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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18396 it is the complementary color #1E7C69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18396 shade: #E68391, #F795A4, #FFA7B7, #FFB9CA and #FFCBDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18396 shade: #E18396, #D07183, #BF5F70, #AE4D5D and #9D3B4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18396 shade: #E18396 and #E18383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18396 shade: #E18396, #E183AF, #E183C9, #E083E1 and #C683E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18396 shade matches the following richer shades: #E18396, #ED778F and #F96B87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18396 shade: #E18396, #D4909E, #C89CA5, #BCA8AC and #AFB5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18396 shade: #E183C9, #E183B0, #E18398, #E18883 and #E1A183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18396 shade: #D1415E, #D9627A, #E18396, #E9A5B2 and #F1C6CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18396 shade: #E18396, #E1DF83 and #83BDE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18396 shade: #E18396, #98E183 and #8398E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18396 shade: #E18396, #E1DF83, #83E1CC and #8385E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18396 shade: #E18396, #C6E183, #83E1CC and #9E83E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

Complementary color

CMYK 76 / 0 / 15 / 51

HEX #1E7C69

RGB 30 124 105

HSL 167.87, 0.61%, 0.3%

LAB 46.59, -31.47, 2.7

 

CMYK 0 / 43 / 37 / 10

HEX #E68391

RGB 230 131 145

HSL 351.52, 0.66%, 0.71%

LAB 65.83, 39.47, 9.3

 

CMYK 0 / 40 / 34 / 3

HEX #F795A4

RGB 247 149 164

HSL 350.82, 0.86%, 0.78%

LAB 72.19, 38.53, 8.03

 

CMYK 0 / 35 / 28 / 0

HEX #FFA7B7

RGB 255 167 183

HSL 349.09, 1%, 0.83%

LAB 77.47, 34.46, 5.28

 

CMYK 0 / 27 / 21 / 0

HEX #FFB9CA

RGB 255 185 202

HSL 345.43, 1%, 0.86%

LAB 81.96, 27.68, 1.49

 

CMYK 0 / 20 / 13 / 0

HEX #FFCBDD

RGB 255 203 221

HSL 339.23, 1%, 0.9%

LAB 86.6, 21.12, -1.89

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 46 / 37 / 18

HEX #D07183

RGB 208 113 131

HSL 348.63, 0.5%, 0.63%

LAB 58.84, 39.21, 6.97

 

CMYK 0 / 50 / 41 / 25

HEX #BF5F70

RGB 191 95 112

HSL 349.38, 0.43%, 0.56%

LAB 52.32, 40.19, 8.5

 

CMYK 0 / 56 / 47 / 32

HEX #AE4D5D

RGB 174 77 93

HSL 350.1, 0.39%, 0.49%

LAB 45.77, 41.16, 10.32

 

CMYK 0 / 62 / 53 / 38

HEX #9D3B4A

RGB 157 59 74

HSL 350.82, 0.45%, 0.42%

LAB 39.23, 42.03, 12.58

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 42 / 42 / 12

HEX #E18383

RGB 225 131 131

HSL 0, 0.61%, 0.7%

LAB 64.87, 36.06, 15.77

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 42 / 22 / 12

HEX #E183AF

RGB 225 131 175

HSL 331.91, 0.61%, 0.7%

LAB 66.01, 41.64, -7.48

 

CMYK 0 / 42 / 11 / 12

HEX #E183C9

RGB 225 131 201

HSL 315.32, 0.61%, 0.7%

LAB 66.87, 45.66, -20.8

 

CMYK 0 / 42 / 0 / 12

HEX #E083E1

RGB 224 131 225

HSL 299.36, 0.61%, 0.7%

LAB 67.66, 49.49, -32.94

 

CMYK 12 / 42 / 0 / 12

HEX #C683E1

RGB 198 131 225

HSL 282.77, 0.61%, 0.7%

LAB 64.7, 41.83, -37.77

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 50 / 40 / 7

HEX #ED778F

RGB 237 119 143

HSL 347.8, 0.77%, 0.7%

LAB 64.31, 47.77, 8.4

 

CMYK 0 / 57 / 46 / 2

HEX #F96B87

RGB 249 107 135

HSL 348.17, 0.92%, 0.7%

LAB 63.68, 56.66, 12.33

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 32 / 25 / 17

HEX #D4909E

RGB 212 144 158

HSL 347.65, 0.44%, 0.7%

LAB 66.83, 27.67, 3.13

 

