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Color name
HEX #E1A751

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1A751 it is the complementary color #1E58AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1A751. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1A751 shade: #E6A74C, #F7B95F, #FFCB72, #FFDD85 and #FFEF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1A751. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1A751 shade: #E1A751, #D0953E, #BF832B, #AE7118 and #9D5F05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1A751 shade: #E1A750, #E18050, #E15850 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1A751 shade: #E1A750, #E1CE50, #CDE150, #A6E150 and #7FE150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1A751 shade matches the following richer shades: #E1A750 and #F1AA40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1A751 shade: #E1A750, #D0A361, #C0A071, #AF9D82 and #9F9A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1A751 shade: #E15750, #E17E50, #E1A550, #E1CB50 and #D0E150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1A751 shade: #BF7F20, #DB952D, #E1A750, #E7B873 and #EDCA97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1A751 shade: #E1A751, #6FE150 and #6B50E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1A751 shade: #E1A751, #50E1A5 and #A550E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1A751 shade: #E1A751, #6FE150, #508CE1 and #C250E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1A751 shade: #E1A751, #50E15C, #508CE1 and #E150D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

Complementary color

CMYK 83 / 49 / 0 / 32

HEX #1E58AE

RGB 30 88 174

HSL 215.83, 0.71%, 0.4%

LAB 38.4, 14.01, -51.13

 

CMYK 0 / 27 / 67 / 10

HEX #E6A74C

RGB 230 167 76

HSL 35.45, 0.75%, 0.6%

LAB 72.88, 14.39, 54.75

 

CMYK 0 / 25 / 62 / 3

HEX #F7B95F

RGB 247 185 95

HSL 35.53, 0.9%, 0.67%

LAB 79.21, 13.14, 53.48

 

CMYK 0 / 20 / 55 / 0

HEX #FFCB72

RGB 255 203 114

HSL 37.87, 1%, 0.72%

LAB 84.58, 8.41, 50.88

 

CMYK 0 / 13 / 48 / 0

HEX #FFDD85

RGB 255 221 133

HSL 43.28, 1%, 0.76%

LAB 89.24, 0.77, 47.31

 

CMYK 0 / 6 / 40 / 0

HEX #FFEF98

RGB 255 239 152

HSL 50.68, 1%, 0.8%

LAB 94, -6.45, 43.99

 

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

CMYK 0 / 28 / 70 / 18

HEX #D0953E

RGB 208 149 62

HSL 35.75, 0.61%, 0.53%

LAB 65.94, 13.93, 52.96

 

CMYK 0 / 31 / 77 / 25

HEX #BF832B

RGB 191 131 43

HSL 35.68, 0.63%, 0.46%

LAB 59.42, 15.49, 53.9

 

CMYK 0 / 35 / 86 / 32

HEX #AE7118

RGB 174 113 24

HSL 35.6, 0.76%, 0.39%

LAB 52.81, 17.33, 54.13

 

CMYK 0 / 39 / 97 / 38

HEX #9D5F05

RGB 157 95 5

HSL 35.53, 0.94%, 0.32%

LAB 46.13, 19.47, 52.98

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 0 / 43 / 64 / 12

HEX #E18050

RGB 225 128 80

HSL 19.86, 0.71%, 0.6%

LAB 63.36, 33.29, 41.88

 

CMYK 0 / 61 / 64 / 12

HEX #E15850

RGB 225 88 80

HSL 3.31, 0.71%, 0.6%

LAB 55.65, 52.89, 32.58

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 0 / 8 / 64 / 12

HEX #E1CE50

RGB 225 206 80

HSL 52.14, 0.71%, 0.6%

LAB 82.23, -7.85, 62.88

 

CMYK 9 / 0 / 64 / 12

HEX #CDE150

RGB 205 225 80

HSL 68.28, 0.71%, 0.6%

LAB 85.71, -25.44, 66.05

 

CMYK 26 / 0 / 64 / 12

HEX #A6E150

RGB 166 225 80

HSL 84.41, 0.71%, 0.6%

LAB 83.2, -40.5, 62.63

 

CMYK 44 / 0 / 64 / 12

HEX #7FE150

RGB 127 225 80

HSL 100.55, 0.71%, 0.6%

LAB 81.26, -53.73, 59.97

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 0 / 29 / 73 / 5

HEX #F1AA40

RGB 241 170 64

HSL 35.93, 0.86%, 0.6%

LAB 74.71, 16.83, 62.24

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 0 / 22 / 53 / 18

HEX #D0A361

RGB 208 163 97

HSL 35.68, 0.54%, 0.6%

LAB 69.8, 8.78, 40.35

 

CMYK 0 / 17 / 41 / 25

HEX #C0A071

RGB 192 160 113

HSL 35.7, 0.39%, 0.6%

LAB 67.68, 5.34, 28.9

 

