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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1ADE5 it is the complementary color #1E521A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1ADE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1ADE5 shade: #E6ADE0, #F7BFF3, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1ADE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1ADE5 shade: #E1ADE5, #D09BD2, #BF89BF, #AE77AC and #9D6599

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1ADE5 shade: #E1ADE5, #E5ADDA, #E5ADCB, #E5ADBC and #E5ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1ADE5 shade: #E1ADE5, #D2ADE5, #C3ADE5, #B4ADE5 and #ADADE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1ADE5 shade matches the following richer shades: #E1ADE5, #E8A4ED and #F09CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1ADE5 shade: #E1ADE5, #D9B6DC, #D2BED3, #CBC7CB and #C3D0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1ADE5 shade: #C2ADE5, #D1ADE5, #E0ADE5, #E5ADDB and #E5ADCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1ADE5 shade: #CA6ED1, #D58EDB, #E1ADE5, #ECCCEF and #F8ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1ADE5 shade: #E1ADE5, #E5B4AD and #ADE5CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1ADE5 shade: #E1ADE5, #E5E0AD and #ADE5E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1ADE5 shade: #E1ADE5, #E5B4AD, #B2E5AD and #ADDEE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1ADE5 shade: #E1ADE5, #E5C4AD, #B2E5AD and #ADCEE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

Complementary color

CMYK 63 / 0 / 68 / 68

HEX #1E521A

RGB 30 82 26

HSL 115.71, 0.52%, 0.21%

LAB 30.36, -29.79, 27.06

 

CMYK 0 / 25 / 3 / 10

HEX #E6ADE0

RGB 230 173 224

HSL 306.32, 0.53%, 0.79%

LAB 77.34, 29.05, -17.54

 

CMYK 0 / 23 / 2 / 3

HEX #F7BFF3

RGB 247 191 243

HSL 304.29, 0.78%, 0.86%

LAB 83.71, 28.46, -17.98

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 1 / 26 / 0 / 18

HEX #D09BD2

RGB 208 155 210

HSL 297.82, 0.38%, 0.72%

LAB 70.53, 28.95, -20.4

 

CMYK 0 / 28 / 0 / 25

HEX #BF89BF

RGB 191 137 191

HSL 300, 0.3%, 0.64%

LAB 63.94, 29.61, -20

 

CMYK 0 / 32 / 1 / 32

HEX #AE77AC

RGB 174 119 172

HSL 302.18, 0.25%, 0.57%

LAB 57.24, 30.31, -19.57

 

CMYK 0 / 36 / 3 / 38

HEX #9D6599

RGB 157 101 153

HSL 304.29, 0.22%, 0.51%

LAB 50.42, 31.07, -19.11

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 0 / 24 / 5 / 10

HEX #E5ADDA

RGB 229 173 218

HSL 311.79, 0.52%, 0.79%

LAB 77.05, 27.65, -14.73

 

CMYK 0 / 24 / 11 / 10

HEX #E5ADCB

RGB 229 173 203

HSL 327.86, 0.52%, 0.79%

LAB 76.59, 25.08, -7.24

 

CMYK 0 / 24 / 18 / 10

HEX #E5ADBC

RGB 229 173 188

HSL 343.93, 0.52%, 0.79%

LAB 76.18, 22.68, 0.33

 

CMYK 0 / 24 / 24 / 10

HEX #E5ADAD

RGB 229 173 173

HSL 0, 0.52%, 0.79%

LAB 75.8, 20.46, 7.97

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 8 / 24 / 0 / 10

HEX #D2ADE5

RGB 210 173 229

HSL 279.64, 0.52%, 0.79%

LAB 75.6, 23.48, -23.06

 

CMYK 15 / 24 / 0 / 10

HEX #C3ADE5

RGB 195 173 229

HSL 263.57, 0.52%, 0.79%

LAB 74.28, 18.71, -25.19

 

CMYK 21 / 24 / 0 / 10

HEX #B4ADE5

RGB 180 173 229

HSL 247.5, 0.52%, 0.79%

LAB 73.05, 14.06, -27.18

 

CMYK 24 / 24 / 0 / 10

HEX #ADADE5

RGB 173 173 229

HSL 240, 0.52%, 0.79%

LAB 72.51, 11.95, -28.06

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 2 / 31 / 0 / 7

HEX #E8A4ED

RGB 232 164 237

HSL 295.89, 0.67%, 0.79%

LAB 75.96, 36.88, -26.67

 

CMYK 2 / 37 / 0 / 4

HEX #F09CF6

RGB 240 156 246

HSL 296, 0.83%, 0.79%

LAB 75.42, 45.22, -32.3

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 1 / 17 / 0 / 14

HEX #D9B6DC

RGB 217 182 220

HSL 295.26, 0.35%, 0.79%

LAB 78.1, 19.15, -14.35

 

