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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1A73B it is the complementary color #1E58C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1A73B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1A73B shade: #E6A736, #F7B949, #FFCB5C, #FFDD6F and #FFEF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1A73B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1A73B shade: #E1A73B, #D09528, #BF8315, #AE7102 and #9D5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1A73B shade: #E0A73C, #E07B3C, #E04F3C and #E03C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1A73B shade: #E0A73C, #E0D33C, #C1E03C, #95E03C and #69E03C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1A73B shade matches the following richer shades: #E0A73C and #F2AC2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1A73B shade: #E0A73C, #CEA24F, #BC9C61, #AA9773 and #989185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1A73B shade: #E0503C, #E07B3C, #E0A73C, #E0D33C and #C2E03C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1A73B shade: #AF7B1B, #D39520, #E0A73C, #E6B760 and #EBC784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1A73B shade: #E1A73B, #55E03C and #653CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1A73B shade: #E1A73B, #3CE0A7 and #A73CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1A73B shade: #E1A73B, #55E03C, #3C76E0 and #C83CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1A73B shade: #E1A73B, #3CE055, #3C76E0 and #E03CC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

Complementary color

CMYK 85 / 55 / 0 / 23

HEX #1E58C4

RGB 30 88 196

HSL 219.04, 0.73%, 0.44%

LAB 39.98, 22.68, -61.45

 

CMYK 0 / 27 / 77 / 10

HEX #E6A736

RGB 230 167 54

HSL 38.52, 0.78%, 0.56%

LAB 72.71, 13.34, 63.81

 

CMYK 0 / 25 / 70 / 3

HEX #F7B949

RGB 247 185 73

HSL 38.62, 0.92%, 0.63%

LAB 79.01, 11.88, 63.09

 

CMYK 0 / 20 / 64 / 0

HEX #FFCB5C

RGB 255 203 92

HSL 40.86, 1%, 0.68%

LAB 84.35, 6.89, 60.83

 

CMYK 0 / 13 / 56 / 0

HEX #FFDD6F

RGB 255 221 111

HSL 45.83, 1%, 0.72%

LAB 88.98, -1.04, 57.47

 

CMYK 0 / 6 / 49 / 0

HEX #FFEF82

RGB 255 239 130

HSL 52.32, 1%, 0.75%

LAB 93.71, -8.54, 54.23

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 0 / 28 / 81 / 18

HEX #D09528

RGB 208 149 40

HSL 38.93, 0.68%, 0.49%

LAB 65.79, 12.99, 61.61

 

CMYK 0 / 31 / 89 / 25

HEX #BF8315

RGB 191 131 21

HSL 38.82, 0.8%, 0.42%

LAB 59.31, 14.83, 61.09

 

CMYK 0 / 35 / 99 / 32

HEX #AE7102

RGB 174 113 2

HSL 38.72, 0.98%, 0.35%

LAB 52.74, 16.93, 59.19

 

CMYK 0 / 39 / 100 / 38

HEX #9D5F00

RGB 157 95 0

HSL 36.31, 1%, 0.31%

LAB 46.11, 19.39, 54.19

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 45 / 73 / 12

HEX #E07B3C

RGB 224 123 60

HSL 23.05, 0.73%, 0.56%

LAB 61.95, 34.42, 50.29

 

CMYK 0 / 65 / 73 / 12

HEX #E04F3C

RGB 224 79 60

HSL 6.95, 0.73%, 0.56%

LAB 53.78, 55.39, 41.48

 

CMYK 0 / 73 / 73 / 12

HEX #E03C3C

RGB 224 60 60

HSL 0, 0.73%, 0.56%

LAB 51.16, 62.56, 38.55

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 6 / 73 / 12

HEX #E0D33C

RGB 224 211 60

HSL 55.24, 0.73%, 0.56%

LAB 83.32, -11.81, 71.51

 

CMYK 14 / 0 / 73 / 12

HEX #C1E03C

RGB 193 224 60

HSL 71.34, 0.73%, 0.56%

LAB 84.47, -30.89, 71.78

 

CMYK 33 / 0 / 73 / 12

HEX #95E03C

RGB 149 224 60

HSL 87.44, 0.73%, 0.56%

LAB 81.85, -47.51, 68.35

 

CMYK 53 / 0 / 73 / 12

HEX #69E03C

RGB 105 224 60

HSL 103.54, 0.73%, 0.56%

LAB 79.98, -61.22, 65.87

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 29 / 83 / 5

HEX #F2AC2A

RGB 242 172 42

HSL 39, 0.88%, 0.56%

LAB 75.17, 15.41, 70.61

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 21 / 62 / 19

HEX #CEA24F

RGB 206 162 79

HSL 39.21, 0.56%, 0.56%

LAB 69.13, 7.08, 48.47

 

