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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E185EF it is the complementary color #1E7A10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E185EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E185EF shade: #E685EA, #F797FD, #FFA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E185EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E185EF shade: #E185EF, #D073DC, #BF61C9, #AE4FB6 and #9D3DA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E185EF shade: #E185EF, #EF85E0, #EF85C3, #EF85A7 and #EF858A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E185EF shade: #E185EF, #C485EF, #A785EF, #8B85EF and #8585EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E185EF shade matches the following richer shades: #E185EF and #E979FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E185EF shade: #E185EF, #D890E4, #D09BD8, #C8A6CD and #C0B1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E185EF shade: #A885EF, #C485EF, #E185EF, #EF85E1 and #EF85C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E185EF shade: #CF3CE5, #D860EA, #E185EF, #EAA9F3 and #F3CEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E185EF shade: #E185EF, #EF8C85 and #85EFB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E185EF shade: #E185EF, #EFE185 and #85EFE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E185EF shade: #E185EF, #EF8C85, #93EF85 and #85E8EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E185EF shade: #E185EF, #EFAC85, #93EF85 and #85C8EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

Complementary color

CMYK 75 / 0 / 87 / 52

HEX #1E7A10

RGB 30 122 16

HSL 112.08, 0.77%, 0.27%

LAB 44.56, -45.75, 45.13

 

CMYK 2 / 43 / 0 / 8

HEX #E685EA

RGB 230 133 234

HSL 297.62, 0.71%, 0.72%

LAB 69.14, 51.87, -35.56

 

CMYK 2 / 40 / 0 / 1

HEX #F797FD

RGB 247 151 253

HSL 296.47, 0.96%, 0.79%

LAB 75.45, 51.14, -35.98

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 5 / 48 / 0 / 14

HEX #D073DC

RGB 208 115 220

HSL 293.14, 0.6%, 0.66%

LAB 62.37, 52.07, -38.54

 

CMYK 5 / 52 / 0 / 21

HEX #BF61C9

RGB 191 97 201

HSL 294.23, 0.49%, 0.58%

LAB 55.93, 52.73, -38.06

 

CMYK 4 / 57 / 0 / 29

HEX #AE4FB6

RGB 174 79 182

HSL 295.34, 0.41%, 0.51%

LAB 49.46, 53.28, -37.44

 

CMYK 4 / 63 / 0 / 36

HEX #9D3DA3

RGB 157 61 163

HSL 296.47, 0.46%, 0.44%

LAB 42.99, 53.59, -36.62

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 44 / 6 / 6

HEX #EF85E0

RGB 239 133 224

HSL 308.49, 0.77%, 0.73%

LAB 69.83, 52.77, -28.89

 

CMYK 0 / 44 / 18 / 6

HEX #EF85C3

RGB 239 133 195

HSL 324.91, 0.77%, 0.73%

LAB 68.8, 48.18, -14.35

 

CMYK 0 / 44 / 30 / 6

HEX #EF85A7

RGB 239 133 167

HSL 340.75, 0.77%, 0.73%

LAB 67.96, 44.3, 0.11

 

CMYK 0 / 44 / 42 / 6

HEX #EF858A

RGB 239 133 138

HSL 357.17, 0.77%, 0.73%

LAB 67.25, 40.92, 15.42

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 18 / 44 / 0 / 6

HEX #C485EF

RGB 196 133 239

HSL 275.66, 0.77%, 0.73%

LAB 65.55, 43.14, -44.21

 

CMYK 30 / 44 / 0 / 6

HEX #A785EF

RGB 167 133 239

HSL 259.25, 0.77%, 0.73%

LAB 62.7, 35.19, -48.89

 

CMYK 42 / 44 / 0 / 6

HEX #8B85EF

RGB 139 133 239

HSL 243.4, 0.77%, 0.73%

LAB 60.33, 28.04, -52.79

 

CMYK 44 / 44 / 0 / 6

HEX #8585EF

RGB 133 133 239

HSL 240, 0.77%, 0.73%

LAB 59.88, 26.6, -53.53

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 7 / 52 / 0 / 2

HEX #E979FA

RGB 233 121 250

HSL 292.09, 0.93%, 0.73%

LAB 67.95, 61.52, -46.18

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 5 / 37 / 0 / 11

HEX #D890E4

RGB 216 144 228

HSL 291.43, 0.61%, 0.73%

LAB 69.57, 40.86, -31.71

 

