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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E173F1 it is the complementary color #1E8C0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E173F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E173F1 shade: #E673EC, #F785FF, #FF97FF, #FFA9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E173F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E173F1 shade: #E173F1, #D061DE, #BF4FCB, #AE3DB8 and #9D2BA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E173F1 shade: #E173F1, #F173DF, #F173BD, #F1739B and #F17379

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E173F1 shade: #E173F1, #BF73F1, #9D73F1, #7B73F1 and #7373F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E173F1 shade matches the following richer shades: #E173F1 and #EA67FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E173F1 shade: #E173F1, #D880E4, #CE8CD8, #C598CC and #BCA5BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E173F1 shade: #9D73F1, #BF73F1, #E073F1, #F173E0 and #F173BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E173F1 shade: #D128E9, #D94EED, #E173F1, #E999F4 and #F1BEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E173F1 shade: #E173F1, #F17C73 and #73F1AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E173F1 shade: #E173F1, #F1E073 and #73F1E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E173F1 shade: #E173F1, #F17C73, #84F173 and #73E8F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E173F1 shade: #E173F1, #F1A173, #84F173 and #73C3F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

Complementary color

CMYK 79 / 0 / 90 / 45

HEX #1E8C0E

RGB 30 140 14

HSL 112.38, 0.82%, 0.3%

LAB 50.76, -51.78, 51.1

 

CMYK 3 / 51 / 0 / 7

HEX #E673EC

RGB 230 115 236

HSL 297.02, 0.76%, 0.69%

LAB 65.86, 61.03, -41.78

 

CMYK 3 / 48 / 0 / 0

HEX #F785FF

RGB 247 133 255

HSL 296.07, 1%, 0.76%

LAB 72.07, 60.42, -42.32

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 6 / 56 / 0 / 13

HEX #D061DE

RGB 208 97 222

HSL 293.28, 0.65%, 0.63%

LAB 59.19, 61.14, -44.66

 

CMYK 6 / 61 / 0 / 20

HEX #BF4FCB

RGB 191 79 203

HSL 294.19, 0.54%, 0.55%

LAB 52.93, 61.49, -43.94

 

CMYK 5 / 67 / 0 / 28

HEX #AE3DB8

RGB 174 61 184

HSL 295.12, 0.5%, 0.48%

LAB 46.71, 61.52, -42.96

 

CMYK 5 / 74 / 0 / 35

HEX #9D2BA5

RGB 157 43 165

HSL 296.07, 0.59%, 0.41%

LAB 40.59, 61, -41.62

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 0 / 52 / 7 / 5

HEX #F173DF

RGB 241 115 223

HSL 308.57, 0.82%, 0.7%

LAB 66.74, 61.84, -33.09

 

CMYK 0 / 52 / 22 / 5

HEX #F173BD

RGB 241 115 189

HSL 324.76, 0.82%, 0.7%

LAB 65.46, 56.73, -15.99

 

CMYK 0 / 52 / 36 / 5

HEX #F1739B

RGB 241 115 155

HSL 340.95, 0.82%, 0.7%

LAB 64.43, 52.4, 1.8

 

CMYK 0 / 52 / 50 / 5

HEX #F17379

RGB 241 115 121

HSL 357.14, 0.82%, 0.7%

LAB 63.63, 48.95, 20.08

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 21 / 52 / 0 / 5

HEX #BF73F1

RGB 191 115 241

HSL 276.19, 0.82%, 0.7%

LAB 61.38, 51.75, -51.92

 

CMYK 35 / 52 / 0 / 5

HEX #9D73F1

RGB 157 115 241

HSL 260, 0.82%, 0.7%

LAB 57.83, 43.25, -57.8

 

CMYK 49 / 52 / 0 / 5

HEX #7B73F1

RGB 123 115 241

HSL 243.81, 0.82%, 0.7%

LAB 54.89, 35.54, -62.67

 

CMYK 52 / 52 / 0 / 5

HEX #7373F1

RGB 115 115 241

HSL 240, 0.82%, 0.7%

LAB 54.3, 33.9, -63.66

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 8 / 59 / 0 / 1

HEX #EA67FD

RGB 234 103 253

HSL 292.4, 0.97%, 0.7%

LAB 65.19, 70.49, -52.18

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 5 / 44 / 0 / 11

HEX #D880E4

RGB 216 128 228

HSL 292.8, 0.65%, 0.7%

LAB 66.24, 49.24, -36.88

 

