 

CMYK 0 / 31 / 17 / 0

HEX #FFB1D4

RGB 255 177 212

HSL 333.08, 1%, 0.85%

LAB 80.44, 33.36, -6.14

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 58 / 41 / 18

HEX #D0577A

RGB 208 87 122

HSL 342.64, 0.56%, 0.58%

LAB 53.63, 51.04, 4.78

 

CMYK 0 / 64 / 46 / 25

HEX #BF4567

RGB 191 69 103

HSL 343.28, 0.49%, 0.51%

LAB 47.38, 51.64, 6.89

 

CMYK 0 / 71 / 52 / 32

HEX #AE3354

RGB 174 51 84

HSL 343.9, 0.55%, 0.44%

LAB 41.23, 51.91, 9.53

 

CMYK 0 / 79 / 59 / 38

HEX #9D2141

RGB 157 33 65

HSL 344.52, 0.65%, 0.37%

LAB 35.28, 51.58, 12.91

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 53 / 52 / 12

HEX #E1696D

RGB 225 105 109

HSL 358, 0.67%, 0.65%

LAB 59.17, 47.09, 20.51

 

CMYK 0 / 53 / 53 / 12

HEX #E16969

RGB 225 105 105

HSL 0, 0.67%, 0.65%

LAB 59.1, 46.75, 22.71

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 53 / 23 / 12

HEX #E169AE

RGB 225 105 174

HSL 325.5, 0.67%, 0.65%

LAB 60.93, 54.45, -14.52

 

CMYK 0 / 53 / 8 / 12

HEX #E169CE

RGB 225 105 206

HSL 309.5, 0.67%, 0.65%

LAB 62.14, 59.26, -30.87

 

CMYK 6 / 53 / 0 / 12

HEX #D469E1

RGB 212 105 225

HSL 293.5, 0.67%, 0.65%

LAB 61.25, 58.99, -43.06

 

CMYK 20 / 53 / 0 / 12

HEX #B469E1

RGB 180 105 225

HSL 277.5, 0.67%, 0.65%

LAB 57.31, 50.61, -49.55

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 62 / 43 / 6

HEX #EF5B88

RGB 239 91 136

HSL 341.76, 0.82%, 0.65%

LAB 59.54, 60.57, 5.66

 

CMYK 0 / 70 / 49 / 0

HEX #FE4D82

RGB 254 77 130

HSL 342.03, 0.99%, 0.65%

LAB 59.88, 69.87, 9.99

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 43 / 30 / 17

HEX #D37893

RGB 211 120 147

HSL 342.2, 0.51%, 0.65%

LAB 61.12, 38.63, 1.08

 

CMYK 0 / 32 / 22 / 23

HEX #C48699

RGB 196 134 153

HSL 341.61, 0.34%, 0.65%

LAB 62.58, 26.51, -0.45

 

CMYK 0 / 18 / 13 / 29

HEX #B6959F

RGB 182 149 159

HSL 341.82, 0.18%, 0.65%

LAB 64.92, 13.97, -0.6

 

CMYK 0 / 2 / 2 / 35

HEX #A7A3A4

RGB 167 163 164

HSL 345, 0.02%, 0.65%

LAB 67.34, 1.63, -0.02

 

CMYK 0 / 53 / 9 / 12

HEX #E169CD

RGB 225 105 205

HSL 310, 0.67%, 0.65%

LAB 62.1, 59.1, -30.37

 

CMYK 0 / 53 / 23 / 12

HEX #E169AD

RGB 225 105 173

HSL 326, 0.67%, 0.65%

LAB 60.89, 54.31, -14

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 53 / 52 / 12

HEX #E1696D

RGB 225 105 109

HSL 358, 0.67%, 0.65%

LAB 59.17, 47.09, 20.51

 

CMYK 0 / 41 / 53 / 12

HEX #E18569

RGB 225 133 105

HSL 14, 0.67%, 0.65%

LAB 64.81, 32.5, 30.22

 

CMYK 0 / 80 / 56 / 19

HEX #CF295B

RGB 207 41 91

HSL 341.93, 0.67%, 0.49%

LAB 46.45, 65.12, 13.38

 

CMYK 0 / 67 / 47 / 15

HEX #DA4773

RGB 218 71 115

HSL 342.04, 0.67%, 0.57%

LAB 52.56, 60.31, 7.64

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 40 / 28 / 9

HEX #E88CA7

RGB 232 140 167

HSL 342.39, 0.67%, 0.73%

LAB 68.53, 38.26, 0.84

 

CMYK 0 / 27 / 19 / 6

HEX #EFAEC2

RGB 239 174 194

HSL 341.54, 0.67%, 0.81%

LAB 77.59, 26.63, -0.75

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 5 / 53 / 12

HEX #E1D569

RGB 225 213 105

HSL 54, 0.67%, 0.65%

LAB 84.29, -9.65, 54.12

 

CMYK 53 / 16 / 0 / 12

HEX #69BDE1

RGB 105 189 225

HSL 198, 0.67%, 0.65%

LAB 72.78, -15.59, -25.81

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 37 / 0 / 53 / 12

HEX #8DE169

RGB 141 225 105

HSL 102, 0.67%, 0.65%

LAB 82.13, -46.84, 50.22

 

CMYK 53 / 37 / 0 / 12

HEX #698DE1

RGB 105 141 225

HSL 222, 0.67%, 0.65%

LAB 59.42, 11.27, -46.6

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 0 / 5 / 53 / 12

HEX #E1D569

RGB 225 213 105

HSL 54, 0.67%, 0.65%

LAB 84.29, -9.65, 54.12

 

CMYK 53 / 0 / 16 / 12

HEX #69E1BD

RGB 105 225 189

HSL 162, 0.67%, 0.65%

LAB 82.12, -42.3, 7.41

 

CMYK 53 / 48 / 0 / 12

HEX #6975E1

RGB 105 117 225

HSL 234, 0.67%, 0.65%

LAB 53.13, 25.69, -56.63

 

CMYK 0 / 53 / 37 / 12

HEX #E1698D

RGB 225 105 141

HSL 342, 0.67%, 0.65%

LAB 59.92, 50.28, 3.03

 

CMYK 11 / 0 / 53 / 12

HEX #C9E169

RGB 201 225 105

HSL 72, 0.67%, 0.65%

LAB 85.65, -25.15, 55.24

 

CMYK 53 / 0 / 16 / 12

HEX #69E1BD

RGB 105 225 189

HSL 162, 0.67%, 0.65%

LAB 82.12, -42.3, 7.41

 

CMYK 43 / 53 / 0 / 12

HEX #8169E1

RGB 129 105 225

HSL 252, 0.67%, 0.65%

LAB 52.07, 38.08, -58.22

 

Description

Color code: HEX #E1698D | qconv.com Color code: HEX #E1698D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 105 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 105 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 37% 12% C M Y K

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Provide designers and agencies with accurate color values.

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