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Color name
HEX #E1AD50

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1AD50 it is the complementary color #1E52AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1AD50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1AD50 shade: #E6AD4B, #F7BF5E, #FFD171, #FFE384 and #FFF597

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1AD50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1AD50 shade: #E1AD50, #D09B3D, #BF892A, #AE7717 and #9D6504

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1AD50 shade: #E1AD50, #E18650, #E15F50 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1AD50 shade: #E1AD50, #E1D450, #C7E150, #A0E150 and #79E150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1AD50 shade matches the following richer shades: #E1AD50 and #F1B240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1AD50 shade: #E1AD50, #D0A861, #C0A471, #AF9F82 and #9F9A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1AD50 shade: #E15F50, #E18550, #E1AC50, #E1D250 and #C9E150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1AD50 shade: #BF8620, #DB9C2D, #E1AD50, #E7BD73 and #EDCE97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1AD50 shade: #E1AD50, #68E150 and #7250E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1AD50 shade: #E1AD50, #50E1AC and #AC50E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1AD50 shade: #E1AD50, #68E150, #5085E1 and #C950E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1AD50 shade: #E1AD50, #50E163, #5085E1 and #E150CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

Complementary color

CMYK 83 / 53 / 0 / 31

HEX #1E52AF

RGB 30 82 175

HSL 218.48, 0.71%, 0.4%

LAB 36.75, 18.4, -54.38

 

CMYK 0 / 25 / 67 / 10

HEX #E6AD4B

RGB 230 173 75

HSL 37.94, 0.76%, 0.6%

LAB 74.33, 11.15, 56.76

 

CMYK 0 / 23 / 62 / 3

HEX #F7BF5E

RGB 247 191 94

HSL 38.04, 0.91%, 0.67%

LAB 80.65, 9.94, 55.58

 

CMYK 0 / 18 / 56 / 0

HEX #FFD171

RGB 255 209 113

HSL 40.56, 1%, 0.72%

LAB 86.03, 5.24, 53.08

 

CMYK 0 / 11 / 48 / 0

HEX #FFE384

RGB 255 227 132

HSL 46.34, 1%, 0.76%

LAB 90.72, -2.36, 49.63

 

CMYK 0 / 4 / 41 / 0

HEX #FFF597

RGB 255 245 151

HSL 54.23, 1%, 0.8%

LAB 95.5, -9.53, 46.38

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 25 / 71 / 18

HEX #D09B3D

RGB 208 155 61

HSL 38.37, 0.61%, 0.53%

LAB 67.42, 10.63, 54.93

 

CMYK 0 / 28 / 78 / 25

HEX #BF892A

RGB 191 137 42

HSL 38.26, 0.64%, 0.46%

LAB 60.9, 12.15, 55.69

 

CMYK 0 / 32 / 87 / 32

HEX #AE7717

RGB 174 119 23

HSL 38.15, 0.77%, 0.39%

LAB 54.3, 13.94, 55.67

 

CMYK 0 / 36 / 97 / 38

HEX #9D6504

RGB 157 101 4

HSL 38.04, 0.95%, 0.32%

LAB 47.6, 16.03, 54.24

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 40 / 64 / 12

HEX #E18650

RGB 225 134 80

HSL 22.34, 0.71%, 0.6%

LAB 64.67, 30.14, 43.42

 

CMYK 0 / 58 / 64 / 12

HEX #E15F50

RGB 225 95 80

HSL 6.21, 0.71%, 0.6%

LAB 56.85, 49.72, 34.06

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 6 / 64 / 12

HEX #E1D450

RGB 225 212 80

HSL 54.62, 0.71%, 0.6%

LAB 83.8, -10.88, 64.52

 

CMYK 12 / 0 / 64 / 12

HEX #C7E150

RGB 199 225 80

HSL 70.76, 0.71%, 0.6%

LAB 85.29, -27.84, 65.48

 

CMYK 29 / 0 / 64 / 12

HEX #A0E150

RGB 160 225 80

HSL 86.9, 0.71%, 0.6%

LAB 82.86, -42.68, 62.17

 

CMYK 46 / 0 / 64 / 12

HEX #79E150

RGB 121 225 80

HSL 103.03, 0.71%, 0.6%

LAB 81.01, -55.53, 59.63

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 26 / 73 / 5

HEX #F1B240

RGB 241 178 64

HSL 38.64, 0.86%, 0.6%

LAB 76.63, 12.61, 64.14

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 19 / 53 / 18

HEX #D0A861

RGB 208 168 97

HSL 38.38, 0.54%, 0.6%

LAB 71.06, 6.09, 41.89

 

