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Color name
HEX #E1899E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1899E it is the complementary color #1E7661. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1899E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1899E shade: #E68999, #F79BAC, #FFADBF, #FFBFD2 and #FFD1E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1899E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1899E shade: #E1899E, #D0778B, #BF6578, #AE5365 and #9D4152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1899E shade: #E0899E and #E08989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1899E shade: #E0899E, #E089B5, #E089CD, #DC89E0 and #C489E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1899E shade matches the following richer shades: #E0899E, #EC7D97 and #F87191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1899E shade: #E0899E, #D495A4, #C8A1AA, #BCADB1 and #B0B9B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1899E shade: #E089CD, #E089B6, #E0899F, #E08A89 and #E0A289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1899E shade: #CF4768, #D86883, #E0899E, #E9AAB9 and #F1CBD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1899E shade: #E1899E, #E0DC89 and #89C2E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1899E shade: #E1899E, #9FE089 and #899FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1899E shade: #E1899E, #E0DC89, #89E0CA and #898DE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1899E shade: #E1899E, #CAE089, #89E0CA and #9F89E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

Complementary color

CMYK 75 / 0 / 18 / 54

HEX #1E7661

RGB 30 118 97

HSL 165.68, 0.59%, 0.29%

LAB 44.37, -30.88, 4.24

 

CMYK 0 / 40 / 33 / 10

HEX #E68999

RGB 230 137 153

HSL 349.68, 0.65%, 0.72%

LAB 67.29, 37.31, 6.87

 

CMYK 0 / 37 / 30 / 3

HEX #F79BAC

RGB 247 155 172

HSL 348.91, 0.85%, 0.79%

LAB 73.67, 36.42, 5.73

 

CMYK 0 / 32 / 25 / 0

HEX #FFADBF

RGB 255 173 191

HSL 346.83, 1%, 0.84%

LAB 78.99, 32.41, 3.12

 

CMYK 0 / 25 / 18 / 0

HEX #FFBFD2

RGB 255 191 210

HSL 342.19, 1%, 0.87%

LAB 83.53, 25.72, -0.51

 

CMYK 0 / 18 / 10 / 0

HEX #FFD1E5

RGB 255 209 229

HSL 333.91, 1%, 0.91%

LAB 88.22, 19.27, -3.75

 

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

CMYK 0 / 43 / 33 / 18

HEX #D0778B

RGB 208 119 139

HSL 346.52, 0.49%, 0.64%

LAB 60.31, 37.05, 4.45

 

CMYK 0 / 47 / 37 / 25

HEX #BF6578

RGB 191 101 120

HSL 347.33, 0.41%, 0.57%

LAB 53.75, 38, 5.8

 

CMYK 0 / 52 / 42 / 32

HEX #AE5365

RGB 174 83 101

HSL 348.13, 0.36%, 0.5%

LAB 47.14, 38.97, 7.39

 

CMYK 0 / 59 / 48 / 38

HEX #9D4152

RGB 157 65 82

HSL 348.91, 0.41%, 0.44%

LAB 40.5, 39.9, 9.34

 

CMYK 0 / 39 / 29 / 12

HEX #E0899E

RGB 224 137 158

HSL 345.52, 0.58%, 0.71%

LAB 66.68, 35.79, 3.08

 

CMYK 0 / 39 / 39 / 12

HEX #E08989

RGB 224 137 137

HSL 0, 0.58%, 0.71%

LAB 66.17, 33.2, 14.19

 

CMYK 0 / 39 / 29 / 12

HEX #E0899E

RGB 224 137 158

HSL 345.52, 0.58%, 0.71%

LAB 66.68, 35.79, 3.08

 

CMYK 0 / 39 / 19 / 12

HEX #E089B5

RGB 224 137 181

HSL 329.66, 0.58%, 0.71%

LAB 67.33, 39.05, -8.9

 

CMYK 0 / 39 / 8 / 12

HEX #E089CD

RGB 224 137 205

HSL 313.1, 0.58%, 0.71%

LAB 68.13, 42.89, -21.12

 

CMYK 2 / 39 / 0 / 12

HEX #DC89E0

RGB 220 137 224

HSL 297.24, 0.58%, 0.71%

LAB 68.38, 45.01, -31.32

 

CMYK 13 / 39 / 0 / 12

HEX #C489E0

RGB 196 137 224

HSL 280.69, 0.58%, 0.71%

LAB 65.76, 37.78, -35.59

 

CMYK 0 / 39 / 29 / 12

HEX #E0899E

RGB 224 137 158

HSL 345.52, 0.58%, 0.71%

LAB 66.68, 35.79, 3.08

 

CMYK 0 / 47 / 36 / 7

HEX #EC7D97

RGB 236 125 151

HSL 345.95, 0.74%, 0.71%

LAB 65.54, 45.35, 5.6

 

CMYK 0 / 54 / 42 / 3

HEX #F87191

RGB 248 113 145

HSL 345.78, 0.91%, 0.71%

LAB 64.81, 54.56, 8.19

 

CMYK 0 / 39 / 29 / 12

HEX #E0899E

RGB 224 137 158

HSL 345.52, 0.58%, 0.71%

LAB 66.68, 35.79, 3.08

 