CMYK 0 / 10 / 0 / 17

HEX #D2BED3

RGB 210 190 211

HSL 297.14, 0.19%, 0.79%

LAB 79.17, 10.79, -7.94

 

CMYK 0 / 2 / 0 / 20

HEX #CBC7CB

RGB 203 199 203

HSL 300, 0.04%, 0.79%

LAB 80.66, 2.12, -1.51

 

CMYK 6 / 0 / 7 / 18

HEX #C3D0C2

RGB 195 208 194

HSL 115.71, 0.13%, 0.79%

LAB 82.17, -6.99, 5.42

 

CMYK 15 / 24 / 0 / 10

HEX #C2ADE5

RGB 194 173 229

HSL 262.5, 0.52%, 0.79%

LAB 74.2, 18.4, -25.33

 

CMYK 9 / 24 / 0 / 10

HEX #D1ADE5

RGB 209 173 229

HSL 278.57, 0.52%, 0.79%

LAB 75.51, 23.16, -23.2

 

CMYK 2 / 24 / 0 / 10

HEX #E0ADE5

RGB 224 173 229

HSL 294.64, 0.52%, 0.79%

LAB 76.92, 28.01, -20.94

 

CMYK 0 / 24 / 4 / 10

HEX #E5ADDB

RGB 229 173 219

HSL 310.71, 0.52%, 0.79%

LAB 77.08, 27.83, -15.22

 

CMYK 0 / 24 / 11 / 10

HEX #E5ADCC

RGB 229 173 204

HSL 326.79, 0.52%, 0.79%

LAB 76.62, 25.25, -7.74

 

CMYK 3 / 47 / 0 / 18

HEX #CA6ED1

RGB 202 110 209

HSL 295.76, 0.52%, 0.63%

LAB 60.17, 50.83, -35.86

 

CMYK 3 / 35 / 0 / 14

HEX #D58EDB

RGB 213 142 219

HSL 295.32, 0.52%, 0.71%

LAB 68.47, 39.28, -28.48

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 1 / 15 / 0 / 6

HEX #ECCCEF

RGB 236 204 239

HSL 294.86, 0.52%, 0.87%

LAB 85.63, 17.24, -13.07

 

CMYK 0 / 5 / 0 / 2

HEX #F8ECF9

RGB 248 236 249

HSL 295.38, 0.52%, 0.95%

LAB 94.65, 6.31, -4.83

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 0 / 21 / 24 / 10

HEX #E5B4AD

RGB 229 180 173

HSL 7.5, 0.52%, 0.79%

LAB 77.47, 16.72, 10.36

 

CMYK 24 / 0 / 12 / 10

HEX #ADE5CA

RGB 173 229 202

HSL 151.07, 0.52%, 0.79%

LAB 86.6, -23.28, 7.39

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 0 / 2 / 24 / 10

HEX #E5E0AD

RGB 229 224 173

HSL 54.64, 0.52%, 0.79%

LAB 88.44, -6.27, 25.65

 

CMYK 24 / 0 / 2 / 10

HEX #ADE5E0

RGB 173 229 224

HSL 174.64, 0.52%, 0.79%

LAB 87.15, -18.78, -3.38

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 0 / 21 / 24 / 10

HEX #E5B4AD

RGB 229 180 173

HSL 7.5, 0.52%, 0.79%

LAB 77.47, 16.72, 10.36

 

CMYK 22 / 0 / 24 / 10

HEX #B2E5AD

RGB 178 229 173

HSL 114.64, 0.52%, 0.79%

LAB 86.27, -26.89, 22.1

 

CMYK 24 / 3 / 0 / 10

HEX #ADDEE5

RGB 173 222 229

HSL 187.5, 0.52%, 0.79%

LAB 85.39, -14.18, -8.6

 

CMYK 2 / 24 / 0 / 10

HEX #E1ADE5

RGB 225 173 229

HSL 295.71, 0.52%, 0.79%

LAB 77.01, 28.33, -20.79

 

CMYK 0 / 14 / 24 / 10

HEX #E5C4AD

RGB 229 196 173

HSL 24.64, 0.52%, 0.79%

LAB 81.38, 8.23, 15.87

 

CMYK 22 / 0 / 24 / 10

HEX #B2E5AD

RGB 178 229 173

HSL 114.64, 0.52%, 0.79%

LAB 86.27, -26.89, 22.1

 

CMYK 24 / 10 / 0 / 10

HEX #ADCEE5

RGB 173 206 229

HSL 204.64, 0.52%, 0.79%

LAB 81.12, -5.91, -14.99

 

Description

Color code: HEX #E1ADE5 | qconv.com Color code: HEX #E1ADE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 173 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 173 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 24 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 24% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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