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Color name
HEX #E18EB2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18EB2 it is the complementary color #1E714D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18EB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18EB2 shade: #E68EAD, #F7A0C0, #FFB2D3, #FFC4E6 and #FFD6F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18EB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18EB2 shade: #E18EB2, #D07C9F, #BF6A8C, #AE5879 and #9D4666

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18EB2 shade: #E18EB2, #E18E9B and #E18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18EB2 shade: #E18EB2, #E18EC8, #E18EDE, #CC8EE1 and #B68EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18EB2 shade matches the following richer shades: #E18EB2, #EC82B0 and #F877AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18EB2 shade: #E18EB2, #D599B3, #C9A5B5, #BEB0B6 and #B2BCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18EB2 shade: #E18EDF, #E18EC9, #E18EB3, #E18E9D and #E1958E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18EB2 shade: #CF4C85, #D86D9B, #E18EB2, #E9AEC8 and #F2CFDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18EB2 shade: #E18EB2, #E1CC8E and #8ED4E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18EB2 shade: #E18EB2, #B3E18E and #8EB3E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18EB2 shade: #E18EB2, #E1CC8E, #8EE1BB and #8EA2E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18EB2 shade: #E18EB2, #DCE18E, #8EE1BB and #928EE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

Complementary color

CMYK 73 / 0 / 32 / 56

HEX #1E714D

RGB 30 113 77

HSL 153.98, 0.58%, 0.28%

LAB 42.19, -33.72, 13.05

 

CMYK 0 / 38 / 25 / 10

HEX #E68EAD

RGB 230 142 173

HSL 338.86, 0.64%, 0.73%

LAB 68.89, 37.33, -2.03

 

CMYK 0 / 35 / 22 / 3

HEX #F7A0C0

RGB 247 160 192

HSL 337.93, 0.84%, 0.8%

LAB 75.28, 36.53, -2.95

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D3

RGB 255 178 211

HSL 334.29, 1%, 0.85%

LAB 80.63, 32.69, -5.31

 

CMYK 0 / 23 / 10 / 0

HEX #FFC4E6

RGB 255 196 230

HSL 325.42, 1%, 0.88%

LAB 85.23, 26.25, -8.7

 

CMYK 0 / 16 / 2 / 0

HEX #FFD6F9

RGB 255 214 249

HSL 308.78, 1%, 0.92%

LAB 89.95, 20.06, -11.73

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 40 / 24 / 18

HEX #D07C9F

RGB 208 124 159

HSL 335, 0.47%, 0.65%

LAB 61.94, 37.12, -4.65

 

CMYK 0 / 45 / 27 / 25

HEX #BF6A8C

RGB 191 106 140

HSL 336, 0.4%, 0.58%

LAB 55.36, 37.98, -3.62

 

CMYK 0 / 49 / 30 / 32

HEX #AE5879

RGB 174 88 121

HSL 336.98, 0.35%, 0.51%

LAB 48.71, 38.84, -2.41

 

CMYK 0 / 55 / 35 / 38

HEX #9D4666

RGB 157 70 102

HSL 337.93, 0.38%, 0.45%

LAB 42.01, 39.68, -0.95

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 37 / 31 / 12

HEX #E18E9B

RGB 225 142 155

HSL 350.6, 0.58%, 0.72%

LAB 67.81, 33.11, 6.42

 

CMYK 0 / 37 / 37 / 12

HEX #E18E8E

RGB 225 142 142

HSL 0, 0.58%, 0.72%

LAB 67.51, 31.5, 13.28

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 37 / 11 / 12

HEX #E18EC8

RGB 225 142 200

HSL 318.07, 0.58%, 0.72%

LAB 69.13, 39.76, -16.81

 

CMYK 0 / 37 / 1 / 12

HEX #E18EDE

RGB 225 142 222

HSL 302.17, 0.58%, 0.72%

LAB 69.91, 43.56, -27.8

 

CMYK 9 / 37 / 0 / 12

HEX #CC8EE1

RGB 204 142 225

HSL 284.82, 0.58%, 0.72%

LAB 67.74, 37.68, -33

 

CMYK 19 / 37 / 0 / 12

HEX #B68EE1

RGB 182 142 225

HSL 268.92, 0.58%, 0.72%

LAB 65.54, 31.06, -36.59

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 45 / 25 / 7

HEX #EC82B0

RGB 236 130 176

HSL 333.96, 0.74%, 0.72%

LAB 67.23, 46, -6.08

 

CMYK 0 / 52 / 29 / 3

HEX #F877AF

RGB 248 119 175

HSL 333.95, 0.9%, 0.72%

LAB 66.71, 55.17, -6.11

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 28 / 16 / 16

HEX #D599B3

RGB 213 153 179

HSL 334, 0.42%, 0.72%

LAB 69.6, 26.33, -4.55

 