CMYK 0 / 15 / 41 / 25

HEX #C0A471

RGB 192 164 113

HSL 38.73, 0.39%, 0.6%

LAB 68.71, 3.17, 30.25

 

CMYK 0 / 9 / 26 / 31

HEX #AF9F82

RGB 175 159 130

HSL 38.67, 0.22%, 0.6%

LAB 66.15, 1.2, 17.28

 

CMYK 0 / 3 / 8 / 38

HEX #9F9A92

RGB 159 154 146

HSL 36.92, 0.06%, 0.6%

LAB 63.8, 0.36, 4.83

 

CMYK 0 / 58 / 64 / 12

HEX #E15F50

RGB 225 95 80

HSL 6.21, 0.71%, 0.6%

LAB 56.85, 49.72, 34.06

 

CMYK 0 / 41 / 64 / 12

HEX #E18550

RGB 225 133 80

HSL 21.93, 0.71%, 0.6%

LAB 64.45, 30.66, 43.16

 

CMYK 0 / 24 / 64 / 12

HEX #E1AC50

RGB 225 172 80

HSL 38.07, 0.71%, 0.6%

LAB 73.61, 9.86, 53.56

 

CMYK 0 / 7 / 64 / 12

HEX #E1D250

RGB 225 210 80

HSL 53.79, 0.71%, 0.6%

LAB 83.27, -9.87, 63.98

 

CMYK 11 / 0 / 64 / 12

HEX #C9E150

RGB 201 225 80

HSL 69.93, 0.71%, 0.6%

LAB 85.43, -27.04, 65.66

 

CMYK 0 / 30 / 83 / 25

HEX #BF8620

RGB 191 134 32

HSL 38.49, 0.71%, 0.44%

LAB 60.1, 13.45, 58.55

 

CMYK 0 / 29 / 79 / 14

HEX #DB9C2D

RGB 219 156 45

HSL 38.28, 0.71%, 0.52%

LAB 68.77, 14.16, 63.01

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 0 / 18 / 50 / 9

HEX #E7BD73

RGB 231 189 115

HSL 38.28, 0.71%, 0.68%

LAB 78.82, 6.03, 42.84

 

CMYK 0 / 13 / 36 / 7

HEX #EDCE97

RGB 237 206 151

HSL 38.37, 0.7%, 0.76%

LAB 84.16, 3.24, 31.38

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 54 / 0 / 64 / 12

HEX #68E150

RGB 104 225 80

HSL 110.07, 0.71%, 0.6%

LAB 80.39, -60.25, 58.77

 

CMYK 49 / 64 / 0 / 12

HEX #7250E1

RGB 114 80 225

HSL 254.07, 0.71%, 0.6%

LAB 45.29, 49.18, -69.25

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 64 / 0 / 24 / 12

HEX #50E1AC

RGB 80 225 172

HSL 158.07, 0.71%, 0.6%

LAB 81.04, -50.95, 14.73

 

CMYK 24 / 64 / 0 / 12

HEX #AC50E1

RGB 172 80 225

HSL 278.07, 0.71%, 0.6%

LAB 51.77, 60.96, -58.45

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 54 / 0 / 64 / 12

HEX #68E150

RGB 104 225 80

HSL 110.07, 0.71%, 0.6%

LAB 80.39, -60.25, 58.77

 

CMYK 64 / 41 / 0 / 12

HEX #5085E1

RGB 80 133 225

HSL 218.07, 0.71%, 0.6%

LAB 56, 11.21, -52.1

 

CMYK 11 / 64 / 0 / 12

HEX #C950E1

RGB 201 80 225

HSL 290.07, 0.71%, 0.6%

LAB 55.68, 67.45, -51.98

 

CMYK 0 / 23 / 64 / 12

HEX #E1AD50

RGB 225 173 80

HSL 38.48, 0.71%, 0.6%

LAB 73.85, 9.33, 53.83

 

CMYK 64 / 0 / 56 / 12

HEX #50E163

RGB 80 225 99

HSL 127.86, 0.71%, 0.6%

LAB 79.87, -63.66, 49.76

 

CMYK 64 / 41 / 0 / 12

HEX #5085E1

RGB 80 133 225

HSL 218.07, 0.71%, 0.6%

LAB 56, 11.21, -52.1

 

CMYK 0 / 64 / 8 / 12

HEX #E150CE

RGB 225 80 206

HSL 307.86, 0.71%, 0.6%

LAB 58.23, 69.93, -36.96

 

Description

Color code: HEX #E1AD50 | qconv.com Color code: HEX #E1AD50 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 173 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 173 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 64% 12% C M Y K

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Provide designers and agencies with accurate color values.

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