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Color name
HEX #E18950

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18950 it is the complementary color #1E76AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18950 shade: #E6894B, #F79B5E, #FFAD71, #FFBF84 and #FFD197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18950 shade: #E18950, #D0773D, #BF652A, #AE5317 and #9D4104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18950 shade: #E18950, #E16250 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18950 shade: #E18950, #E1B050, #E1D750, #C4E150 and #9DE150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18950 shade matches the following richer shades: #E18950 and #F18540

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18950 shade: #E18950, #D08D61, #C09071, #AF9482 and #9F9792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18950 shade: #E15066, #E16150, #E18850, #E1AE50 and #E1D550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18950 shade: #BF5E20, #DB712D, #E18950, #E7A173 and #EDB997

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18950 shade: #E18950, #8CE150 and #5052E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18950 shade: #E18950, #50E188 and #8850E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18950 shade: #E18950, #8CE150, #50A9E1 and #A550E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18950 shade: #E18950, #61E150, #50A9E1 and #D050E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

Complementary color

CMYK 83 / 33 / 0 / 31

HEX #1E76AF

RGB 30 118 175

HSL 203.59, 0.71%, 0.4%

LAB 47.4, -4.58, -37.34

 

CMYK 0 / 40 / 67 / 10

HEX #E6894B

RGB 230 137 75

HSL 24, 0.76%, 0.6%

LAB 65.92, 30.28, 47.54

 

CMYK 0 / 37 / 62 / 3

HEX #F79B5E

RGB 247 155 94

HSL 23.92, 0.91%, 0.67%

LAB 72.25, 28.83, 45.86

 

CMYK 0 / 32 / 56 / 0

HEX #FFAD71

RGB 255 173 113

HSL 25.35, 1%, 0.72%

LAB 77.48, 23.97, 42.75

 

CMYK 0 / 25 / 48 / 0

HEX #FFBF84

RGB 255 191 132

HSL 28.78, 1%, 0.76%

LAB 81.94, 16.17, 38.62

 

CMYK 0 / 18 / 41 / 0

HEX #FFD197

RGB 255 209 151

HSL 33.46, 1%, 0.8%

LAB 86.55, 8.7, 34.84

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 43 / 71 / 18

HEX #D0773D

RGB 208 119 61

HSL 23.67, 0.61%, 0.53%

LAB 58.92, 30.09, 45.92

 

CMYK 0 / 47 / 78 / 25

HEX #BF652A

RGB 191 101 42

HSL 23.76, 0.64%, 0.46%

LAB 52.45, 31.82, 47.58

 

CMYK 0 / 52 / 87 / 32

HEX #AE5317

RGB 174 83 23

HSL 23.84, 0.77%, 0.39%

LAB 45.97, 33.73, 48.8

 

CMYK 0 / 59 / 97 / 38

HEX #9D4104

RGB 157 65 4

HSL 23.92, 0.95%, 0.32%

LAB 39.51, 35.76, 48.89

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 56 / 64 / 12

HEX #E16250

RGB 225 98 80

HSL 7.45, 0.71%, 0.6%

LAB 57.39, 48.32, 34.72

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 22 / 64 / 12

HEX #E1B050

RGB 225 176 80

HSL 39.72, 0.71%, 0.6%

LAB 74.6, 7.74, 54.65

 

CMYK 0 / 4 / 64 / 12

HEX #E1D750

RGB 225 215 80

HSL 55.86, 0.71%, 0.6%

LAB 84.58, -12.38, 65.34

 

CMYK 13 / 0 / 64 / 12

HEX #C4E150

RGB 196 225 80

HSL 72, 0.71%, 0.6%

LAB 85.08, -29.03, 65.2

 

CMYK 30 / 0 / 64 / 12

HEX #9DE150

RGB 157 225 80

HSL 88.14, 0.71%, 0.6%

LAB 82.7, -43.75, 61.95

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 45 / 73 / 5

HEX #F18540

RGB 241 133 64

HSL 23.39, 0.86%, 0.6%

LAB 66.4, 36.21, 53.78

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 32 / 53 / 18

HEX #D08D61

RGB 208 141 97

HSL 23.78, 0.54%, 0.6%

LAB 64.42, 20.71, 33.66

 

CMYK 0 / 25 / 41 / 25

HEX #C09071

RGB 192 144 113

HSL 23.54, 0.39%, 0.6%

LAB 63.63, 14.11, 23.53

 