CMYK 0 / 18 / 10 / 21

HEX #C9A5B5

RGB 201 165 181

HSL 333.33, 0.25%, 0.72%

LAB 71.33, 15.82, -3.26

 

CMYK 0 / 7 / 4 / 25

HEX #BEB0B6

RGB 190 176 182

HSL 334.29, 0.1%, 0.72%

LAB 73.14, 6.07, -1.26

 

CMYK 5 / 0 / 2 / 26

HEX #B2BCB8

RGB 178 188 184

HSL 156, 0.07%, 0.72%

LAB 75.38, -4.21, 0.82

 

CMYK 0 / 37 / 1 / 12

HEX #E18EDF

RGB 225 142 223

HSL 301.45, 0.58%, 0.72%

LAB 69.95, 43.74, -28.29

 

CMYK 0 / 37 / 11 / 12

HEX #E18EC9

RGB 225 142 201

HSL 317.35, 0.58%, 0.72%

LAB 69.16, 39.93, -17.31

 

CMYK 0 / 37 / 20 / 12

HEX #E18EB3

RGB 225 142 179

HSL 333.25, 0.58%, 0.72%

LAB 68.47, 36.46, -6.08

 

CMYK 0 / 37 / 30 / 12

HEX #E18E9D

RGB 225 142 157

HSL 349.16, 0.58%, 0.72%

LAB 67.86, 33.37, 5.37

 

CMYK 0 / 34 / 37 / 12

HEX #E1958E

RGB 225 149 142

HSL 5.06, 0.58%, 0.72%

LAB 69.08, 27.77, 15.48

 

CMYK 0 / 63 / 36 / 19

HEX #CF4C85

RGB 207 76 133

HSL 333.89, 0.58%, 0.55%

LAB 51.98, 56.79, -4.2

 

CMYK 0 / 50 / 28 / 15

HEX #D86D9B

RGB 216 109 155

HSL 334.21, 0.58%, 0.64%

LAB 59.8, 47.04, -5.4

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 25 / 14 / 9

HEX #E9AEC8

RGB 233 174 200

HSL 333.56, 0.57%, 0.8%

LAB 77.14, 25.45, -4.75

 

CMYK 0 / 14 / 8 / 5

HEX #F2CFDE

RGB 242 207 222

HSL 334.29, 0.57%, 0.88%

LAB 86.39, 14.69, -2.86

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 9 / 37 / 12

HEX #E1CC8E

RGB 225 204 142

HSL 44.82, 0.58%, 0.72%

LAB 82.46, -1.44, 33.59

 

CMYK 37 / 6 / 0 / 12

HEX #8ED4E1

RGB 142 212 225

HSL 189.4, 0.58%, 0.72%

LAB 80.89, -18.66, -13.37

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 20 / 0 / 37 / 12

HEX #B3E18E

RGB 179 225 142

HSL 93.25, 0.58%, 0.72%

LAB 84.68, -29.28, 35.87

 

CMYK 37 / 20 / 0 / 12

HEX #8EB3E1

RGB 142 179 225

HSL 213.25, 0.58%, 0.72%

LAB 71.84, -1.26, -27.09

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 0 / 9 / 37 / 12

HEX #E1CC8E

RGB 225 204 142

HSL 44.82, 0.58%, 0.72%

LAB 82.46, -1.44, 33.59

 

CMYK 37 / 0 / 17 / 12

HEX #8EE1BB

RGB 142 225 187

HSL 152.53, 0.58%, 0.72%

LAB 83.54, -33.53, 10.69

 

CMYK 37 / 28 / 0 / 12

HEX #8EA2E1

RGB 142 162 225

HSL 225.54, 0.58%, 0.72%

LAB 67.3, 8.22, -34.1

 

CMYK 0 / 37 / 21 / 12

HEX #E18EB2

RGB 225 142 178

HSL 333.98, 0.58%, 0.72%

LAB 68.44, 36.31, -5.56

 

CMYK 2 / 0 / 37 / 12

HEX #DCE18E

RGB 220 225 142

HSL 63.61, 0.58%, 0.72%

LAB 87.49, -14.05, 40.06

 

CMYK 37 / 0 / 17 / 12

HEX #8EE1BB

RGB 142 225 187

HSL 152.53, 0.58%, 0.72%

LAB 83.54, -33.53, 10.69

 

CMYK 35 / 37 / 0 / 12

HEX #928EE1

RGB 146 142 225

HSL 242.89, 0.58%, 0.72%

LAB 62.42, 20.78, -41.7

 

Description

Color code: HEX #E18EB2 | qconv.com Color code: HEX #E18EB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 142 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 142 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 21 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 21% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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