CMYK 5 / 35 / 0 / 15

HEX #CE8CD8

RGB 206 140 216

HSL 292.11, 0.49%, 0.7%

LAB 67.15, 37.6, -28.91

 

CMYK 3 / 25 / 0 / 20

HEX #C598CC

RGB 197 152 204

HSL 291.92, 0.34%, 0.7%

LAB 68.52, 25.81, -20.23

 

CMYK 2 / 14 / 0 / 25

HEX #BCA5BF

RGB 188 165 191

HSL 293.08, 0.17%, 0.7%

LAB 70.43, 13.07, -10.24

 

CMYK 35 / 52 / 0 / 5

HEX #9D73F1

RGB 157 115 241

HSL 260, 0.82%, 0.7%

LAB 57.83, 43.25, -57.8

 

CMYK 21 / 52 / 0 / 5

HEX #BF73F1

RGB 191 115 241

HSL 276.19, 0.82%, 0.7%

LAB 61.38, 51.75, -51.92

 

CMYK 7 / 52 / 0 / 5

HEX #E073F1

RGB 224 115 241

HSL 291.9, 0.82%, 0.7%

LAB 65.33, 60.35, -45.44

 

CMYK 0 / 52 / 7 / 5

HEX #F173E0

RGB 241 115 224

HSL 308.1, 0.82%, 0.7%

LAB 66.78, 62, -33.58

 

CMYK 0 / 52 / 21 / 5

HEX #F173BF

RGB 241 115 191

HSL 323.81, 0.82%, 0.7%

LAB 65.53, 57.01, -17.01

 

CMYK 10 / 83 / 0 / 9

HEX #D128E9

RGB 209 40 233

HSL 292.54, 0.81%, 0.54%

LAB 52.9, 83.13, -60.87

 

CMYK 8 / 67 / 0 / 7

HEX #D94EED

RGB 217 78 237

HSL 292.45, 0.82%, 0.62%

LAB 58.33, 73.93, -54.35

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 5 / 37 / 0 / 4

HEX #E999F4

RGB 233 153 244

HSL 292.75, 0.81%, 0.78%

LAB 73.96, 44.3, -33.54

 

CMYK 3 / 23 / 0 / 3

HEX #F1BEF8

RGB 241 190 248

HSL 292.76, 0.81%, 0.86%

LAB 83.08, 27.97, -21.66

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 0 / 49 / 52 / 5

HEX #F17C73

RGB 241 124 115

HSL 4.29, 0.82%, 0.7%

LAB 65.24, 44.02, 25.64

 

CMYK 52 / 0 / 28 / 5

HEX #73F1AE

RGB 115 241 174

HSL 148.1, 0.82%, 0.7%

LAB 86.81, -50.1, 21.88

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 0 / 7 / 52 / 5

HEX #F1E073

RGB 241 224 115

HSL 51.9, 0.82%, 0.7%

LAB 88.57, -7.9, 54.83

 

CMYK 52 / 0 / 7 / 5

HEX #73F1E0

RGB 115 241 224

HSL 171.9, 0.82%, 0.7%

LAB 87.94, -39.12, -2.51

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 0 / 49 / 52 / 5

HEX #F17C73

RGB 241 124 115

HSL 4.29, 0.82%, 0.7%

LAB 65.24, 44.02, 25.64

 

CMYK 45 / 0 / 52 / 5

HEX #84F173

RGB 132 241 115

HSL 111.9, 0.82%, 0.7%

LAB 86.53, -54.96, 50.78

 

CMYK 52 / 4 / 0 / 5

HEX #73E8F1

RGB 115 232 241

HSL 184.29, 0.82%, 0.7%

LAB 85.86, -30.63, -14.52

 

CMYK 7 / 52 / 0 / 5

HEX #E173F1

RGB 225 115 241

HSL 292.38, 0.82%, 0.7%

LAB 65.45, 60.61, -45.23

 

CMYK 0 / 33 / 52 / 5

HEX #F1A173

RGB 241 161 115

HSL 21.9, 0.82%, 0.7%

LAB 73.17, 24.87, 35.96

 

CMYK 45 / 0 / 52 / 5

HEX #84F173

RGB 132 241 115

HSL 111.9, 0.82%, 0.7%

LAB 86.53, -54.96, 50.78

 

CMYK 52 / 19 / 0 / 5

HEX #73C3F1

RGB 115 195 241

HSL 201.9, 0.82%, 0.7%

LAB 75.47, -12.03, -30.3

 

Description

Color code: HEX #E173F1 | qconv.com Color code: HEX #E173F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 115 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 115 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 52 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 52% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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