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Color name
HEX #E17056

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17056 it is the complementary color #1E8FA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17056. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17056 shade: #E67051, #F78264, #FF9477, #FFA68A and #FFB89D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17056. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17056 shade: #E17056, #D05E43, #BF4C30, #AE3A1D and #9D280A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17056 shade: #E16F55 and #E15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17056 shade: #E16F55, #E19555, #E1BB55, #E1E055 and #BCE155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17056 shade matches the following richer shades: #E16F55 and #F16545

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17056 shade: #E16F55, #D17A66, #C08476, #B08E86 and #A09896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17056 shade: #E15586, #E15561, #E16F55, #E19455 and #E1B955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17056 shade: #C24022, #DA5232, #E16F55, #E78D79 and #EDAB9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17056 shade: #E17056, #ABE155 and #5574E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17056 shade: #E17056, #55E16F and #6F55E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17056 shade: #E17056, #ABE155, #55C7E1 and #8B55E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17056 shade: #E17056, #82E155, #55C7E1 and #B555E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

Complementary color

CMYK 82 / 15 / 0 / 34

HEX #1E8FA9

RGB 30 143 169

HSL 191.22, 0.7%, 0.39%

LAB 54.85, -20.84, -22.28

 

CMYK 0 / 51 / 65 / 10

HEX #E67051

RGB 230 112 81

HSL 12.48, 0.75%, 0.61%

LAB 60.79, 43.45, 38.46

 

CMYK 0 / 47 / 60 / 3

HEX #F78264

RGB 247 130 100

HSL 12.24, 0.9%, 0.68%

LAB 67.02, 42.09, 36.36

 

CMYK 0 / 42 / 53 / 0

HEX #FF9477

RGB 255 148 119

HSL 12.79, 1%, 0.73%

LAB 72.08, 37.42, 32.75

 

CMYK 0 / 35 / 46 / 0

HEX #FFA68A

RGB 255 166 138

HSL 14.36, 1%, 0.77%

LAB 76.29, 29.82, 28.08

 

CMYK 0 / 28 / 38 / 0

HEX #FFB89D

RGB 255 184 157

HSL 16.53, 1%, 0.81%

LAB 80.73, 22.39, 23.9

 

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

CMYK 0 / 55 / 68 / 18

HEX #D05E43

RGB 208 94 67

HSL 11.49, 0.6%, 0.54%

LAB 53.84, 43.26, 37.04

 

CMYK 0 / 60 / 75 / 25

HEX #BF4C30

RGB 191 76 48

HSL 11.75, 0.6%, 0.47%

LAB 47.57, 44.65, 39.56

 

CMYK 0 / 67 / 83 / 32

HEX #AE3A1D

RGB 174 58 29

HSL 12, 0.71%, 0.4%

LAB 41.4, 45.93, 42.2

 

CMYK 0 / 75 / 94 / 38

HEX #9D280A

RGB 157 40 10

HSL 12.24, 0.88%, 0.33%

LAB 35.42, 46.88, 44.24

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 62 / 62 / 12

HEX #E15555

RGB 225 85 85

HSL 0, 0.7%, 0.61%

LAB 55.24, 54.5, 29.2

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 34 / 62 / 12

HEX #E19555

RGB 225 149 85

HSL 27.43, 0.7%, 0.61%

LAB 68.14, 22.48, 44.92

 

CMYK 0 / 17 / 62 / 12

HEX #E1BB55

RGB 225 187 85

HSL 43.71, 0.7%, 0.61%

LAB 77.4, 2.27, 55.47

 

CMYK 0 / 0 / 62 / 12

HEX #E1E055

RGB 225 224 85

HSL 59.57, 0.7%, 0.61%

LAB 86.98, -16.54, 65.85

 

CMYK 16 / 0 / 62 / 12

HEX #BCE155

RGB 188 225 85

HSL 75.86, 0.7%, 0.61%

LAB 84.59, -31.81, 62.49

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 58 / 71 / 5

HEX #F16545

RGB 241 101 69

HSL 11.16, 0.86%, 0.61%

LAB 60.28, 52.05, 44.71

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 42 / 51 / 18

HEX #D17A66

RGB 209 122 102

HSL 11.21, 0.54%, 0.61%

LAB 60.28, 31.81, 25.58

 