CMYK 0 / 17 / 48 / 26

HEX #BC9C61

RGB 188 156 97

HSL 38.9, 0.4%, 0.56%

LAB 66.01, 4.17, 35.2

 

CMYK 0 / 11 / 32 / 33

HEX #AA9773

RGB 170 151 115

HSL 39.27, 0.24%, 0.56%

LAB 63.27, 1.5, 21.57

 

CMYK 0 / 5 / 13 / 40

HEX #989185

RGB 152 145 133

HSL 37.89, 0.08%, 0.56%

LAB 60.44, 0.43, 7.28

 

CMYK 0 / 64 / 73 / 12

HEX #E0503C

RGB 224 80 60

HSL 7.32, 0.73%, 0.56%

LAB 53.93, 54.98, 41.65

 

CMYK 0 / 45 / 73 / 12

HEX #E07B3C

RGB 224 123 60

HSL 23.05, 0.73%, 0.56%

LAB 61.95, 34.42, 50.29

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 6 / 73 / 12

HEX #E0D33C

RGB 224 211 60

HSL 55.24, 0.73%, 0.56%

LAB 83.32, -11.81, 71.51

 

CMYK 13 / 0 / 73 / 12

HEX #C2E03C

RGB 194 224 60

HSL 70.98, 0.73%, 0.56%

LAB 84.54, -30.49, 71.87

 

CMYK 0 / 30 / 85 / 31

HEX #AF7B1B

RGB 175 123 27

HSL 38.92, 0.73%, 0.4%

LAB 55.44, 12.26, 55.44

 

CMYK 0 / 29 / 85 / 17

HEX #D39520

RGB 211 149 32

HSL 39.22, 0.74%, 0.48%

LAB 66.1, 14.07, 64.55

 

CMYK 0 / 25 / 73 / 12

HEX #E0A73C

RGB 224 167 60

HSL 39.15, 0.73%, 0.56%

LAB 72.1, 11.03, 60.65

 

CMYK 0 / 20 / 58 / 10

HEX #E6B760

RGB 230 183 96

HSL 38.96, 0.73%, 0.64%

LAB 77, 7.22, 50

 

CMYK 0 / 15 / 44 / 8

HEX #EBC784

RGB 235 199 132

HSL 39.03, 0.72%, 0.72%

LAB 81.93, 4.03, 38.21

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 62 / 0 / 73 / 12

HEX #55E03C

RGB 85 224 60

HSL 110.85, 0.73%, 0.56%

LAB 79.37, -66.09, 65.06

 

CMYK 55 / 73 / 0 / 12

HEX #653CE0

RGB 101 60 224

HSL 255, 0.73%, 0.56%

LAB 40.21, 57.25, -77.03

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 73 / 0 / 25 / 12

HEX #3CE0A7

RGB 60 224 167

HSL 159.15, 0.73%, 0.56%

LAB 80.21, -54.66, 16.14

 

CMYK 25 / 73 / 0 / 12

HEX #A73CE0

RGB 167 60 224

HSL 279.15, 0.73%, 0.56%

LAB 48.04, 68.15, -63.93

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 62 / 0 / 73 / 12

HEX #55E03C

RGB 85 224 60

HSL 110.85, 0.73%, 0.56%

LAB 79.37, -66.09, 65.06

 

CMYK 73 / 47 / 0 / 12

HEX #3C76E0

RGB 60 118 224

HSL 218.78, 0.73%, 0.56%

LAB 51.04, 17.1, -59.54

 

CMYK 11 / 73 / 0 / 12

HEX #C83CE0

RGB 200 60 224

HSL 291.22, 0.73%, 0.56%

LAB 52.83, 74.51, -55.97

 

CMYK 0 / 26 / 74 / 12

HEX #E1A73B

RGB 225 167 59

HSL 39.04, 0.73%, 0.56%

LAB 72.2, 11.41, 61.19

 

CMYK 73 / 0 / 62 / 12

HEX #3CE055

RGB 60 224 85

HSL 129.15, 0.73%, 0.56%

LAB 79, -68.45, 54.83

 

CMYK 73 / 47 / 0 / 12

HEX #3C76E0

RGB 60 118 224

HSL 218.78, 0.73%, 0.56%

LAB 51.04, 17.1, -59.54

 

CMYK 0 / 73 / 11 / 12

HEX #E03CC8

RGB 224 60 200

HSL 308.78, 0.73%, 0.56%

LAB 55.33, 75.74, -38.09

 

Description

Color code: HEX #E1A73B | qconv.com Color code: HEX #E1A73B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 167 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 167 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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