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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E194BB it is the complementary color #1E6B44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E194BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E194BB shade: #E694B6, #F7A6C9, #FFB8DC, #FFCAEF and #FFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E194BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E194BB shade: #E194BB, #D082A8, #BF7095, #AE5E82 and #9D4C6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E194BB shade: #E093BA, #E093A5 and #E09393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E194BB shade: #E093BA, #E093CF, #DD93E0, #C893E0 and #B393E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E194BB shade matches the following richer shades: #E093BA, #EB88BA and #F67DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E194BB shade: #E093BA, #D59EBA, #CAA9BA, #BFB5BA and #B4C0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E194BB shade: #DC93E0, #E093CF, #E093BB, #E093A6 and #E09493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E194BB shade: #CE5391, #D773A6, #E093BA, #E9B3CF and #F2D3E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E194BB shade: #E194BB, #E0C893 and #93DAE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E194BB shade: #E194BB, #BBE093 and #93BBE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E194BB shade: #E194BB, #E0C893, #93E0B8 and #93ACE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E194BB shade: #E194BB, #E0DF93, #93E0B8 and #9394E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

Complementary color

CMYK 72 / 0 / 36 / 58

HEX #1E6B44

RGB 30 107 68

HSL 149.61, 0.56%, 0.27%

LAB 39.93, -33.14, 15.29

 

CMYK 0 / 36 / 21 / 10

HEX #E694B6

RGB 230 148 182

HSL 335.12, 0.62%, 0.74%

LAB 70.44, 35.47, -4.77

 

CMYK 0 / 33 / 19 / 3

HEX #F7A6C9

RGB 247 166 201

HSL 334.07, 0.84%, 0.81%

LAB 76.84, 34.71, -5.58

 

CMYK 0 / 28 / 14 / 0

HEX #FFB8DC

RGB 255 184 220

HSL 329.58, 1%, 0.86%

LAB 82.22, 30.94, -7.81

 

CMYK 0 / 21 / 6 / 0

HEX #FFCAEF

RGB 255 202 239

HSL 318.11, 1%, 0.9%

LAB 86.87, 24.61, -11.04

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

CMYK 0 / 38 / 19 / 18

HEX #D082A8

RGB 208 130 168

HSL 330.77, 0.45%, 0.66%

LAB 63.51, 35.27, -7.45

 

CMYK 0 / 41 / 22 / 25

HEX #BF7095

RGB 191 112 149

HSL 331.9, 0.38%, 0.59%

LAB 56.91, 36.09, -6.57

 

CMYK 0 / 46 / 25 / 32

HEX #AE5E82

RGB 174 94 130

HSL 333, 0.33%, 0.53%

LAB 50.23, 36.93, -5.55

 

CMYK 0 / 52 / 29 / 38

HEX #9D4C6F

RGB 157 76 111

HSL 334.07, 0.35%, 0.46%

LAB 43.48, 37.78, -4.33

 

CMYK 0 / 34 / 17 / 12

HEX #E093BA

RGB 224 147 186

HSL 329.61, 0.55%, 0.73%

LAB 69.65, 34.53, -8.24

 

CMYK 0 / 34 / 26 / 12

HEX #E093A5

RGB 224 147 165

HSL 345.97, 0.55%, 0.73%

LAB 69.06, 31.43, 2.61

 

CMYK 0 / 34 / 34 / 12

HEX #E09393

RGB 224 147 147

HSL 0, 0.55%, 0.73%

LAB 68.62, 29.06, 12.03

 

CMYK 0 / 34 / 17 / 12

HEX #E093BA

RGB 224 147 186

HSL 329.61, 0.55%, 0.73%

LAB 69.65, 34.53, -8.24

 

CMYK 0 / 34 / 8 / 12

HEX #E093CF

RGB 224 147 207

HSL 313.25, 0.55%, 0.73%

LAB 70.33, 37.97, -18.89

 

CMYK 1 / 34 / 0 / 12

HEX #DD93E0

RGB 221 147 224

HSL 297.66, 0.55%, 0.73%

LAB 70.61, 40.05, -27.87

 

CMYK 11 / 34 / 0 / 12

HEX #C893E0

RGB 200 147 224

HSL 281.3, 0.55%, 0.73%

LAB 68.41, 33.53, -31.45

 

CMYK 20 / 34 / 0 / 12

HEX #B393E0

RGB 179 147 224

HSL 264.94, 0.55%, 0.73%

LAB 66.39, 27.14, -34.73

 

CMYK 0 / 34 / 17 / 12

HEX #E093BA

RGB 224 147 186

HSL 329.61, 0.55%, 0.73%

LAB 69.65, 34.53, -8.24

 

CMYK 0 / 42 / 21 / 8

HEX #EB88BA

RGB 235 136 186

HSL 329.7, 0.71%, 0.73%

LAB 68.62, 44.02, -9.64

 

CMYK 0 / 49 / 24 / 4

HEX #F67DBA

RGB 246 125 186

HSL 329.75, 0.87%, 0.73%

LAB 67.88, 53.09, -10.6

 

CMYK 0 / 34 / 17 / 12

HEX #E093BA

RGB 224 147 186

HSL 329.61, 0.55%, 0.73%

LAB 69.65, 34.53, -8.24

 