CMYK 0 / 10 / 26 / 31

HEX #AF9D82

RGB 175 157 130

HSL 36, 0.22%, 0.6%

LAB 65.62, 2.29, 16.55

 

CMYK 0 / 3 / 8 / 38

HEX #9F9A92

RGB 159 154 146

HSL 36.92, 0.06%, 0.6%

LAB 63.8, 0.36, 4.83

 

CMYK 0 / 61 / 64 / 12

HEX #E15750

RGB 225 87 80

HSL 2.9, 0.71%, 0.6%

LAB 55.49, 53.33, 32.38

 

CMYK 0 / 44 / 64 / 12

HEX #E17E50

RGB 225 126 80

HSL 19.03, 0.71%, 0.6%

LAB 62.93, 34.33, 41.38

 

CMYK 0 / 27 / 64 / 12

HEX #E1A550

RGB 225 165 80

HSL 35.17, 0.71%, 0.6%

LAB 71.89, 13.59, 51.65

 

CMYK 0 / 10 / 64 / 12

HEX #E1CB50

RGB 225 203 80

HSL 50.9, 0.71%, 0.6%

LAB 81.46, -6.32, 62.06

 

CMYK 8 / 0 / 64 / 12

HEX #D0E150

RGB 208 225 80

HSL 67.03, 0.71%, 0.6%

LAB 85.93, -24.24, 66.34

 

CMYK 0 / 34 / 83 / 25

HEX #BF7F20

RGB 191 127 32

HSL 35.85, 0.71%, 0.44%

LAB 58.38, 17.31, 57.06

 

CMYK 0 / 32 / 79 / 14

HEX #DB952D

RGB 219 149 45

HSL 35.86, 0.71%, 0.52%

LAB 67.08, 17.92, 61.47

 

CMYK 0 / 26 / 64 / 12

HEX #E1A750

RGB 225 167 80

HSL 36, 0.71%, 0.6%

LAB 72.38, 12.53, 52.2

 

CMYK 0 / 20 / 50 / 9

HEX #E7B873

RGB 231 184 115

HSL 35.69, 0.71%, 0.68%

LAB 77.58, 8.66, 41.3

 

CMYK 0 / 15 / 36 / 7

HEX #EDCA97

RGB 237 202 151

HSL 35.58, 0.7%, 0.76%

LAB 83.17, 5.32, 30.06

 

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

CMYK 51 / 0 / 64 / 12

HEX #6FE150

RGB 111 225 80

HSL 107.17, 0.71%, 0.6%

LAB 80.63, -58.38, 59.11

 

CMYK 52 / 64 / 0 / 12

HEX #6B50E1

RGB 107 80 225

HSL 251.17, 0.71%, 0.6%

LAB 44.66, 47.95, -70.31

 

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

CMYK 64 / 0 / 27 / 12

HEX #50E1A5

RGB 80 225 165

HSL 155.17, 0.71%, 0.6%

LAB 80.89, -52.46, 18.19

 

CMYK 27 / 64 / 0 / 12

HEX #A550E1

RGB 165 80 225

HSL 275.17, 0.71%, 0.6%

LAB 50.89, 59.44, -59.92

 

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

CMYK 51 / 0 / 64 / 12

HEX #6FE150

RGB 111 225 80

HSL 107.17, 0.71%, 0.6%

LAB 80.63, -58.38, 59.11

 

CMYK 64 / 38 / 0 / 12

HEX #508CE1

RGB 80 140 225

HSL 215.17, 0.71%, 0.6%

LAB 57.94, 7.02, -49.03

 

CMYK 14 / 64 / 0 / 12

HEX #C250E1

RGB 194 80 225

HSL 287.17, 0.71%, 0.6%

LAB 54.7, 65.86, -53.59

 

CMYK 0 / 26 / 64 / 12

HEX #E1A751

RGB 225 167 81

HSL 35.83, 0.71%, 0.6%

LAB 72.39, 12.59, 51.74

 

CMYK 64 / 0 / 59 / 12

HEX #50E15C

RGB 80 225 92

HSL 124.97, 0.71%, 0.6%

LAB 79.8, -64.5, 52.82

 

CMYK 64 / 38 / 0 / 12

HEX #508CE1

RGB 80 140 225

HSL 215.17, 0.71%, 0.6%

LAB 57.94, 7.02, -49.03

 

CMYK 0 / 64 / 5 / 12

HEX #E150D5

RGB 225 80 213

HSL 304.97, 0.71%, 0.6%

LAB 58.55, 71.01, -40.42

 

Description

Color code: HEX #E1A751 | qconv.com Color code: HEX #E1A751 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 167 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 167 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 12% C M Y K

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Provide designers and agencies with accurate color values.

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