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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E193CB it is the complementary color #1E6C34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E193CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E193CB shade: #E693C6, #F7A5D9, #FFB7EC, #FFC9FF and #FFDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E193CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E193CB shade: #E193CB, #D081B8, #BF6FA5, #AE5D92 and #9D4B7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E193CB shade: #E192CB, #E192B6, #E192A0 and #E19292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E193CB shade: #E192CB, #E192E0, #CD92E1, #B892E1 and #A292E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E193CB shade matches the following richer shades: #E192CB, #EC87D0 and #F77CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E193CB shade: #E192CB, #D69EC6, #CBA9C1, #BFB4BC and #B4BFB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E193CB shade: #CC92E1, #E192E1, #E192CC, #E192B7 and #E192A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E193CB shade: #CF52AC, #D872BB, #E192CB, #EAB3DA and #F3D3EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E193CB shade: #E193CB, #E1B792 and #92E1D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E193CB shade: #E193CB, #CCE192 and #92CCE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E193CB shade: #E193CB, #E1B792, #92E1A7 and #92BCE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E193CB shade: #E193CB, #E1CF92, #92E1A7 and #92A5E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

Complementary color

CMYK 72 / 0 / 52 / 58

HEX #1E6C34

RGB 30 108 52

HSL 136.92, 0.57%, 0.27%

LAB 40, -36.71, 24.56

 

CMYK 0 / 36 / 14 / 10

HEX #E693C6

RGB 230 147 198

HSL 323.13, 0.62%, 0.74%

LAB 70.71, 38.46, -13.26

 

CMYK 0 / 33 / 12 / 3

HEX #F7A5D9

RGB 247 165 217

HSL 321.95, 0.84%, 0.81%

LAB 77.1, 37.73, -13.92

 

CMYK 0 / 28 / 7 / 0

HEX #FFB7EC

RGB 255 183 236

HSL 315.83, 1%, 0.86%

LAB 82.48, 34.08, -16.01

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

CMYK 0 / 38 / 12 / 18

HEX #D081B8

RGB 208 129 184

HSL 318.23, 0.46%, 0.66%

LAB 63.81, 38.37, -16.07

 

CMYK 0 / 42 / 14 / 25

HEX #BF6FA5

RGB 191 111 165

HSL 319.5, 0.38%, 0.59%

LAB 57.23, 39.14, -15.36

 

CMYK 0 / 47 / 16 / 32

HEX #AE5D92

RGB 174 93 146

HSL 320.74, 0.33%, 0.52%

LAB 50.57, 39.93, -14.55

 

CMYK 0 / 52 / 19 / 38

HEX #9D4B7F

RGB 157 75 127

HSL 321.95, 0.35%, 0.45%

LAB 43.85, 40.68, -13.57

 

CMYK 0 / 35 / 10 / 12

HEX #E192CB

RGB 225 146 203

HSL 316.71, 0.57%, 0.73%

LAB 70.09, 38.15, -17.02

 

CMYK 0 / 35 / 19 / 12

HEX #E192B6

RGB 225 146 182

HSL 332.66, 0.57%, 0.73%

LAB 69.43, 34.79, -6.33

 

CMYK 0 / 35 / 29 / 12

HEX #E192A0

RGB 225 146 160

HSL 349.37, 0.57%, 0.73%

LAB 68.83, 31.64, 5.08

 

CMYK 0 / 35 / 35 / 12

HEX #E19292

RGB 225 146 146

HSL 0, 0.57%, 0.73%

LAB 68.49, 29.85, 12.42

 

CMYK 0 / 35 / 10 / 12

HEX #E192CB

RGB 225 146 203

HSL 316.71, 0.57%, 0.73%

LAB 70.09, 38.15, -17.02

 

CMYK 0 / 35 / 0 / 12

HEX #E192E0

RGB 225 146 224

HSL 300.76, 0.57%, 0.73%

LAB 70.83, 41.83, -27.49

 

CMYK 9 / 35 / 0 / 12

HEX #CD92E1

RGB 205 146 225

HSL 284.81, 0.57%, 0.73%

LAB 68.73, 35.82, -31.46

 

CMYK 18 / 35 / 0 / 12

HEX #B892E1

RGB 184 146 225

HSL 268.86, 0.57%, 0.73%

LAB 66.66, 29.43, -34.83

 

CMYK 28 / 35 / 0 / 12

HEX #A292E1

RGB 162 146 225

HSL 252.15, 0.57%, 0.73%

LAB 64.7, 22.95, -38.03

 

CMYK 0 / 35 / 10 / 12

HEX #E192CB

RGB 225 146 203

HSL 316.71, 0.57%, 0.73%

LAB 70.09, 38.15, -17.02

 

CMYK 0 / 43 / 12 / 7

HEX #EC87D0

RGB 236 135 208

HSL 316.63, 0.73%, 0.73%

LAB 69.27, 48.22, -20.92

 

CMYK 0 / 50 / 14 / 3

HEX #F77CD4

RGB 247 124 212

HSL 317.07, 0.88%, 0.73%

LAB 68.71, 57.62, -23.87

 