CMYK 0 / 26 / 13 / 16

HEX #D59EBA

RGB 213 158 186

HSL 329.45, 0.4%, 0.73%

LAB 70.97, 24.76, -6.41

 

CMYK 0 / 16 / 8 / 21

HEX #CAA9BA

RGB 202 169 186

HSL 329.09, 0.24%, 0.73%

LAB 72.55, 14.86, -4.2

 

CMYK 0 / 5 / 3 / 25

HEX #BFB5BA

RGB 191 181 186

HSL 330, 0.07%, 0.73%

LAB 74.62, 4.44, -1.28

 

CMYK 6 / 0 / 3 / 25

HEX #B4C0BA

RGB 180 192 186

HSL 150, 0.09%, 0.73%

LAB 76.65, -5.26, 1.59

 

CMYK 2 / 34 / 0 / 12

HEX #DC93E0

RGB 220 147 224

HSL 296.88, 0.55%, 0.73%

LAB 70.5, 39.74, -28.05

 

CMYK 0 / 34 / 8 / 12

HEX #E093CF

RGB 224 147 207

HSL 313.25, 0.55%, 0.73%

LAB 70.33, 37.97, -18.89

 

CMYK 0 / 34 / 17 / 12

HEX #E093BB

RGB 224 147 187

HSL 328.83, 0.55%, 0.73%

LAB 69.68, 34.68, -8.75

 

CMYK 0 / 34 / 26 / 12

HEX #E093A6

RGB 224 147 166

HSL 345.19, 0.55%, 0.73%

LAB 69.09, 31.57, 2.09

 

CMYK 0 / 34 / 34 / 12

HEX #E09493

RGB 224 148 147

HSL 0.78, 0.55%, 0.73%

LAB 68.85, 28.53, 12.35

 

CMYK 0 / 60 / 30 / 19

HEX #CE5391

RGB 206 83 145

HSL 329.76, 0.56%, 0.57%

LAB 53.33, 54.89, -9.34

 

CMYK 0 / 47 / 23 / 16

HEX #D773A6

RGB 215 115 166

HSL 329.4, 0.56%, 0.65%

LAB 61.19, 45.21, -9.68

 

CMYK 0 / 34 / 17 / 12

HEX #E093BA

RGB 224 147 186

HSL 329.61, 0.55%, 0.73%

LAB 69.65, 34.53, -8.24

 

CMYK 0 / 23 / 11 / 9

HEX #E9B3CF

RGB 233 179 207

HSL 328.89, 0.55%, 0.81%

LAB 78.5, 23.92, -6.54

 

CMYK 0 / 13 / 6 / 5

HEX #F2D3E3

RGB 242 211 227

HSL 329.03, 0.54%, 0.89%

LAB 87.49, 13.43, -3.89

 

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

CMYK 0 / 11 / 34 / 12

HEX #E0C893

RGB 224 200 147

HSL 41.3, 0.55%, 0.73%

LAB 81.44, 0.83, 29.62

 

CMYK 34 / 3 / 0 / 12

HEX #93DAE0

RGB 147 218 224

HSL 184.68, 0.55%, 0.73%

LAB 82.77, -20.6, -10.01

 

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

CMYK 17 / 0 / 34 / 12

HEX #BBE093

RGB 187 224 147

HSL 88.83, 0.55%, 0.73%

LAB 84.99, -25.27, 33.83

 

CMYK 34 / 17 / 0 / 12

HEX #93BBE0

RGB 147 187 224

HSL 208.83, 0.55%, 0.73%

LAB 74.27, -4.49, -22.81

 

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

CMYK 0 / 11 / 34 / 12

HEX #E0C893

RGB 224 200 147

HSL 41.3, 0.55%, 0.73%

LAB 81.44, 0.83, 29.62

 

CMYK 34 / 0 / 18 / 12

HEX #93E0B8

RGB 147 224 184

HSL 148.83, 0.55%, 0.73%

LAB 83.43, -32.24, 12.14

 

CMYK 34 / 23 / 0 / 12

HEX #93ACE0

RGB 147 172 224

HSL 220.52, 0.55%, 0.73%

LAB 70.24, 3.72, -28.98

 

CMYK 0 / 34 / 17 / 12

HEX #E194BB

RGB 225 148 187

HSL 329.61, 0.56%, 0.73%

LAB 70.02, 34.5, -8.24

 

CMYK 0 / 0 / 34 / 12

HEX #E0DF93

RGB 224 223 147

HSL 59.22, 0.55%, 0.73%

LAB 87.35, -10.94, 37.42

 

CMYK 34 / 0 / 18 / 12

HEX #93E0B8

RGB 147 224 184

HSL 148.83, 0.55%, 0.73%

LAB 83.43, -32.24, 12.14

 

CMYK 34 / 34 / 0 / 12

HEX #9394E0

RGB 147 148 224

HSL 239.22, 0.55%, 0.73%

LAB 63.97, 17.32, -38.71

 

Description

Color code: HEX #E194BB | qconv.com Color code: HEX #E194BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 148 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 148 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 17 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 17% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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