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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17257 it is the complementary color #1E8DA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17257. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17257 shade: #E67252, #F78465, #FF9678, #FFA88B and #FFBA9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17257. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17257 shade: #E17257, #D06044, #BF4E31, #AE3C1E and #9D2A0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17257 shade: #E17155 and #E15555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17257 shade: #E17155, #E19655, #E1BC55, #E0E155 and #BAE155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17257 shade matches the following richer shades: #E17155 and #F16745

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17257 shade: #E17155, #D17A66, #C08476, #B08E86 and #A09896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17257 shade: #E15586, #E15561, #E16F55, #E19455 and #E1B955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17257 shade: #C24122, #DA5332, #E17155, #E78E79 and #EDAC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17257 shade: #E17257, #ABE155 and #5574E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17257 shade: #E17257, #55E16F and #6F55E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17257 shade: #E17257, #ABE155, #55C7E1 and #8B55E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17257 shade: #E17257, #82E155, #55C7E1 and #B555E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

Complementary color

CMYK 82 / 16 / 0 / 34

HEX #1E8DA8

RGB 30 141 168

HSL 191.74, 0.7%, 0.39%

LAB 54.19, -20.12, -22.72

 

CMYK 0 / 50 / 64 / 10

HEX #E67252

RGB 230 114 82

HSL 12.97, 0.75%, 0.61%

LAB 61.19, 42.51, 38.41

 

CMYK 0 / 47 / 59 / 3

HEX #F78465

RGB 247 132 101

HSL 12.74, 0.9%, 0.68%

LAB 67.44, 41.15, 36.35

 

CMYK 0 / 41 / 53 / 0

HEX #FF9678

RGB 255 150 120

HSL 13.33, 1%, 0.74%

LAB 72.51, 36.48, 32.78

 

CMYK 0 / 34 / 45 / 0

HEX #FFA88B

RGB 255 168 139

HSL 15, 1%, 0.77%

LAB 76.76, 28.87, 28.16

 

CMYK 0 / 27 / 38 / 0

HEX #FFBA9E

RGB 255 186 158

HSL 17.32, 1%, 0.81%

LAB 81.21, 21.45, 24.02

 

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

CMYK 0 / 54 / 67 / 18

HEX #D06044

RGB 208 96 68

HSL 12, 0.6%, 0.54%

LAB 54.23, 42.33, 36.95

 

CMYK 0 / 59 / 74 / 25

HEX #BF4E31

RGB 191 78 49

HSL 12.25, 0.59%, 0.47%

LAB 47.94, 43.75, 39.43

 

CMYK 0 / 66 / 83 / 32

HEX #AE3C1E

RGB 174 60 30

HSL 12.5, 0.71%, 0.4%

LAB 41.73, 45.09, 42.01

 

CMYK 0 / 73 / 93 / 38

HEX #9D2A0B

RGB 157 42 11

HSL 12.74, 0.87%, 0.33%

LAB 35.69, 46.15, 44.07

 

CMYK 0 / 50 / 62 / 12

HEX #E17155

RGB 225 113 85

HSL 12, 0.7%, 0.61%

LAB 60.31, 41.32, 35.54

 

CMYK 0 / 62 / 62 / 12

HEX #E15555

RGB 225 85 85

HSL 0, 0.7%, 0.61%

LAB 55.24, 54.5, 29.2

 

CMYK 0 / 50 / 62 / 12

HEX #E17155

RGB 225 113 85

HSL 12, 0.7%, 0.61%

LAB 60.31, 41.32, 35.54

 

CMYK 0 / 33 / 62 / 12

HEX #E19655

RGB 225 150 85

HSL 27.86, 0.7%, 0.61%

LAB 68.37, 21.94, 45.19

 

CMYK 0 / 16 / 62 / 12

HEX #E1BC55

RGB 225 188 85

HSL 44.14, 0.7%, 0.61%

LAB 77.66, 1.74, 55.76

 

CMYK 0 / 0 / 62 / 12

HEX #E0E155

RGB 224 225 85

HSL 60.43, 0.7%, 0.61%

LAB 87.17, -17.44, 66.02

 

CMYK 17 / 0 / 62 / 12

HEX #BAE155

RGB 186 225 85

HSL 76.71, 0.7%, 0.61%

LAB 84.46, -32.59, 62.31

 

CMYK 0 / 50 / 62 / 12

HEX #E17155

RGB 225 113 85

HSL 12, 0.7%, 0.61%

LAB 60.31, 41.32, 35.54

 

CMYK 0 / 57 / 71 / 5

HEX #F16745

RGB 241 103 69

HSL 11.86, 0.86%, 0.61%

LAB 60.63, 51.13, 45.1

 

CMYK 0 / 50 / 62 / 12

HEX #E17155

RGB 225 113 85

HSL 12, 0.7%, 0.61%

LAB 60.31, 41.32, 35.54

 

