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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E172FD it is the complementary color #1E8D02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E172FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E172FD shade: #E672F8, #F784FF, #FF96FF, #FFA8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E172FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E172FD shade: #E172FD, #D060EA, #BF4ED7, #AE3CC4 and #9D2AB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E172FD shade: #E072FC, #FC72F3, #FC72CE, #FC72A8 and #FC7283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E172FD shade: #E072FC, #BB72FC, #9672FC and #7272FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E172FD shade matches the following richer shades: #E072FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E172FD shade: #E072FC, #DA7DF1, #D389E5, #CC94DA and #C5A0CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E172FD shade: #9472FC, #B972FC, #DE72FC, #FC72F5 and #FC72D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E172FD shade: #CF21FB, #D849FC, #E072FC, #E99AFD and #F2C3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E172FD shade: #E172FD, #FC7274 and #72FCA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E172FD shade: #E172FD, #FCDE72 and #72FCDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E172FD shade: #E172FD, #FC7274, #90FC72 and #72FCFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E172FD shade: #E172FD, #FC9972, #90FC72 and #72D5FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

Complementary color

CMYK 79 / 0 / 99 / 45

HEX #1E8D02

RGB 30 141 2

HSL 107.91, 0.97%, 0.28%

LAB 51.07, -52.5, 53.55

 

CMYK 7 / 54 / 0 / 3

HEX #E672F8

RGB 230 114 248

HSL 291.94, 0.91%, 0.71%

LAB 66.24, 63.67, -47.8

 

CMYK 3 / 48 / 0 / 0

HEX #F784FF

RGB 247 132 255

HSL 296.1, 1%, 0.76%

LAB 71.89, 60.9, -42.61

 

CMYK 0 / 41 / 0 / 0

HEX #FF96FF

RGB 255 150 255

HSL 300, 1%, 0.79%

LAB 76.25, 54.33, -35.75

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 11 / 59 / 0 / 8

HEX #D060EA

RGB 208 96 234

HSL 288.7, 0.77%, 0.65%

LAB 59.63, 63.83, -50.68

 

CMYK 11 / 64 / 0 / 16

HEX #BF4ED7

RGB 191 78 215

HSL 289.49, 0.63%, 0.57%

LAB 53.42, 64.13, -50

 

CMYK 11 / 69 / 0 / 23

HEX #AE3CC4

RGB 174 60 196

HSL 290.29, 0.54%, 0.5%

LAB 47.26, 64.09, -49.07

 

CMYK 11 / 76 / 0 / 31

HEX #9D2AB1

RGB 157 42 177

HSL 291.11, 0.62%, 0.43%

LAB 41.21, 63.46, -47.77

 

CMYK 11 / 55 / 0 / 1

HEX #E072FC

RGB 224 114 252

HSL 287.83, 0.96%, 0.72%

LAB 65.68, 62.89, -50.93

 

CMYK 0 / 55 / 4 / 1

HEX #FC72F3

RGB 252 114 243

HSL 303.91, 0.96%, 0.72%

LAB 68.9, 68.49, -40.68

 

CMYK 0 / 55 / 18 / 1

HEX #FC72CE

RGB 252 114 206

HSL 320, 0.96%, 0.72%

LAB 67.42, 62.84, -22.44

 

CMYK 0 / 55 / 33 / 1

HEX #FC72A8

RGB 252 114 168

HSL 336.52, 0.96%, 0.72%

LAB 66.18, 57.91, -2.85

 

CMYK 0 / 55 / 48 / 1

HEX #FC7283

RGB 252 114 131

HSL 352.61, 0.96%, 0.72%

LAB 65.25, 54.09, 16.88

 

CMYK 11 / 55 / 0 / 1

HEX #E072FC

RGB 224 114 252

HSL 287.83, 0.96%, 0.72%

LAB 65.68, 62.89, -50.93

 

CMYK 26 / 55 / 0 / 1

HEX #BB72FC

RGB 187 114 252

HSL 271.74, 0.96%, 0.72%

LAB 61.33, 53.7, -58.11

 

CMYK 40 / 55 / 0 / 1

HEX #9672FC

RGB 150 114 252

HSL 255.65, 0.96%, 0.72%

LAB 57.6, 45.06, -64.29

 

CMYK 55 / 55 / 0 / 1

HEX #7272FC

RGB 114 114 252

HSL 240, 0.96%, 0.72%

LAB 54.7, 37.67, -69.12

 

CMYK 11 / 55 / 0 / 1

HEX #E072FC

RGB 224 114 252

HSL 287.83, 0.96%, 0.72%

LAB 65.68, 62.89, -50.93

 

CMYK 11 / 55 / 0 / 1

HEX #E072FC

RGB 224 114 252

HSL 287.83, 0.96%, 0.72%

LAB 65.68, 62.89, -50.93

 

CMYK 10 / 48 / 0 / 5

HEX #DA7DF1

RGB 218 125 241

HSL 288.1, 0.81%, 0.72%

LAB 66.46, 53.83, -43.7

 

