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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19A74 it is the complementary color #1E658B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19A74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19A74 shade: #E69A6F, #F7AC82, #FFBE95, #FFD0A8 and #FFE2BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19A74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19A74 shade: #E19A74, #D08861, #BF764E, #AE643B and #9D5228

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19A74 shade: #E09A74, #E07D74 and #E07474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19A74 shade: #E09A74, #E0B774, #E0D474, #CFE074 and #B2E074

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19A74 shade matches the following richer shades: #E09A74, #EE9667 and #FB9259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19A74 shade: #E09A74, #D39E82, #C5A290, #B7A69D and #AAABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19A74 shade: #E0748A, #E07C74, #E09874, #E0B574 and #E0D274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19A74 shade: #D16931, #D98153, #E09A74, #E8B396 and #EFCBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19A74 shade: #E19A74, #A7E074 and #747CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19A74 shade: #E19A74, #74E098 and #9874E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19A74 shade: #E19A74, #A7E074, #74BCE0 and #AE74E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19A74 shade: #E19A74, #86E074, #74BCE0 and #CE74E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

Complementary color

CMYK 78 / 27 / 0 / 45

HEX #1E658B

RGB 30 101 139

HSL 200.92, 0.64%, 0.33%

LAB 40.32, -7.93, -27.15

 

CMYK 0 / 33 / 52 / 10

HEX #E69A6F

RGB 230 154 111

HSL 21.68, 0.7%, 0.67%

LAB 70.23, 23.86, 34.07

 

CMYK 0 / 30 / 47 / 3

HEX #F7AC82

RGB 247 172 130

HSL 21.54, 0.88%, 0.74%

LAB 76.61, 22.8, 32.6

 

CMYK 0 / 25 / 42 / 0

HEX #FFBE95

RGB 255 190 149

HSL 23.21, 1%, 0.79%

LAB 81.98, 18.38, 29.82

 

CMYK 0 / 18 / 34 / 0

HEX #FFD0A8

RGB 255 208 168

HSL 27.59, 1%, 0.83%

LAB 86.6, 11.13, 26.11

 

CMYK 0 / 11 / 27 / 0

HEX #FFE2BB

RGB 255 226 187

HSL 34.41, 1%, 0.87%

LAB 91.34, 4.24, 22.74

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 0 / 35 / 53 / 18

HEX #D08861

RGB 208 136 97

HSL 21.08, 0.54%, 0.6%

LAB 63.24, 23.43, 32.17

 

CMYK 0 / 38 / 59 / 25

HEX #BF764E

RGB 191 118 78

HSL 21.24, 0.47%, 0.53%

LAB 56.67, 24.69, 33.85

 

CMYK 0 / 43 / 66 / 32

HEX #AE643B

RGB 174 100 59

HSL 21.39, 0.49%, 0.46%

LAB 50.01, 26.15, 35.68

 

CMYK 0 / 48 / 75 / 38

HEX #9D5228

RGB 157 82 40

HSL 21.54, 0.59%, 0.39%

LAB 43.29, 27.81, 37.61

 

CMYK 0 / 31 / 48 / 12

HEX #E09A74

RGB 224 154 116

HSL 21.11, 0.64%, 0.67%

LAB 69.63, 21.91, 30.47

 

CMYK 0 / 44 / 48 / 12

HEX #E07D74

RGB 224 125 116

HSL 5, 0.64%, 0.67%

LAB 63.16, 37.29, 21.88

 

CMYK 0 / 48 / 48 / 12

HEX #E07474

RGB 224 116 116

HSL 0, 0.64%, 0.67%

LAB 61.31, 41.91, 19.37

 

CMYK 0 / 31 / 48 / 12

HEX #E09A74

RGB 224 154 116

HSL 21.11, 0.64%, 0.67%

LAB 69.63, 21.91, 30.47

 

CMYK 0 / 18 / 48 / 12

HEX #E0B774

RGB 224 183 116

HSL 37.22, 0.64%, 0.67%

LAB 76.66, 6.42, 39.49

 

CMYK 0 / 5 / 48 / 12

HEX #E0D474

RGB 224 212 116

HSL 53.33, 0.64%, 0.67%

LAB 84.07, -8.6, 48.63

 

CMYK 8 / 0 / 48 / 12

HEX #CFE074

RGB 207 224 116

HSL 69.44, 0.64%, 0.67%

LAB 85.93, -21.32, 50.57

 

CMYK 21 / 0 / 48 / 12

HEX #B2E074

RGB 178 224 116

HSL 85.56, 0.64%, 0.67%

LAB 83.99, -32.33, 47.76

 

CMYK 0 / 31 / 48 / 12

HEX #E09A74

RGB 224 154 116

HSL 21.11, 0.64%, 0.67%

LAB 69.63, 21.91, 30.47

 

CMYK 0 / 37 / 57 / 7

HEX #EE9667

RGB 238 150 103

HSL 20.89, 0.8%, 0.67%

LAB 70.15, 28.51, 38.42

 

