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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17036 it is the complementary color #1E8FC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17036. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17036 shade: #E67031, #F78244, #FF9457, #FFA66A and #FFB87D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17036. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17036 shade: #E17036, #D05E23, #BF4C10, #AE3A00 and #9D2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17036 shade: #E17037, #E14337 and #E13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17036 shade: #E17037, #E19E37, #E1CC37, #C8E137 and #9AE137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17036 shade matches the following richer shades: #E17037 and #F36A24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17036 shade: #E17037, #CE7649, #BC7C5C, #A9826F and #968881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17036 shade: #E13759, #E14237, #E16F37, #E19D37 and #E1CA37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17036 shade: #AC4B19, #D05B1F, #E17037, #E68A5B and #EBA47F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17036 shade: #E17036, #86E137 and #3742E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17036 shade: #E17036, #37E16F and #6F37E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17036 shade: #E17036, #86E137, #37A8E1 and #9137E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17036 shade: #E17036, #53E137, #37A8E1 and #C437E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

Complementary color

CMYK 85 / 29 / 0 / 21

HEX #1E8FC9

RGB 30 143 201

HSL 200.35, 0.74%, 0.45%

LAB 56.23, -9.52, -38.36

 

CMYK 0 / 51 / 79 / 10

HEX #E67031

RGB 230 112 49

HSL 20.88, 0.78%, 0.55%

LAB 60.46, 41.93, 54.15

 

CMYK 0 / 47 / 72 / 3

HEX #F78244

RGB 247 130 68

HSL 20.78, 0.92%, 0.62%

LAB 66.64, 40.26, 52.4

 

CMYK 0 / 42 / 66 / 0

HEX #FF9457

RGB 255 148 87

HSL 21.79, 1%, 0.67%

LAB 71.64, 35.2, 48.93

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66A

RGB 255 166 106

HSL 24.16, 1%, 0.71%

LAB 75.81, 27.1, 44.27

 

CMYK 0 / 28 / 51 / 0

HEX #FFB87D

RGB 255 184 125

HSL 27.23, 1%, 0.75%

LAB 80.19, 19.2, 39.99

 

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

CMYK 0 / 55 / 83 / 18

HEX #D05E23

RGB 208 94 35

HSL 20.46, 0.71%, 0.48%

LAB 53.53, 41.93, 52.58

 

CMYK 0 / 60 / 92 / 25

HEX #BF4C10

RGB 191 76 16

HSL 20.57, 0.85%, 0.41%

LAB 47.34, 43.72, 53.45

 

CMYK 0 / 67 / 100 / 32

HEX #AE3A00

RGB 174 58 0

HSL 20, 1%, 0.34%

LAB 41.26, 45.4, 52.76

 

CMYK 0 / 75 / 100 / 38

HEX #9D2800

RGB 157 40 0

HSL 15.29, 1%, 0.31%

LAB 35.37, 46.73, 48.06

 

CMYK 0 / 50 / 76 / 12

HEX #E17037

RGB 225 112 55

HSL 20.12, 0.74%, 0.55%

LAB 59.77, 40.23, 50.46

 

CMYK 0 / 70 / 76 / 12

HEX #E14337

RGB 225 67 55

HSL 4.24, 0.74%, 0.55%

LAB 52.17, 60.21, 42.49

 

CMYK 0 / 76 / 76 / 12

HEX #E13737

RGB 225 55 55

HSL 0, 0.74%, 0.55%

LAB 50.71, 64.28, 40.9

 

CMYK 0 / 50 / 76 / 12

HEX #E17037

RGB 225 112 55

HSL 20.12, 0.74%, 0.55%

LAB 59.77, 40.23, 50.46

 

CMYK 0 / 30 / 76 / 12

HEX #E19E37

RGB 225 158 55

HSL 36.35, 0.74%, 0.55%

LAB 69.99, 16.04, 60.63

 

CMYK 0 / 9 / 76 / 12

HEX #E1CC37

RGB 225 204 55

HSL 52.59, 0.74%, 0.55%

LAB 81.55, -8.06, 71.55

 

CMYK 11 / 0 / 76 / 12

HEX #C8E137

RGB 200 225 55

HSL 68.82, 0.74%, 0.55%

LAB 85.2, -28.77, 74.22

 

CMYK 32 / 0 / 76 / 12

HEX #9AE137

RGB 154 225 55

HSL 85.06, 0.74%, 0.55%

LAB 82.38, -46.43, 70.56

 

CMYK 0 / 50 / 76 / 12

HEX #E17037

RGB 225 112 55

HSL 20.12, 0.74%, 0.55%

LAB 59.77, 40.23, 50.46

 

CMYK 0 / 56 / 85 / 5

HEX #F36A24

RGB 243 106 36

HSL 20.29, 0.9%, 0.55%

LAB 61.21, 49.34, 60.91

 

CMYK 0 / 50 / 76 / 12

HEX #E17037

RGB 225 112 55

HSL 20.12, 0.74%, 0.55%

LAB 59.77, 40.23, 50.46

 

