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Color name
HEX #E18E9E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18E9E it is the complementary color #1E7161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18E9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18E9E shade: #E68E99, #F7A0AC, #FFB2BF, #FFC4D2 and #FFD6E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18E9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18E9E shade: #E18E9E, #D07C8B, #BF6A78, #AE5865 and #9D4652

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18E9E shade: #E18E9E and #E18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18E9E shade: #E18E9E, #E18EB4, #E18ECA, #E08EE1 and #CA8EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18E9E shade matches the following richer shades: #E18E9E, #EC8297 and #F8778F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18E9E shade: #E18E9E, #D599A5, #C9A5AC, #BEB0B3 and #B2BCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18E9E shade: #E18ECA, #E18EB4, #E18E9E, #E1938E and #E1A98E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18E9E shade: #CF4C66, #D86D82, #E18E9E, #E9AEBA and #F2CFD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18E9E shade: #E18E9E, #E1E18E and #8EBFE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18E9E shade: #E18E9E, #9EE18E and #8E9EE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18E9E shade: #E18E9E, #E1E18E, #8EE1D0 and #8E8EE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18E9E shade: #E18E9E, #C8E18E, #8EE1D0 and #A78EE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

Complementary color

CMYK 73 / 0 / 14 / 56

HEX #1E7161

RGB 30 113 97

HSL 168.43, 0.58%, 0.28%

LAB 42.69, -28.51, 1.81

 

CMYK 0 / 38 / 33 / 10

HEX #E68E99

RGB 230 142 153

HSL 352.5, 0.64%, 0.73%

LAB 68.36, 34.69, 8.41

 

CMYK 0 / 35 / 30 / 3

HEX #F7A0AC

RGB 247 160 172

HSL 351.72, 0.84%, 0.8%

LAB 74.76, 33.81, 7.29

 

CMYK 0 / 30 / 25 / 0

HEX #FFB2BF

RGB 255 178 191

HSL 349.87, 1%, 0.85%

LAB 80.1, 29.79, 4.73

 

CMYK 0 / 23 / 18 / 0

HEX #FFC4D2

RGB 255 196 210

HSL 345.76, 1%, 0.88%

LAB 84.69, 23.09, 1.17

 

CMYK 0 / 16 / 10 / 0

HEX #FFD6E5

RGB 255 214 229

HSL 338.05, 1%, 0.92%

LAB 89.4, 16.66, -2.02

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 40 / 33 / 18

HEX #D07C8B

RGB 208 124 139

HSL 349.29, 0.47%, 0.65%

LAB 61.39, 34.4, 6

 

CMYK 0 / 45 / 37 / 25

HEX #BF6A78

RGB 191 106 120

HSL 350.12, 0.4%, 0.58%

LAB 54.8, 35.36, 7.31

 

CMYK 0 / 49 / 42 / 32

HEX #AE5865

RGB 174 88 101

HSL 350.93, 0.35%, 0.51%

LAB 48.16, 36.37, 8.84

 

CMYK 0 / 55 / 48 / 38

HEX #9D4652

RGB 157 70 82

HSL 351.72, 0.38%, 0.45%

LAB 41.47, 37.39, 10.68

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 37 / 37 / 12

HEX #E18E8E

RGB 225 142 142

HSL 0, 0.58%, 0.72%

LAB 67.51, 31.5, 13.28

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 37 / 20 / 12

HEX #E18EB4

RGB 225 142 180

HSL 332.53, 0.58%, 0.72%

LAB 68.5, 36.61, -6.59

 

CMYK 0 / 37 / 10 / 12

HEX #E18ECA

RGB 225 142 202

HSL 316.63, 0.58%, 0.72%

LAB 69.2, 40.09, -17.82

 

CMYK 0 / 37 / 0 / 12

HEX #E08EE1

RGB 224 142 225

HSL 299.28, 0.58%, 0.72%

LAB 69.92, 43.8, -29.46

 

CMYK 10 / 37 / 0 / 12

HEX #CA8EE1

RGB 202 142 225

HSL 283.37, 0.58%, 0.72%

LAB 67.53, 37.08, -33.34

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 45 / 36 / 7

HEX #EC8297

RGB 236 130 151

HSL 348.11, 0.74%, 0.72%

LAB 66.54, 42.82, 7.04

 