CMYK 0 / 42 / 65 / 2

HEX #FB9259

RGB 251 146 89

HSL 21.11, 0.95%, 0.67%

LAB 70.72, 34.77, 46.73

 

CMYK 0 / 31 / 48 / 12

HEX #E09A74

RGB 224 154 116

HSL 21.11, 0.64%, 0.67%

LAB 69.63, 21.91, 30.47

 

CMYK 0 / 25 / 38 / 17

HEX #D39E82

RGB 211 158 130

HSL 20.74, 0.48%, 0.67%

LAB 69.41, 16.05, 22.31

 

CMYK 0 / 18 / 27 / 23

HEX #C5A290

RGB 197 162 144

HSL 20.38, 0.31%, 0.67%

LAB 69.27, 10.18, 14.2

 

CMYK 0 / 9 / 14 / 28

HEX #B7A69D

RGB 183 166 157

HSL 20.77, 0.15%, 0.67%

LAB 69.31, 4.63, 6.88

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 48 / 38 / 12

HEX #E0748A

RGB 224 116 138

HSL 347.78, 0.64%, 0.67%

LAB 61.8, 44.19, 7.45

 

CMYK 0 / 45 / 48 / 12

HEX #E07C74

RGB 224 124 116

HSL 4.44, 0.64%, 0.67%

LAB 62.95, 37.81, 21.6

 

CMYK 0 / 32 / 48 / 12

HEX #E09874

RGB 224 152 116

HSL 20, 0.64%, 0.67%

LAB 69.16, 22.99, 29.86

 

CMYK 0 / 19 / 48 / 12

HEX #E0B574

RGB 224 181 116

HSL 36.11, 0.64%, 0.67%

LAB 76.16, 7.48, 38.86

 

CMYK 0 / 6 / 48 / 12

HEX #E0D274

RGB 224 210 116

HSL 52.22, 0.64%, 0.67%

LAB 83.55, -7.59, 48

 

CMYK 0 / 50 / 77 / 18

HEX #D16931

RGB 209 105 49

HSL 21, 0.63%, 0.51%

LAB 55.97, 37.27, 48.68

 

CMYK 0 / 41 / 62 / 15

HEX #D98153

RGB 217 129 83

HSL 20.6, 0.64%, 0.59%

LAB 62.57, 29.76, 39.11

 

CMYK 0 / 31 / 48 / 12

HEX #E09A74

RGB 224 154 116

HSL 21.11, 0.64%, 0.67%

LAB 69.63, 21.91, 30.47

 

CMYK 0 / 23 / 35 / 9

HEX #E8B396

RGB 232 179 150

HSL 21.22, 0.64%, 0.75%

LAB 77.04, 15.38, 22.22

 

CMYK 0 / 15 / 23 / 6

HEX #EFCBB8

RGB 239 203 184

HSL 20.73, 0.63%, 0.83%

LAB 84.24, 9.82, 14.18

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 25 / 0 / 48 / 12

HEX #A7E074

RGB 167 224 116

HSL 91.67, 0.64%, 0.67%

LAB 83.33, -36.31, 46.81

 

CMYK 48 / 45 / 0 / 12

HEX #747CE0

RGB 116 124 224

HSL 235.56, 0.64%, 0.67%

LAB 55.59, 23.56, -52.08

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 48 / 0 / 32 / 12

HEX #74E098

RGB 116 224 152

HSL 140, 0.64%, 0.67%

LAB 81.45, -46.84, 25.9

 

CMYK 32 / 48 / 0 / 12

HEX #9874E0

RGB 152 116 224

HSL 260, 0.64%, 0.67%

LAB 56.63, 37.1, -50.25

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 25 / 0 / 48 / 12

HEX #A7E074

RGB 167 224 116

HSL 91.67, 0.64%, 0.67%

LAB 83.33, -36.31, 46.81

 

CMYK 48 / 16 / 0 / 12

HEX #74BCE0

RGB 116 188 224

HSL 200, 0.64%, 0.67%

LAB 72.93, -12.93, -24.99

 

CMYK 22 / 48 / 0 / 12

HEX #AE74E0

RGB 174 116 224

HSL 272.22, 0.64%, 0.67%

LAB 58.85, 42.94, -46.58

 

CMYK 0 / 32 / 48 / 12

HEX #E19A74

RGB 225 154 116

HSL 20.92, 0.64%, 0.67%

LAB 69.74, 22.31, 30.64

 

CMYK 40 / 0 / 48 / 12

HEX #86E074

RGB 134 224 116

HSL 110, 0.64%, 0.67%

LAB 81.64, -47.31, 44.36

 

CMYK 48 / 16 / 0 / 12

HEX #74BCE0

RGB 116 188 224

HSL 200, 0.64%, 0.67%

LAB 72.93, -12.93, -24.99

 

CMYK 8 / 48 / 0 / 12

HEX #CE74E0

RGB 206 116 224

HSL 290, 0.64%, 0.67%

LAB 62.5, 51.77, -40.59

 

Description

Color code: HEX #E19A74 | qconv.com Color code: HEX #E19A74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 154 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 154 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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