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Color name
HEX #E1A56F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1A56F it is the complementary color #1E5A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1A56F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1A56F shade: #E6A56A, #F7B77D, #FFC990, #FFDBA3 and #FFEDB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1A56F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1A56F shade: #E1A56F, #D0935C, #BF8149, #AE6F36 and #9D5D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1A56F shade: #E1A56F, #E1866F and #E16F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1A56F shade: #E1A56F, #E1C46F, #E0E16F, #C1E16F and #A2E16F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1A56F shade matches the following richer shades: #E1A56F, #EFA461 and #FDA353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1A56F shade: #E1A56F, #D3A67D, #C5A68B, #B7A799 and #A9A8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1A56F shade: #E16F76, #E1856F, #E1A46F, #E1C36F and #E1E16F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1A56F shade: #D27A2B, #DA8F4C, #E1A56F, #E8BA91 and #EFCFB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1A56F shade: #E1A56F, #95E16F and #766FE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1A56F shade: #E1A56F, #6FE1A4 and #A46FE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1A56F shade: #E1A56F, #95E16F, #6FACE1 and #BB6FE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1A56F shade: #E1A56F, #72E16F, #6FACE1 and #DD6FE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

Complementary color

CMYK 79 / 38 / 0 / 44

HEX #1E5A90

RGB 30 90 144

HSL 208.42, 0.66%, 0.34%

LAB 37.12, 0.83, -35.22

 

CMYK 0 / 28 / 54 / 10

HEX #E6A56A

RGB 230 165 106

HSL 28.55, 0.71%, 0.66%

LAB 72.74, 17.56, 39.86

 

CMYK 0 / 26 / 49 / 3

HEX #F7B77D

RGB 247 183 125

HSL 28.52, 0.88%, 0.73%

LAB 79.11, 16.54, 38.44

 

CMYK 0 / 21 / 44 / 0

HEX #FFC990

RGB 255 201 144

HSL 30.81, 1%, 0.78%

LAB 84.51, 12.12, 35.76

 

CMYK 0 / 14 / 36 / 0

HEX #FFDBA3

RGB 255 219 163

HSL 36.52, 1%, 0.82%

LAB 89.19, 4.87, 32.18

 

CMYK 0 / 7 / 29 / 0

HEX #FFEDB6

RGB 255 237 182

HSL 45.21, 1%, 0.86%

LAB 93.97, -1.99, 28.9

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 29 / 56 / 18

HEX #D0935C

RGB 208 147 92

HSL 28.45, 0.55%, 0.59%

LAB 65.79, 17.03, 38.02

 

CMYK 0 / 32 / 62 / 25

HEX #BF8149

RGB 191 129 73

HSL 28.47, 0.48%, 0.52%

LAB 59.21, 18.27, 39.58

 

CMYK 0 / 36 / 69 / 32

HEX #AE6F36

RGB 174 111 54

HSL 28.5, 0.53%, 0.45%

LAB 52.55, 19.72, 41.17

 

CMYK 0 / 41 / 78 / 38

HEX #9D5D23

RGB 157 93 35

HSL 28.52, 0.64%, 0.38%

LAB 45.8, 21.42, 42.63

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 40 / 51 / 12

HEX #E1866F

RGB 225 134 111

HSL 12.11, 0.66%, 0.66%

LAB 65.13, 32.5, 27.32

 

CMYK 0 / 51 / 51 / 12

HEX #E16F6F

RGB 225 111 111

HSL 0, 0.66%, 0.66%

LAB 60.36, 44.32, 20.97

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 13 / 51 / 12

HEX #E1C46F

RGB 225 196 111

HSL 44.74, 0.66%, 0.66%

LAB 79.97, -0.43, 46.12

 

CMYK 0 / 0 / 51 / 12

HEX #E0E16F

RGB 224 225 111

HSL 60.53, 0.66%, 0.66%

LAB 87.41, -15.54, 54.98

 

CMYK 14 / 0 / 51 / 12

HEX #C1E16F

RGB 193 225 111

HSL 76.84, 0.66%, 0.66%

LAB 85.17, -27.69, 51.77

 

CMYK 28 / 0 / 51 / 12

HEX #A2E16F

RGB 162 225 111

HSL 93.16, 0.66%, 0.66%

LAB 83.27, -39.09, 49.05

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 31 / 59 / 6

HEX #EFA461

RGB 239 164 97

HSL 28.31, 0.82%, 0.66%

LAB 73.39, 21.07, 45.48

 