CMYK 0 / 31 / 39 / 25

HEX #C08476

RGB 192 132 118

HSL 11.35, 0.37%, 0.61%

LAB 60.8, 21.32, 16.88

 

CMYK 0 / 19 / 24 / 31

HEX #B08E86

RGB 176 142 134

HSL 11.43, 0.21%, 0.61%

LAB 61.91, 11.58, 9.11

 

CMYK 0 / 5 / 6 / 37

HEX #A09896

RGB 160 152 150

HSL 12, 0.05%, 0.61%

LAB 63.45, 2.56, 2.09

 

CMYK 0 / 62 / 40 / 12

HEX #E15586

RGB 225 85 134

HSL 339, 0.7%, 0.61%

LAB 56.31, 58.59, 1.89

 

CMYK 0 / 62 / 57 / 12

HEX #E15561

RGB 225 85 97

HSL 354.86, 0.7%, 0.61%

LAB 55.45, 55.32, 22.49

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 34 / 62 / 12

HEX #E19455

RGB 225 148 85

HSL 27, 0.7%, 0.61%

LAB 67.9, 23.01, 44.65

 

CMYK 0 / 18 / 62 / 12

HEX #E1B955

RGB 225 185 85

HSL 42.86, 0.7%, 0.61%

LAB 76.9, 3.32, 54.91

 

CMYK 0 / 67 / 82 / 24

HEX #C24022

RGB 194 64 34

HSL 11.25, 0.7%, 0.45%

LAB 45.98, 50.5, 45.31

 

CMYK 0 / 62 / 77 / 15

HEX #DA5232

RGB 218 82 50

HSL 11.43, 0.69%, 0.53%

LAB 53.14, 51.66, 45.76

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 39 / 48 / 9

HEX #E78D79

RGB 231 141 121

HSL 10.91, 0.7%, 0.69%

LAB 67.59, 32.06, 25.2

 

CMYK 0 / 28 / 34 / 7

HEX #EDAB9C

RGB 237 171 156

HSL 11.11, 0.69%, 0.77%

LAB 75.78, 22.28, 17.32

 

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

CMYK 24 / 0 / 62 / 12

HEX #ABE155

RGB 171 225 85

HSL 83.14, 0.7%, 0.61%

LAB 83.53, -38.27, 61.04

 

CMYK 62 / 48 / 0 / 12

HEX #5574E1

RGB 85 116 225

HSL 226.71, 0.7%, 0.61%

LAB 51.68, 22.48, -59.02

 

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

CMYK 62 / 0 / 51 / 12

HEX #55E16F

RGB 85 225 111

HSL 131.14, 0.7%, 0.61%

LAB 80.14, -61.07, 44.51

 

CMYK 51 / 62 / 0 / 12

HEX #6F55E1

RGB 111 85 225

HSL 251.14, 0.7%, 0.61%

LAB 46.06, 45.85, -68.01

 

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

CMYK 24 / 0 / 62 / 12

HEX #ABE155

RGB 171 225 85

HSL 83.14, 0.7%, 0.61%

LAB 83.53, -38.27, 61.04

 

CMYK 62 / 12 / 0 / 12

HEX #55C7E1

RGB 85 199 225

HSL 191.14, 0.7%, 0.61%

LAB 74.96, -24.5, -22.55

 

CMYK 38 / 62 / 0 / 12

HEX #8B55E1

RGB 139 85 225

HSL 263.14, 0.7%, 0.61%

LAB 48.79, 51.39, -63.46

 

CMYK 0 / 50 / 62 / 12

HEX #E17056

RGB 225 112 86

HSL 11.22, 0.7%, 0.61%

LAB 60.13, 41.89, 34.76

 

CMYK 42 / 0 / 62 / 12

HEX #82E155

RGB 130 225 85

HSL 100.71, 0.7%, 0.61%

LAB 81.43, -52.36, 58.13

 

CMYK 62 / 12 / 0 / 12

HEX #55C7E1

RGB 85 199 225

HSL 191.14, 0.7%, 0.61%

LAB 74.96, -24.5, -22.55

 

CMYK 20 / 62 / 0 / 12

HEX #B555E1

RGB 181 85 225

HSL 281.14, 0.7%, 0.61%

LAB 53.77, 60.69, -55.19

 

Description

Color code: HEX #E17056 | qconv.com Color code: HEX #E17056 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 112 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 112 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 62 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 62% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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