CMYK 0 / 35 / 10 / 12

HEX #E192CB

RGB 225 146 203

HSL 316.71, 0.57%, 0.73%

LAB 70.09, 38.15, -17.02

 

CMYK 0 / 26 / 7 / 16

HEX #D69EC6

RGB 214 158 198

HSL 317.14, 0.41%, 0.73%

LAB 71.44, 27.15, -12.34

 

CMYK 0 / 17 / 5 / 20

HEX #CBA9C1

RGB 203 169 193

HSL 317.65, 0.25%, 0.73%

LAB 72.84, 16.46, -7.61

 

CMYK 0 / 6 / 2 / 25

HEX #BFB4BC

RGB 191 180 188

HSL 316.36, 0.08%, 0.73%

LAB 74.41, 5.35, -2.66

 

CMYK 6 / 0 / 4 / 25

HEX #B4BFB7

RGB 180 191 183

HSL 136.36, 0.08%, 0.73%

LAB 76.3, -5.3, 2.71

 

CMYK 9 / 35 / 0 / 12

HEX #CC92E1

RGB 204 146 225

HSL 284.05, 0.57%, 0.73%

LAB 68.63, 35.51, -31.62

 

CMYK 0 / 35 / 0 / 12

HEX #E192E1

RGB 225 146 225

HSL 300, 0.57%, 0.73%

LAB 70.87, 42.01, -27.98

 

CMYK 0 / 35 / 9 / 12

HEX #E192CC

RGB 225 146 204

HSL 315.95, 0.57%, 0.73%

LAB 70.12, 38.32, -17.53

 

CMYK 0 / 35 / 19 / 12

HEX #E192B7

RGB 225 146 183

HSL 331.9, 0.57%, 0.73%

LAB 69.46, 34.94, -6.84

 

CMYK 0 / 35 / 28 / 12

HEX #E192A2

RGB 225 146 162

HSL 347.85, 0.57%, 0.73%

LAB 68.88, 31.91, 4.04

 

CMYK 0 / 60 / 17 / 19

HEX #CF52AC

RGB 207 82 172

HSL 316.8, 0.57%, 0.57%

LAB 54.32, 59.31, -23.67

 

CMYK 0 / 47 / 13 / 15

HEX #D872BB

RGB 216 114 187

HSL 317.06, 0.57%, 0.65%

LAB 61.84, 49.21, -20.66

 

CMYK 0 / 35 / 10 / 12

HEX #E192CB

RGB 225 146 203

HSL 316.71, 0.57%, 0.73%

LAB 70.09, 38.15, -17.02

 

CMYK 0 / 24 / 7 / 8

HEX #EAB3DA

RGB 234 179 218

HSL 317.45, 0.57%, 0.81%

LAB 78.92, 26.12, -11.86

 

CMYK 0 / 13 / 4 / 5

HEX #F3D3EA

RGB 243 211 234

HSL 316.88, 0.57%, 0.89%

LAB 87.77, 14.98, -7.17

 

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

CMYK 0 / 19 / 35 / 12

HEX #E1B792

RGB 225 183 146

HSL 28.1, 0.57%, 0.73%

LAB 77.25, 10.05, 24.54

 

CMYK 35 / 0 / 5 / 12

HEX #92E1D6

RGB 146 225 214

HSL 171.65, 0.57%, 0.73%

LAB 84.39, -26.63, -2.32

 

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

CMYK 9 / 0 / 35 / 12

HEX #CCE192

RGB 204 225 146

HSL 75.95, 0.57%, 0.73%

LAB 86.39, -19.64, 36.39

 

CMYK 35 / 9 / 0 / 12

HEX #92CCE1

RGB 146 204 225

HSL 195.95, 0.57%, 0.73%

LAB 78.89, -13.5, -16.36

 

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

CMYK 0 / 19 / 35 / 12

HEX #E1B792

RGB 225 183 146

HSL 28.1, 0.57%, 0.73%

LAB 77.25, 10.05, 24.54

 

CMYK 35 / 0 / 26 / 12

HEX #92E1A7

RGB 146 225 167

HSL 135.95, 0.57%, 0.73%

LAB 83.31, -36.2, 20.87

 

CMYK 35 / 16 / 0 / 12

HEX #92BCE1

RGB 146 188 225

HSL 208.1, 0.57%, 0.73%

LAB 74.52, -5.05, -22.98

 

CMYK 0 / 35 / 10 / 12

HEX #E193CB

RGB 225 147 203

HSL 316.92, 0.57%, 0.73%

LAB 70.31, 37.62, -16.69

 

CMYK 0 / 8 / 35 / 12

HEX #E1CF92

RGB 225 207 146

HSL 46.33, 0.57%, 0.73%

LAB 83.29, -2.53, 32.62

 

CMYK 35 / 0 / 26 / 12

HEX #92E1A7

RGB 146 225 167

HSL 135.95, 0.57%, 0.73%

LAB 83.31, -36.2, 20.87

 

CMYK 35 / 27 / 0 / 12

HEX #92A5E1

RGB 146 165 225

HSL 225.57, 0.57%, 0.73%

LAB 68.36, 7.62, -32.44

 

Description

Color code: HEX #E193CB | qconv.com Color code: HEX #E193CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 147 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 147 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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