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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17488 it is the complementary color #1E8B77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17488 shade: #E67483, #F78696, #FF98A9, #FFAABC and #FFBCCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17488 shade: #E17488, #D06275, #BF5062, #AE3E4F and #9D2C3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17488 shade: #E07488 and #E07474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17488 shade: #E07488, #E074A5, #E074C2, #E074DF and #C474E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17488 shade matches the following richer shades: #E07488, #EE6780 and #FB5977

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17488 shade: #E07488, #D38291, #C59099, #B79DA2 and #AAABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17488 shade: #E074C3, #E074A7, #E0748A, #E07C74 and #E09874

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17488 shade: #D1314E, #D9536B, #E07488, #E896A5 and #EFB8C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17488 shade: #E17488, #E0E074 and #74B5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17488 shade: #E17488, #8AE074 and #748AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17488 shade: #E17488, #E0E074, #74E0CB and #7474E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17488 shade: #E17488, #C0E074, #74E0CB and #9574E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

Complementary color

CMYK 78 / 0 / 14 / 45

HEX #1E8B77

RGB 30 139 119

HSL 168.99, 0.64%, 0.33%

LAB 51.92, -34.5, 2.22

 

CMYK 0 / 50 / 43 / 10

HEX #E67483

RGB 230 116 131

HSL 352.11, 0.7%, 0.68%

LAB 62.47, 45.54, 12.52

 

CMYK 0 / 46 / 39 / 3

HEX #F78696

RGB 247 134 150

HSL 351.5, 0.88%, 0.75%

LAB 68.77, 44.56, 10.97

 

CMYK 0 / 40 / 34 / 0

HEX #FF98A9

RGB 255 152 169

HSL 350.1, 1%, 0.8%

LAB 73.92, 40.44, 7.87

 

CMYK 0 / 33 / 26 / 0

HEX #FFAABC

RGB 255 170 188

HSL 347.29, 1%, 0.83%

LAB 78.25, 33.56, 3.69

 

CMYK 0 / 26 / 19 / 0

HEX #FFBCCF

RGB 255 188 207

HSL 342.99, 1%, 0.87%

LAB 82.77, 26.84, -0.01

 

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

CMYK 0 / 53 / 44 / 18

HEX #D06275

RGB 208 98 117

HSL 349.64, 0.54%, 0.6%

LAB 55.51, 45.27, 10.41

 

CMYK 0 / 58 / 49 / 25

HEX #BF5062

RGB 191 80 98

HSL 350.27, 0.46%, 0.53%

LAB 49.12, 46.18, 12.38

 

CMYK 0 / 64 / 55 / 32

HEX #AE3E4F

RGB 174 62 79

HSL 350.89, 0.47%, 0.46%

LAB 42.78, 46.94, 14.79

 

CMYK 0 / 72 / 62 / 38

HEX #9D2C3C

RGB 157 44 60

HSL 351.5, 0.56%, 0.39%

LAB 36.55, 47.38, 17.82

 

CMYK 0 / 48 / 39 / 12

HEX #E07488

RGB 224 116 136

HSL 348.89, 0.64%, 0.67%

LAB 61.75, 43.96, 8.53

 

CMYK 0 / 48 / 48 / 12

HEX #E07474

RGB 224 116 116

HSL 0, 0.64%, 0.67%

LAB 61.31, 41.91, 19.37

 

CMYK 0 / 48 / 39 / 12

HEX #E07488

RGB 224 116 136

HSL 348.89, 0.64%, 0.67%

LAB 61.75, 43.96, 8.53

 

CMYK 0 / 48 / 26 / 12

HEX #E074A5

RGB 224 116 165

HSL 332.78, 0.64%, 0.67%

LAB 62.55, 47.54, -6.94

 

CMYK 0 / 48 / 13 / 12

HEX #E074C2

RGB 224 116 194

HSL 316.67, 0.64%, 0.67%

LAB 63.54, 51.79, -21.96

 

CMYK 0 / 48 / 0 / 12

HEX #E074DF

RGB 224 116 223

HSL 300.56, 0.64%, 0.67%

LAB 64.7, 56.62, -36.44

 

CMYK 13 / 48 / 0 / 12

HEX #C474E0

RGB 196 116 224

HSL 284.44, 0.64%, 0.67%

LAB 61.31, 48.98, -42.54

 

CMYK 0 / 48 / 39 / 12

HEX #E07488

RGB 224 116 136

HSL 348.89, 0.64%, 0.67%

LAB 61.75, 43.96, 8.53

 

CMYK 0 / 57 / 46 / 7

HEX #EE6780

RGB 238 103 128

HSL 348.89, 0.8%, 0.67%

LAB 61.16, 54.2, 12.59

 

CMYK 0 / 65 / 53 / 2

HEX #FB5977

RGB 251 89 119

HSL 348.89, 0.95%, 0.67%

LAB 60.77, 63.6, 17.57

 