CMYK 8 / 40 / 0 / 10

HEX #D389E5

RGB 211 137 229

HSL 288.26, 0.64%, 0.72%

LAB 67.57, 43.27, -35.41

 

CMYK 6 / 32 / 0 / 15

HEX #CC94DA

RGB 204 148 218

HSL 288, 0.49%, 0.72%

LAB 68.81, 33.02, -27.48

 

CMYK 4 / 22 / 0 / 19

HEX #C5A0CE

RGB 197 160 206

HSL 288.26, 0.32%, 0.72%

LAB 70.5, 21.79, -18.33

 

CMYK 41 / 55 / 0 / 1

HEX #9472FC

RGB 148 114 252

HSL 254.78, 0.96%, 0.72%

LAB 57.42, 44.61, -64.59

 

CMYK 27 / 55 / 0 / 1

HEX #B972FC

RGB 185 114 252

HSL 270.87, 0.96%, 0.72%

LAB 61.11, 53.22, -58.47

 

CMYK 12 / 55 / 0 / 1

HEX #DE72FC

RGB 222 114 252

HSL 286.96, 0.96%, 0.72%

LAB 65.43, 62.39, -51.34

 

CMYK 0 / 55 / 3 / 1

HEX #FC72F5

RGB 252 114 245

HSL 303.04, 0.96%, 0.72%

LAB 68.98, 68.82, -41.64

 

CMYK 0 / 55 / 17 / 1

HEX #FC72D0

RGB 252 114 208

HSL 319.13, 0.96%, 0.72%

LAB 67.49, 63.12, -23.44

 

CMYK 18 / 87 / 0 / 2

HEX #CF21FB

RGB 207 33 251

HSL 287.89, 0.96%, 0.56%

LAB 53.3, 87.19, -70.34

 

CMYK 14 / 71 / 0 / 1

HEX #D849FC

RGB 216 73 252

HSL 287.93, 0.97%, 0.64%

LAB 58.41, 78.2, -62.58

 

CMYK 11 / 55 / 0 / 1

HEX #E072FC

RGB 224 114 252

HSL 287.83, 0.96%, 0.72%

LAB 65.68, 62.89, -50.93

 

CMYK 8 / 39 / 0 / 1

HEX #E99AFD

RGB 233 154 253

HSL 287.88, 0.96%, 0.8%

LAB 74.53, 45.5, -37.54

 

CMYK 5 / 23 / 0 / 0

HEX #F2C3FE

RGB 242 195 254

HSL 287.8, 0.97%, 0.88%

LAB 84.52, 26.76, -22.66

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 0 / 55 / 54 / 1

HEX #FC7274

RGB 252 114 116

HSL 359.13, 0.96%, 0.72%

LAB 64.96, 52.83, 24.98

 

CMYK 55 / 0 / 34 / 1

HEX #72FCA7

RGB 114 252 167

HSL 143.04, 0.96%, 0.72%

LAB 89.85, -56.1, 29.6

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 0 / 12 / 55 / 1

HEX #FCDE72

RGB 252 222 114

HSL 46.96, 0.96%, 0.72%

LAB 88.99, -2.53, 56.03

 

CMYK 55 / 0 / 12 / 1

HEX #72FCDE

RGB 114 252 222

HSL 166.96, 0.96%, 0.72%

LAB 90.99, -44.69, 2.99

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 0 / 55 / 54 / 1

HEX #FC7274

RGB 252 114 116

HSL 359.13, 0.96%, 0.72%

LAB 64.96, 52.83, 24.98

 

CMYK 43 / 0 / 55 / 1

HEX #90FC72

RGB 144 252 114

HSL 106.96, 0.96%, 0.72%

LAB 90.21, -55.95, 55.74

 

CMYK 55 / 0 / 1 / 1

HEX #72FCFA

RGB 114 252 250

HSL 179.13, 0.96%, 0.72%

LAB 91.73, -37.82, -10.46

 

CMYK 11 / 55 / 0 / 1

HEX #E172FD

RGB 225 114 253

HSL 287.91, 0.97%, 0.72%

LAB 65.85, 63.33, -51.2

 

CMYK 0 / 39 / 55 / 1

HEX #FC9972

RGB 252 153 114

HSL 16.96, 0.96%, 0.72%

LAB 72.69, 33.3, 36.14

 

CMYK 43 / 0 / 55 / 1

HEX #90FC72

RGB 144 252 114

HSL 106.96, 0.96%, 0.72%

LAB 90.21, -55.95, 55.74

 

CMYK 55 / 15 / 0 / 1

HEX #72D5FC

RGB 114 213 252

HSL 196.96, 0.96%, 0.72%

LAB 80.85, -18.43, -27.93

 

Description

Color code: HEX #E172FD | qconv.com Color code: HEX #E172FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 114 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 114 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 55 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 55% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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