CMYK 0 / 43 / 65 / 19

HEX #CE7649

RGB 206 118 73

HSL 20.3, 0.58%, 0.55%

LAB 58.56, 30.5, 39.29

 

CMYK 0 / 34 / 51 / 26

HEX #BC7C5C

RGB 188 124 92

HSL 20, 0.42%, 0.55%

LAB 57.92, 21.34, 27.61

 

CMYK 0 / 23 / 34 / 34

HEX #A9826F

RGB 169 130 111

HSL 19.66, 0.25%, 0.55%

LAB 57.61, 12.29, 16.06

 

CMYK 0 / 9 / 14 / 41

HEX #968881

RGB 150 136 129

HSL 20, 0.09%, 0.55%

LAB 57.73, 4.02, 5.66

 

CMYK 0 / 76 / 60 / 12

HEX #E13759

RGB 225 55 89

HSL 348, 0.74%, 0.55%

LAB 51.22, 65.95, 21.63

 

CMYK 0 / 71 / 76 / 12

HEX #E14237

RGB 225 66 55

HSL 3.88, 0.74%, 0.55%

LAB 52.04, 60.58, 42.34

 

CMYK 0 / 51 / 76 / 12

HEX #E16F37

RGB 225 111 55

HSL 19.76, 0.74%, 0.55%

LAB 59.57, 40.73, 50.26

 

CMYK 0 / 30 / 76 / 12

HEX #E19D37

RGB 225 157 55

HSL 36, 0.74%, 0.55%

LAB 69.75, 16.58, 60.39

 

CMYK 0 / 10 / 76 / 12

HEX #E1CA37

RGB 225 202 55

HSL 51.88, 0.74%, 0.55%

LAB 81.03, -7.05, 71.07

 

CMYK 0 / 56 / 85 / 33

HEX #AC4B19

RGB 172 75 25

HSL 20.41, 0.75%, 0.39%

LAB 44.05, 37.09, 46.25

 

CMYK 0 / 56 / 85 / 18

HEX #D05B1F

RGB 208 91 31

HSL 20.34, 0.74%, 0.47%

LAB 52.94, 43.28, 53.69

 

CMYK 0 / 50 / 76 / 12

HEX #E17037

RGB 225 112 55

HSL 20.12, 0.74%, 0.55%

LAB 59.77, 40.23, 50.46

 

CMYK 0 / 40 / 60 / 10

HEX #E68A5B

RGB 230 138 91

HSL 20.29, 0.74%, 0.63%

LAB 66.33, 30.76, 39.82

 

CMYK 0 / 30 / 46 / 8

HEX #EBA47F

RGB 235 164 127

HSL 20.56, 0.73%, 0.71%

LAB 73.38, 22.01, 29.7

 

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

CMYK 40 / 0 / 76 / 12

HEX #86E137

RGB 134 225 55

HSL 92.12, 0.74%, 0.55%

LAB 81.4, -53.28, 69.28

 

CMYK 76 / 71 / 0 / 12

HEX #3742E1

RGB 55 66 225

HSL 236.12, 0.74%, 0.55%

LAB 38.1, 49.15, -81.2

 

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

CMYK 76 / 0 / 51 / 12

HEX #37E16F

RGB 55 225 111

HSL 139.76, 0.74%, 0.55%

LAB 79.51, -66.13, 43.59

 

CMYK 51 / 76 / 0 / 12

HEX #6F37E1

RGB 111 55 225

HSL 259.76, 0.74%, 0.55%

LAB 40.49, 61.22, -77.11

 

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

CMYK 40 / 0 / 76 / 12

HEX #86E137

RGB 134 225 55

HSL 92.12, 0.74%, 0.55%

LAB 81.4, -53.28, 69.28

 

CMYK 76 / 25 / 0 / 12

HEX #37A8E1

RGB 55 168 225

HSL 200.12, 0.74%, 0.55%

LAB 65.16, -12.58, -37.71

 

CMYK 36 / 76 / 0 / 12

HEX #9137E1

RGB 145 55 225

HSL 271.76, 0.74%, 0.55%

LAB 44.5, 66.41, -70.39

 

CMYK 0 / 50 / 76 / 12

HEX #E17036

RGB 225 112 54

HSL 20.35, 0.74%, 0.55%

LAB 59.76, 40.19, 50.93

 

CMYK 63 / 0 / 76 / 12

HEX #53E137

RGB 83 225 55

HSL 110.12, 0.74%, 0.55%

LAB 79.59, -67.2, 66.91

 

CMYK 76 / 25 / 0 / 12

HEX #37A8E1

RGB 55 168 225

HSL 200.12, 0.74%, 0.55%

LAB 65.16, -12.58, -37.71

 

CMYK 13 / 76 / 0 / 12

HEX #C437E1

RGB 196 55 225

HSL 289.76, 0.74%, 0.55%

LAB 51.73, 75.51, -58.34

 

Description

Color code: HEX #E17036 | qconv.com Color code: HEX #E17036 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 112 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 112 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 76 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 76% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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