CMYK 0 / 22 / 18 / 22

HEX #C89CA5

RGB 200 156 165

HSL 347.73, 0.29%, 0.7%

LAB 68.59, 17.74, 1.6

 

CMYK 0 / 11 / 9 / 26

HEX #BCA8AC

RGB 188 168 172

HSL 348, 0.13%, 0.7%

LAB 70.65, 7.93, 0.58

 

CMYK 3 / 0 / 1 / 29

HEX #AFB5B4

RGB 175 181 180

HSL 170, 0.04%, 0.7%

LAB 73.19, -2.28, -0.23

 

CMYK 0 / 42 / 11 / 12

HEX #E183C9

RGB 225 131 201

HSL 315.32, 0.61%, 0.7%

LAB 66.87, 45.66, -20.8

 

CMYK 0 / 42 / 22 / 12

HEX #E183B0

RGB 225 131 176

HSL 331.28, 0.61%, 0.7%

LAB 66.04, 41.78, -8

 

CMYK 0 / 42 / 32 / 12

HEX #E18398

RGB 225 131 152

HSL 346.6, 0.61%, 0.7%

LAB 65.36, 38.52, 4.59

 

CMYK 0 / 40 / 42 / 12

HEX #E18883

RGB 225 136 131

HSL 3.19, 0.61%, 0.7%

LAB 65.95, 33.43, 17.27

 

CMYK 0 / 28 / 42 / 12

HEX #E1A183

RGB 225 161 131

HSL 19.15, 0.61%, 0.7%

LAB 71.65, 20.09, 25.04

 

CMYK 0 / 69 / 55 / 18

HEX #D1415E

RGB 209 65 94

HSL 347.92, 0.61%, 0.54%

LAB 49.67, 58.14, 16.02

 

CMYK 0 / 55 / 44 / 15

HEX #D9627A

RGB 217 98 122

HSL 347.9, 0.61%, 0.62%

LAB 56.97, 48.89, 9.72

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 29 / 24 / 9

HEX #E9A5B2

RGB 233 165 178

HSL 348.53, 0.61%, 0.78%

LAB 74.48, 26.92, 3.38

 

CMYK 0 / 18 / 15 / 5

HEX #F1C6CE

RGB 241 198 206

HSL 348.84, 0.61%, 0.86%

LAB 83.73, 16.47, 1.75

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 1 / 42 / 12

HEX #E1DF83

RGB 225 223 131

HSL 58.72, 0.61%, 0.7%

LAB 87.2, -12.29, 45.21

 

CMYK 42 / 16 / 0 / 12

HEX #83BDE1

RGB 131 189 225

HSL 202.98, 0.61%, 0.7%

LAB 73.97, -9.55, -23.89

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 32 / 0 / 42 / 12

HEX #98E183

RGB 152 225 131

HSL 106.6, 0.61%, 0.7%

LAB 83, -40.02, 38.9

 

CMYK 42 / 32 / 0 / 12

HEX #8398E1

RGB 131 152 225

HSL 226.6, 0.61%, 0.7%

LAB 63.93, 11.02, -39.4

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 0 / 1 / 42 / 12

HEX #E1DF83

RGB 225 223 131

HSL 58.72, 0.61%, 0.7%

LAB 87.2, -12.29, 45.21

 

CMYK 42 / 0 / 9 / 12

HEX #83E1CC

RGB 131 225 204

HSL 166.6, 0.61%, 0.7%

LAB 83.46, -32.81, 1.54

 

CMYK 42 / 41 / 0 / 12

HEX #8385E1

RGB 131 133 225

HSL 238.72, 0.61%, 0.7%

LAB 59.01, 22.11, -47.15

 

CMYK 0 / 42 / 33 / 12

HEX #E18396

RGB 225 131 150

HSL 347.87, 0.61%, 0.7%

LAB 65.31, 38.27, 5.65

 

CMYK 12 / 0 / 42 / 12

HEX #C6E183

RGB 198 225 131

HSL 77.23, 0.61%, 0.7%

LAB 85.75, -23.68, 42.97

 

CMYK 42 / 0 / 9 / 12

HEX #83E1CC

RGB 131 225 204

HSL 166.6, 0.61%, 0.7%

LAB 83.46, -32.81, 1.54

 

CMYK 30 / 42 / 0 / 12

HEX #9E83E1

RGB 158 131 225

HSL 257.23, 0.61%, 0.7%

LAB 60.73, 30.4, -44.29

 

Description

Color code: HEX #E18396 | qconv.com Color code: HEX #E18396 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 131 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 131 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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