CMYK 0 / 30 / 23 / 17

HEX #D495A4

RGB 212 149 164

HSL 345.71, 0.42%, 0.71%

LAB 68.15, 25.83, 1.68

 

CMYK 0 / 20 / 15 / 22

HEX #C8A1AA

RGB 200 161 170

HSL 346.15, 0.26%, 0.71%

LAB 69.95, 15.81, 0.8

 

CMYK 0 / 8 / 6 / 26

HEX #BCADB1

RGB 188 173 177

HSL 344, 0.1%, 0.71%

LAB 72.06, 6.09, -0.11

 

CMYK 5 / 0 / 1 / 27

HEX #B0B9B7

RGB 176 185 183

HSL 166.67, 0.06%, 0.71%

LAB 74.41, -3.5, -0.08

 

CMYK 0 / 39 / 8 / 12

HEX #E089CD

RGB 224 137 205

HSL 313.1, 0.58%, 0.71%

LAB 68.13, 42.89, -21.12

 

CMYK 0 / 39 / 19 / 12

HEX #E089B6

RGB 224 137 182

HSL 328.97, 0.58%, 0.71%

LAB 67.36, 39.2, -9.41

 

CMYK 0 / 39 / 29 / 12

HEX #E0899F

RGB 224 137 159

HSL 344.83, 0.58%, 0.71%

LAB 66.7, 35.92, 2.56

 

CMYK 0 / 38 / 39 / 12

HEX #E08A89

RGB 224 138 137

HSL 0.69, 0.58%, 0.71%

LAB 66.39, 32.67, 14.5

 

CMYK 0 / 28 / 39 / 12

HEX #E0A289

RGB 224 162 137

HSL 17.24, 0.58%, 0.71%

LAB 71.89, 19.83, 22.08

 

CMYK 0 / 66 / 50 / 19

HEX #CF4768

RGB 207 71 104

HSL 345.44, 0.59%, 0.55%

LAB 50.42, 55.97, 10.96

 

CMYK 0 / 52 / 39 / 15

HEX #D86883

RGB 216 104 131

HSL 345.54, 0.59%, 0.63%

LAB 58.17, 46.59, 6.15

 

CMYK 0 / 39 / 29 / 12

HEX #E0899E

RGB 224 137 158

HSL 345.52, 0.58%, 0.71%

LAB 66.68, 35.79, 3.08

 

CMYK 0 / 27 / 21 / 9

HEX #E9AAB9

RGB 233 170 185

HSL 345.71, 0.59%, 0.79%

LAB 75.81, 25.27, 1.48

 

CMYK 0 / 16 / 12 / 5

HEX #F1CBD4

RGB 241 203 212

HSL 345.79, 0.58%, 0.87%

LAB 85.08, 14.79, 0.52

 

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

CMYK 0 / 2 / 39 / 12

HEX #E0DC89

RGB 224 220 137

HSL 57.24, 0.58%, 0.71%

LAB 86.42, -10.55, 41.24

 

CMYK 39 / 13 / 0 / 12

HEX #89C2E0

RGB 137 194 224

HSL 200.69, 0.58%, 0.71%

LAB 75.63, -10.92, -20.79

 

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

CMYK 29 / 0 / 39 / 12

HEX #9FE089

RGB 159 224 137

HSL 104.83, 0.58%, 0.71%

LAB 83.17, -36.42, 36.2

 

CMYK 39 / 29 / 0 / 12

HEX #899FE0

RGB 137 159 224

HSL 224.83, 0.58%, 0.71%

LAB 66.13, 8.31, -35.39

 

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

CMYK 0 / 2 / 39 / 12

HEX #E0DC89

RGB 224 220 137

HSL 57.24, 0.58%, 0.71%

LAB 86.42, -10.55, 41.24

 

CMYK 39 / 0 / 10 / 12

HEX #89E0CA

RGB 137 224 202

HSL 164.83, 0.58%, 0.71%

LAB 83.39, -31.24, 2.52

 

CMYK 39 / 37 / 0 / 12

HEX #898DE0

RGB 137 141 224

HSL 237.24, 0.58%, 0.71%

LAB 61.44, 18.69, -42.73

 

CMYK 0 / 39 / 30 / 12

HEX #E1899E

RGB 225 137 158

HSL 345.68, 0.59%, 0.71%

LAB 66.8, 36.15, 3.28

 

CMYK 10 / 0 / 39 / 12

HEX #CAE089

RGB 202 224 137

HSL 75.17, 0.58%, 0.71%

LAB 85.84, -20.99, 40.17

 

CMYK 39 / 0 / 10 / 12

HEX #89E0CA

RGB 137 224 202

HSL 164.83, 0.58%, 0.71%

LAB 83.39, -31.24, 2.52

 

CMYK 29 / 39 / 0 / 12

HEX #9F89E0

RGB 159 137 224

HSL 255.17, 0.58%, 0.71%

LAB 62.21, 26.99, -41.4

 

Description

Color code: HEX #E1899E | qconv.com Color code: HEX #E1899E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 137 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 137 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 30% 12% C M Y K

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Provide designers and agencies with accurate color values.

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