CMYK 0 / 15 / 26 / 31

HEX #AF9482

RGB 175 148 130

HSL 24, 0.22%, 0.6%

LAB 63.26, 7.26, 13.26

 

CMYK 0 / 5 / 8 / 38

HEX #9F9792

RGB 159 151 146

HSL 23.08, 0.06%, 0.6%

LAB 62.99, 2.02, 3.67

 

CMYK 0 / 64 / 55 / 12

HEX #E15066

RGB 225 80 102

HSL 350.9, 0.71%, 0.6%

LAB 54.77, 57.8, 18.63

 

CMYK 0 / 57 / 64 / 12

HEX #E16150

RGB 225 97 80

HSL 7.03, 0.71%, 0.6%

LAB 57.21, 48.79, 34.5

 

CMYK 0 / 40 / 64 / 12

HEX #E18850

RGB 225 136 80

HSL 23.17, 0.71%, 0.6%

LAB 65.12, 29.08, 43.93

 

CMYK 0 / 23 / 64 / 12

HEX #E1AE50

RGB 225 174 80

HSL 38.9, 0.71%, 0.6%

LAB 74.1, 8.8, 54.1

 

CMYK 0 / 5 / 64 / 12

HEX #E1D550

RGB 225 213 80

HSL 55.03, 0.71%, 0.6%

LAB 84.06, -11.38, 64.8

 

CMYK 0 / 51 / 83 / 25

HEX #BF5E20

RGB 191 94 32

HSL 23.4, 0.71%, 0.44%

LAB 50.9, 35.15, 50.5

 

CMYK 0 / 48 / 79 / 14

HEX #DB712D

RGB 219 113 45

HSL 23.45, 0.71%, 0.52%

LAB 59.03, 36.99, 53.98

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 0 / 30 / 50 / 9

HEX #E7A173

RGB 231 161 115

HSL 23.79, 0.71%, 0.68%

LAB 72.04, 20.88, 34.28

 

CMYK 0 / 22 / 36 / 7

HEX #EDB997

RGB 237 185 151

HSL 23.72, 0.7%, 0.76%

LAB 79, 14.25, 24.45

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 38 / 0 / 64 / 12

HEX #8CE150

RGB 140 225 80

HSL 95.17, 0.71%, 0.6%

LAB 81.84, -49.59, 60.77

 

CMYK 64 / 64 / 0 / 12

HEX #5052E1

RGB 80 82 225

HSL 239.17, 0.71%, 0.6%

LAB 43.03, 42.55, -73.06

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 64 / 0 / 40 / 12

HEX #50E188

RGB 80 225 136

HSL 143.17, 0.71%, 0.6%

LAB 80.37, -58.1, 32.45

 

CMYK 40 / 64 / 0 / 12

HEX #8850E1

RGB 136 80 225

HSL 263.17, 0.71%, 0.6%

LAB 47.51, 53.38, -65.55

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 38 / 0 / 64 / 12

HEX #8CE150

RGB 140 225 80

HSL 95.17, 0.71%, 0.6%

LAB 81.84, -49.59, 60.77

 

CMYK 64 / 25 / 0 / 12

HEX #50A9E1

RGB 80 169 225

HSL 203.17, 0.71%, 0.6%

LAB 66.15, -9.6, -36.12

 

CMYK 27 / 64 / 0 / 12

HEX #A550E1

RGB 165 80 225

HSL 275.17, 0.71%, 0.6%

LAB 50.89, 59.44, -59.92

 

CMYK 0 / 39 / 64 / 12

HEX #E18950

RGB 225 137 80

HSL 23.59, 0.71%, 0.6%

LAB 65.34, 28.55, 44.19

 

CMYK 57 / 0 / 64 / 12

HEX #61E150

RGB 97 225 80

HSL 112.97, 0.71%, 0.6%

LAB 80.16, -62, 58.46

 

CMYK 64 / 25 / 0 / 12

HEX #50A9E1

RGB 80 169 225

HSL 203.17, 0.71%, 0.6%

LAB 66.15, -9.6, -36.12

 

CMYK 8 / 64 / 0 / 12

HEX #D050E1

RGB 208 80 225

HSL 292.97, 0.71%, 0.6%

LAB 56.67, 69.04, -50.35

 

Description

Color code: HEX #E18950 | qconv.com Color code: HEX #E18950 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 137 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 137 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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