CMYK 0 / 48 / 39 / 12

HEX #E07488

RGB 224 116 136

HSL 348.89, 0.64%, 0.67%

LAB 61.75, 43.96, 8.53

 

CMYK 0 / 38 / 31 / 17

HEX #D38291

RGB 211 130 145

HSL 348.89, 0.48%, 0.67%

LAB 63.23, 33.07, 5.26

 

CMYK 0 / 27 / 22 / 23

HEX #C59099

RGB 197 144 153

HSL 349.81, 0.31%, 0.67%

LAB 65.06, 21.37, 3.17

 

CMYK 0 / 14 / 11 / 28

HEX #B79DA2

RGB 183 157 162

HSL 348.46, 0.15%, 0.67%

LAB 67.12, 10.42, 0.94

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 48 / 13 / 12

HEX #E074C3

RGB 224 116 195

HSL 316.11, 0.64%, 0.67%

LAB 63.57, 51.94, -22.46

 

CMYK 0 / 48 / 25 / 12

HEX #E074A7

RGB 224 116 167

HSL 331.67, 0.64%, 0.67%

LAB 62.62, 47.81, -7.99

 

CMYK 0 / 48 / 38 / 12

HEX #E0748A

RGB 224 116 138

HSL 347.78, 0.64%, 0.67%

LAB 61.8, 44.19, 7.45

 

CMYK 0 / 45 / 48 / 12

HEX #E07C74

RGB 224 124 116

HSL 4.44, 0.64%, 0.67%

LAB 62.95, 37.81, 21.6

 

CMYK 0 / 32 / 48 / 12

HEX #E09874

RGB 224 152 116

HSL 20, 0.64%, 0.67%

LAB 69.16, 22.99, 29.86

 

CMYK 0 / 77 / 63 / 18

HEX #D1314E

RGB 209 49 78

HSL 349.13, 0.63%, 0.51%

LAB 47.37, 62.57, 22.66

 

CMYK 0 / 62 / 51 / 15

HEX #D9536B

RGB 217 83 107

HSL 349.25, 0.64%, 0.59%

LAB 54.03, 54.35, 14.44

 

CMYK 0 / 48 / 39 / 12

HEX #E07488

RGB 224 116 136

HSL 348.89, 0.64%, 0.67%

LAB 61.75, 43.96, 8.53

 

CMYK 0 / 35 / 29 / 9

HEX #E896A5

RGB 232 150 165

HSL 349.02, 0.64%, 0.75%

LAB 70.65, 32.73, 5.03

 

CMYK 0 / 23 / 19 / 6

HEX #EFB8C2

RGB 239 184 194

HSL 349.09, 0.63%, 0.83%

LAB 79.91, 21.32, 2.63

 

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

CMYK 0 / 0 / 48 / 12

HEX #E0E074

RGB 224 224 116

HSL 60, 0.64%, 0.67%

LAB 87.2, -14.62, 52.4

 

CMYK 48 / 19 / 0 / 12

HEX #74B5E0

RGB 116 181 224

HSL 203.89, 0.64%, 0.67%

LAB 70.97, -9.19, -28

 

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

CMYK 38 / 0 / 48 / 12

HEX #8AE074

RGB 138 224 116

HSL 107.78, 0.64%, 0.67%

LAB 81.82, -46.06, 44.62

 

CMYK 48 / 38 / 0 / 12

HEX #748AE0

RGB 116 138 224

HSL 227.78, 0.64%, 0.67%

LAB 59.23, 15.22, -46.31

 

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

CMYK 0 / 0 / 48 / 12

HEX #E0E074

RGB 224 224 116

HSL 60, 0.64%, 0.67%

LAB 87.2, -14.62, 52.4

 

CMYK 48 / 0 / 9 / 12

HEX #74E0CB

RGB 116 224 203

HSL 168.33, 0.64%, 0.67%

LAB 82.56, -36.17, 0.68

 

CMYK 48 / 48 / 0 / 12

HEX #7474E0

RGB 116 116 224

HSL 240, 0.64%, 0.67%

LAB 53.58, 28.35, -55.29

 

CMYK 0 / 48 / 40 / 12

HEX #E17488

RGB 225 116 136

HSL 348.99, 0.64%, 0.67%

LAB 61.89, 44.31, 8.74

 

CMYK 14 / 0 / 48 / 12

HEX #C0E074

RGB 192 224 116

HSL 77.78, 0.64%, 0.67%

LAB 84.88, -27.1, 49.06

 

CMYK 48 / 0 / 9 / 12

HEX #74E0CB

RGB 116 224 203

HSL 168.33, 0.64%, 0.67%

LAB 82.56, -36.17, 0.68

 

CMYK 33 / 48 / 0 / 12

HEX #9574E0

RGB 149 116 224

HSL 258.33, 0.64%, 0.67%

LAB 56.35, 36.33, -50.71

 

Description

Color code: HEX #E17488 | qconv.com Color code: HEX #E17488 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 116 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 116 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 40 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 40% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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