CMYK 0 / 52 / 42 / 3

HEX #F8778F

RGB 248 119 143

HSL 348.84, 0.9%, 0.72%

LAB 65.85, 51.53, 10.81

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 28 / 23 / 16

HEX #D599A5

RGB 213 153 165

HSL 348, 0.42%, 0.72%

LAB 69.22, 24.18, 2.68

 

CMYK 0 / 18 / 14 / 21

HEX #C9A5AC

RGB 201 165 172

HSL 348.33, 0.25%, 0.72%

LAB 71.08, 14.31, 1.36

 

CMYK 0 / 7 / 6 / 25

HEX #BEB0B3

RGB 190 176 179

HSL 347.14, 0.1%, 0.72%

LAB 73.06, 5.53, 0.27

 

CMYK 5 / 0 / 1 / 26

HEX #B2BCBA

RGB 178 188 186

HSL 168, 0.07%, 0.72%

LAB 75.44, -3.83, -0.19

 

CMYK 0 / 37 / 10 / 12

HEX #E18ECA

RGB 225 142 202

HSL 316.63, 0.58%, 0.72%

LAB 69.2, 40.09, -17.82

 

CMYK 0 / 37 / 20 / 12

HEX #E18EB4

RGB 225 142 180

HSL 332.53, 0.58%, 0.72%

LAB 68.5, 36.61, -6.59

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 35 / 37 / 12

HEX #E1938E

RGB 225 147 142

HSL 3.61, 0.58%, 0.72%

LAB 68.63, 28.84, 14.84

 

CMYK 0 / 25 / 37 / 12

HEX #E1A98E

RGB 225 169 142

HSL 19.52, 0.58%, 0.72%

LAB 73.76, 17.04, 21.94

 

CMYK 0 / 63 / 51 / 19

HEX #CF4C66

RGB 207 76 102

HSL 348.09, 0.58%, 0.55%

LAB 51.14, 53.7, 13.18

 

CMYK 0 / 50 / 40 / 15

HEX #D86D82

RGB 216 109 130

HSL 348.22, 0.58%, 0.64%

LAB 59.11, 44, 8.08

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 25 / 20 / 9

HEX #E9AEBA

RGB 233 174 186

HSL 347.8, 0.57%, 0.8%

LAB 76.76, 23.28, 2.33

 

CMYK 0 / 14 / 12 / 5

HEX #F2CFD6

RGB 242 207 214

HSL 348, 0.57%, 0.88%

LAB 86.19, 13.37, 1.08

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 0 / 37 / 12

HEX #E1E18E

RGB 225 225 142

HSL 60, 0.58%, 0.72%

LAB 87.88, -12.12, 40.62

 

CMYK 37 / 15 / 0 / 12

HEX #8EBFE1

RGB 142 191 225

HSL 204.58, 0.58%, 0.72%

LAB 75.11, -7.75, -22.1

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 30 / 0 / 37 / 12

HEX #9EE18E

RGB 158 225 142

HSL 108.43, 0.58%, 0.72%

LAB 83.48, -36.49, 34.06

 

CMYK 37 / 30 / 0 / 12

HEX #8E9EE1

RGB 142 158 225

HSL 228.43, 0.58%, 0.72%

LAB 66.24, 10.49, -35.74

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 0 / 0 / 37 / 12

HEX #E1E18E

RGB 225 225 142

HSL 60, 0.58%, 0.72%

LAB 87.88, -12.12, 40.62

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1D0

RGB 142 225 208

HSL 167.71, 0.58%, 0.72%

LAB 84.05, -29.05, 0.33

 

CMYK 37 / 37 / 0 / 12

HEX #8E8EE1

RGB 142 142 225

HSL 240, 0.58%, 0.72%

LAB 62.11, 19.7, -42.2

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9E

RGB 225 142 158

HSL 348.43, 0.58%, 0.72%

LAB 67.89, 33.5, 4.85

 

CMYK 11 / 0 / 37 / 12

HEX #C8E18E

RGB 200 225 142

HSL 78.07, 0.58%, 0.72%

LAB 86.05, -21.63, 37.9

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1D0

RGB 142 225 208

HSL 167.71, 0.58%, 0.72%

LAB 84.05, -29.05, 0.33

 

CMYK 26 / 37 / 0 / 12

HEX #A78EE1

RGB 167 142 225

HSL 258.07, 0.58%, 0.72%

LAB 64.16, 26.67, -38.85

 

Description

Color code: HEX #E18E9E | qconv.com Color code: HEX #E18E9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 142 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 142 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 30 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 30% 12% C M Y K

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Provide designers and agencies with accurate color values.

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