CMYK 0 / 36 / 67 / 1

HEX #FDA353

RGB 253 163 83

HSL 28.24, 0.98%, 0.66%

LAB 74.64, 26.4, 54.18

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 21 / 41 / 17

HEX #D3A67D

RGB 211 166 125

HSL 28.6, 0.49%, 0.66%

LAB 71.28, 11.16, 27.54

 

CMYK 0 / 16 / 29 / 23

HEX #C5A68B

RGB 197 166 139

HSL 27.93, 0.33%, 0.66%

LAB 70.18, 7.31, 18.21

 

CMYK 0 / 9 / 16 / 28

HEX #B7A799

RGB 183 167 153

HSL 28, 0.17%, 0.66%

LAB 69.47, 3.44, 9.33

 

CMYK 0 / 1 / 1 / 34

HEX #A9A8A7

RGB 169 168 167

HSL 30, 0.01%, 0.66%

LAB 68.92, 0.17, 0.63

 

CMYK 0 / 51 / 48 / 12

HEX #E16F76

RGB 225 111 118

HSL 356.32, 0.66%, 0.66%

LAB 60.5, 44.96, 17.15

 

CMYK 0 / 41 / 51 / 12

HEX #E1856F

RGB 225 133 111

HSL 11.58, 0.66%, 0.66%

LAB 64.91, 33.03, 27.04

 

CMYK 0 / 27 / 51 / 12

HEX #E1A46F

RGB 225 164 111

HSL 27.89, 0.66%, 0.66%

LAB 72.03, 16.49, 36.25

 

CMYK 0 / 13 / 51 / 12

HEX #E1C36F

RGB 225 195 111

HSL 44.21, 0.66%, 0.66%

LAB 79.72, 0.09, 45.81

 

CMYK 0 / 0 / 51 / 12

HEX #E1E16F

RGB 225 225 111

HSL 60, 0.66%, 0.66%

LAB 87.49, -15.14, 55.09

 

CMYK 0 / 42 / 80 / 18

HEX #D27A2B

RGB 210 122 43

HSL 28.38, 0.66%, 0.5%

LAB 59.7, 28.54, 55.01

 

CMYK 0 / 34 / 65 / 15

HEX #DA8F4C

RGB 218 143 76

HSL 28.31, 0.66%, 0.58%

LAB 65.8, 22.21, 46.51

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 0 / 20 / 38 / 9

HEX #E8BA91

RGB 232 186 145

HSL 28.28, 0.65%, 0.74%

LAB 78.65, 11.08, 27.07

 

CMYK 0 / 13 / 25 / 6

HEX #EFCFB3

RGB 239 207 179

HSL 28, 0.65%, 0.82%

LAB 85.11, 7.03, 18.05

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 34 / 0 / 51 / 12

HEX #95E16F

RGB 149 225 111

HSL 100, 0.66%, 0.66%

LAB 82.59, -43.53, 48.06

 

CMYK 48 / 51 / 0 / 12

HEX #766FE1

RGB 118 111 225

HSL 243.68, 0.66%, 0.66%

LAB 52.57, 32.08, -57.46

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 51 / 0 / 27 / 12

HEX #6FE1A4

RGB 111 225 164

HSL 147.89, 0.66%, 0.66%

LAB 81.79, -46.25, 20.11

 

CMYK 27 / 51 / 0 / 12

HEX #A46FE1

RGB 164 111 225

HSL 267.89, 0.66%, 0.66%

LAB 56.78, 43.25, -50.5

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 34 / 0 / 51 / 12

HEX #95E16F

RGB 149 225 111

HSL 100, 0.66%, 0.66%

LAB 82.59, -43.53, 48.06

 

CMYK 51 / 24 / 0 / 12

HEX #6FACE1

RGB 111 172 225

HSL 207.89, 0.66%, 0.66%

LAB 68.26, -5.14, -32.76

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 0 / 27 / 51 / 12

HEX #E1A56F

RGB 225 165 111

HSL 28.42, 0.66%, 0.66%

LAB 72.27, 15.95, 36.55

 

CMYK 49 / 0 / 51 / 12

HEX #72E16F

RGB 114 225 111

HSL 118.42, 0.66%, 0.66%

LAB 81.06, -54.15, 45.85

 

CMYK 51 / 24 / 0 / 12

HEX #6FACE1

RGB 111 172 225

HSL 207.89, 0.66%, 0.66%

LAB 68.26, -5.14, -32.76

 

CMYK 2 / 51 / 0 / 12

HEX #DD6FE1

RGB 221 111 225

HSL 297.89, 0.66%, 0.66%

LAB 63.49, 58.55, -39.47

 

Description

Color code: HEX #E1A56F | qconv.com Color code: HEX #E1A56F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 165 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 165 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 51 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 51% 12% C M Y K

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Provide designers and agencies with accurate color values.

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