CMYK 4 / 28 / 0 / 15

HEX #D09BD8

RGB 208 155 216

HSL 292.13, 0.44%, 0.73%

LAB 70.74, 30.09, -23.39

 

CMYK 2 / 19 / 0 / 20

HEX #C8A6CD

RGB 200 166 205

HSL 292.31, 0.28%, 0.73%

LAB 72.2, 19.3, -15.19

 

CMYK 1 / 9 / 0 / 24

HEX #C0B1C2

RGB 192 177 194

HSL 292.94, 0.12%, 0.73%

LAB 73.9, 8.45, -6.7

 

CMYK 30 / 44 / 0 / 6

HEX #A885EF

RGB 168 133 239

HSL 259.81, 0.77%, 0.73%

LAB 62.79, 35.46, -48.74

 

CMYK 18 / 44 / 0 / 6

HEX #C485EF

RGB 196 133 239

HSL 275.66, 0.77%, 0.73%

LAB 65.55, 43.14, -44.21

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 44 / 6 / 6

HEX #EF85E1

RGB 239 133 225

HSL 307.92, 0.77%, 0.73%

LAB 69.87, 52.94, -29.39

 

CMYK 0 / 44 / 18 / 6

HEX #EF85C4

RGB 239 133 196

HSL 324.34, 0.77%, 0.73%

LAB 68.83, 48.33, -14.86

 

CMYK 10 / 74 / 0 / 10

HEX #CF3CE5

RGB 207 60 229

HSL 292.19, 0.76%, 0.57%

LAB 54.19, 76.75, -56.56

 

CMYK 8 / 59 / 0 / 8

HEX #D860EA

RGB 216 96 234

HSL 292.17, 0.77%, 0.65%

LAB 60.7, 65.78, -48.93

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 4 / 30 / 0 / 5

HEX #EAA9F3

RGB 234 169 243

HSL 292.7, 0.76%, 0.81%

LAB 77.48, 35.98, -27.56

 

CMYK 2 / 17 / 0 / 3

HEX #F3CEF8

RGB 243 206 248

HSL 292.86, 0.75%, 0.89%

LAB 86.98, 20.14, -15.74

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 41 / 44 / 6

HEX #EF8C85

RGB 239 140 133

HSL 3.96, 0.77%, 0.73%

LAB 68.61, 36.8, 20.09

 

CMYK 44 / 0 / 24 / 6

HEX #85EFB6

RGB 133 239 182

HSL 147.74, 0.77%, 0.73%

LAB 87.04, -43.29, 18.18

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 6 / 44 / 6

HEX #EFE185

RGB 239 225 133

HSL 52.08, 0.77%, 0.73%

LAB 88.87, -7.59, 46.56

 

CMYK 44 / 0 / 6 / 6

HEX #85EFE1

RGB 133 239 225

HSL 172.08, 0.77%, 0.73%

LAB 88.04, -34.02, -2.8

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 41 / 44 / 6

HEX #EF8C85

RGB 239 140 133

HSL 3.96, 0.77%, 0.73%

LAB 68.61, 36.8, 20.09

 

CMYK 38 / 0 / 44 / 6

HEX #93EF85

RGB 147 239 133

HSL 112.08, 0.77%, 0.73%

LAB 86.81, -47.41, 42.73

 

CMYK 44 / 3 / 0 / 6

HEX #85E8EF

RGB 133 232 239

HSL 183.96, 0.77%, 0.73%

LAB 86.47, -27.29, -12.48

 

CMYK 6 / 44 / 0 / 6

HEX #E185EF

RGB 225 133 239

HSL 292.08, 0.77%, 0.73%

LAB 68.76, 51.35, -38.94

 

CMYK 0 / 28 / 44 / 6

HEX #EFAC85

RGB 239 172 133

HSL 22.08, 0.77%, 0.73%

LAB 75.79, 19.95, 29.76

 

CMYK 38 / 0 / 44 / 6

HEX #93EF85

RGB 147 239 133

HSL 112.08, 0.77%, 0.73%

LAB 86.81, -47.41, 42.73

 

CMYK 44 / 16 / 0 / 6

HEX #85C8EF

RGB 133 200 239

HSL 202.08, 0.77%, 0.73%

LAB 77.59, -11.13, -25.89

 

Description

Color code: HEX #E185EF | qconv.com Color code: HEX #E185EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 133 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 133 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 44 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 44% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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