CMYK 0 / 42 / 51 / 18

HEX #D17A66

RGB 209 122 102

HSL 11.21, 0.54%, 0.61%

LAB 60.28, 31.81, 25.58

 

CMYK 0 / 31 / 39 / 25

HEX #C08476

RGB 192 132 118

HSL 11.35, 0.37%, 0.61%

LAB 60.8, 21.32, 16.88

 

CMYK 0 / 19 / 24 / 31

HEX #B08E86

RGB 176 142 134

HSL 11.43, 0.21%, 0.61%

LAB 61.91, 11.58, 9.11

 

CMYK 0 / 5 / 6 / 37

HEX #A09896

RGB 160 152 150

HSL 12, 0.05%, 0.61%

LAB 63.45, 2.56, 2.09

 

CMYK 0 / 62 / 40 / 12

HEX #E15586

RGB 225 85 134

HSL 339, 0.7%, 0.61%

LAB 56.31, 58.59, 1.89

 

CMYK 0 / 62 / 57 / 12

HEX #E15561

RGB 225 85 97

HSL 354.86, 0.7%, 0.61%

LAB 55.45, 55.32, 22.49

 

CMYK 0 / 51 / 62 / 12

HEX #E16F55

RGB 225 111 85

HSL 11.14, 0.7%, 0.61%

LAB 59.92, 42.32, 35.05

 

CMYK 0 / 34 / 62 / 12

HEX #E19455

RGB 225 148 85

HSL 27, 0.7%, 0.61%

LAB 67.9, 23.01, 44.65

 

CMYK 0 / 18 / 62 / 12

HEX #E1B955

RGB 225 185 85

HSL 42.86, 0.7%, 0.61%

LAB 76.9, 3.32, 54.91

 

CMYK 0 / 66 / 82 / 24

HEX #C24122

RGB 194 65 34

HSL 11.63, 0.7%, 0.45%

LAB 46.13, 50.09, 45.45

 

CMYK 0 / 62 / 77 / 15

HEX #DA5332

RGB 218 83 50

HSL 11.79, 0.69%, 0.53%

LAB 53.3, 51.22, 45.93

 

CMYK 0 / 50 / 62 / 12

HEX #E17155

RGB 225 113 85

HSL 12, 0.7%, 0.61%

LAB 60.31, 41.32, 35.54

 

CMYK 0 / 39 / 48 / 9

HEX #E78E79

RGB 231 142 121

HSL 11.45, 0.7%, 0.69%

LAB 67.81, 31.54, 25.49

 

CMYK 0 / 27 / 34 / 7

HEX #EDAC9C

RGB 237 172 156

HSL 11.85, 0.69%, 0.77%

LAB 76.01, 21.75, 17.65

 

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

CMYK 24 / 0 / 62 / 12

HEX #ABE155

RGB 171 225 85

HSL 83.14, 0.7%, 0.61%

LAB 83.53, -38.27, 61.04

 

CMYK 62 / 48 / 0 / 12

HEX #5574E1

RGB 85 116 225

HSL 226.71, 0.7%, 0.61%

LAB 51.68, 22.48, -59.02

 

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

CMYK 62 / 0 / 51 / 12

HEX #55E16F

RGB 85 225 111

HSL 131.14, 0.7%, 0.61%

LAB 80.14, -61.07, 44.51

 

CMYK 51 / 62 / 0 / 12

HEX #6F55E1

RGB 111 85 225

HSL 251.14, 0.7%, 0.61%

LAB 46.06, 45.85, -68.01

 

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

CMYK 24 / 0 / 62 / 12

HEX #ABE155

RGB 171 225 85

HSL 83.14, 0.7%, 0.61%

LAB 83.53, -38.27, 61.04

 

CMYK 62 / 12 / 0 / 12

HEX #55C7E1

RGB 85 199 225

HSL 191.14, 0.7%, 0.61%

LAB 74.96, -24.5, -22.55

 

CMYK 38 / 62 / 0 / 12

HEX #8B55E1

RGB 139 85 225

HSL 263.14, 0.7%, 0.61%

LAB 48.79, 51.39, -63.46

 

CMYK 0 / 49 / 61 / 12

HEX #E17257

RGB 225 114 87

HSL 11.74, 0.7%, 0.61%

LAB 60.54, 40.95, 34.72

 

CMYK 42 / 0 / 62 / 12

HEX #82E155

RGB 130 225 85

HSL 100.71, 0.7%, 0.61%

LAB 81.43, -52.36, 58.13

 

CMYK 62 / 12 / 0 / 12

HEX #55C7E1

RGB 85 199 225

HSL 191.14, 0.7%, 0.61%

LAB 74.96, -24.5, -22.55

 

CMYK 20 / 62 / 0 / 12

HEX #B555E1

RGB 181 85 225

HSL 281.14, 0.7%, 0.61%

LAB 53.77, 60.69, -55.19

 

Description

Color code: HEX #E17257 | qconv.com Color code: HEX #E17257 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 114 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 114 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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