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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B065 it is the complementary color #1E4F9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B065 shade: #E6B060, #F7C273, #FFD486, #FFE699 and #FFF8AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B065 shade: #E1B065, #D09E52, #BF8C3F, #AE7A2C and #9D6819

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B065 shade: #E0B065, #E08E65, #E06D65 and #E06565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B065 shade: #E0B065, #E0D165, #CEE065, #ADE065 and #8CE065

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B065 shade matches the following richer shades: #E0B065, #EFB356 and #FEB647

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B065 shade: #E0B065, #D1AC74, #C2A983, #B4A692 and #A5A3A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B065 shade: #E06D65, #E08E65, #E0AF65, #E0D065 and #D0E065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B065 shade: #CB8B28, #D99E43, #E0B065, #E7C188 and #EED3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B065 shade: #E1B065, #7EE065 and #7E65E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B065 shade: #E1B065, #65E0AF and #AF65E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B065 shade: #E1B065, #7EE065, #6596E0 and #C865E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B065 shade: #E1B065, #65E071, #6596E0 and #E065D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

Complementary color

CMYK 81 / 49 / 0 / 40

HEX #1E4F9A

RGB 30 79 154

HSL 216.29, 0.67%, 0.36%

LAB 34.4, 12.04, -45.62

 

CMYK 0 / 23 / 58 / 10

HEX #E6B060

RGB 230 176 96

HSL 35.82, 0.73%, 0.64%

LAB 75.28, 10.92, 47.97

 

CMYK 0 / 21 / 53 / 3

HEX #F7C273

RGB 247 194 115

HSL 35.91, 0.89%, 0.71%

LAB 81.62, 9.92, 46.63

 

CMYK 0 / 17 / 47 / 0

HEX #FFD486

RGB 255 212 134

HSL 38.68, 1%, 0.76%

LAB 87.03, 5.46, 44.06

 

CMYK 0 / 10 / 40 / 0

HEX #FFE699

RGB 255 230 153

HSL 45.29, 1%, 0.8%

LAB 91.75, -1.83, 40.61

 

CMYK 0 / 3 / 33 / 0

HEX #FFF8AC

RGB 255 248 172

HSL 54.94, 1%, 0.84%

LAB 96.56, -8.71, 37.41

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 0 / 24 / 61 / 18

HEX #D09E52

RGB 208 158 82

HSL 36.19, 0.57%, 0.57%

LAB 68.37, 10.3, 46.2

 

CMYK 0 / 27 / 67 / 25

HEX #BF8C3F

RGB 191 140 63

HSL 36.09, 0.5%, 0.5%

LAB 61.82, 11.54, 47.52

 

CMYK 0 / 30 / 75 / 32

HEX #AE7A2C

RGB 174 122 44

HSL 36, 0.6%, 0.43%

LAB 55.17, 13.01, 48.65

 

CMYK 0 / 34 / 84 / 38

HEX #9D6819

RGB 157 104 25

HSL 35.91, 0.73%, 0.36%

LAB 48.43, 14.77, 49.21

 

CMYK 0 / 21 / 55 / 12

HEX #E0B065

RGB 224 176 101

HSL 36.59, 0.66%, 0.64%

LAB 74.72, 8.82, 44.69

 

CMYK 0 / 37 / 55 / 12

HEX #E08E65

RGB 224 142 101

HSL 20, 0.66%, 0.64%

LAB 66.62, 27, 34.69

 

CMYK 0 / 51 / 55 / 12

HEX #E06D65

RGB 224 109 101

HSL 3.9, 0.66%, 0.64%

LAB 59.64, 44.11, 25.69

 

CMYK 0 / 55 / 55 / 12

HEX #E06565

RGB 224 101 101

HSL 0, 0.66%, 0.64%

LAB 58.13, 48, 23.69

 

CMYK 0 / 21 / 55 / 12

HEX #E0B065

RGB 224 176 101

HSL 36.59, 0.66%, 0.64%

LAB 74.72, 8.82, 44.69

 

CMYK 0 / 7 / 55 / 12

HEX #E0D165

RGB 224 209 101

HSL 52.68, 0.66%, 0.64%

LAB 83.12, -8.35, 54.6

 

CMYK 8 / 0 / 55 / 12

HEX #CEE065

RGB 206 224 101

HSL 68.78, 0.66%, 0.64%

LAB 85.69, -23.04, 57.18

 

CMYK 23 / 0 / 55 / 12

HEX #ADE065

RGB 173 224 101

HSL 84.88, 0.66%, 0.64%

LAB 83.51, -35.7, 54.11

 

CMYK 38 / 0 / 55 / 12

HEX #8CE065

RGB 140 224 101

HSL 100.98, 0.66%, 0.64%

LAB 81.74, -47.18, 51.59

 

CMYK 0 / 21 / 55 / 12

HEX #E0B065

RGB 224 176 101

HSL 36.59, 0.66%, 0.64%

LAB 74.72, 8.82, 44.69

 

CMYK 0 / 25 / 64 / 6

HEX #EFB356

RGB 239 179 86

HSL 36.47, 0.83%, 0.64%

LAB 76.84, 12.4, 54.78

 

CMYK 0 / 28 / 72 / 0

HEX #FEB647

RGB 254 182 71

HSL 36.39, 0.99%, 0.64%

LAB 79.03, 16.28, 64.17

 

CMYK 0 / 21 / 55 / 12

HEX #E0B065

RGB 224 176 101

HSL 36.59, 0.66%, 0.64%

LAB 74.72, 8.82, 44.69

 

CMYK 0 / 18 / 44 / 18

HEX #D1AC74

RGB 209 172 116

HSL 36.13, 0.5%, 0.64%

LAB 72.44, 6.15, 33.81

 

CMYK 0 / 13 / 32 / 24

HEX #C2A983

RGB 194 169 131

HSL 36.19, 0.34%, 0.64%

LAB 70.51, 3.45, 22.98

 

CMYK 0 / 8 / 19 / 29

HEX #B4A692

RGB 180 166 146

HSL 35.29, 0.18%, 0.64%

LAB 68.79, 1.73, 12.19

 

CMYK 0 / 1 / 2 / 35

HEX #A5A3A1

RGB 165 163 161

HSL 30, 0.02%, 0.64%

LAB 67.1, 0.35, 1.28

 

CMYK 0 / 51 / 55 / 12

HEX #E06D65

RGB 224 109 101

HSL 3.9, 0.66%, 0.64%

LAB 59.64, 44.11, 25.69

 

CMYK 0 / 37 / 55 / 12

HEX #E08E65

RGB 224 142 101

HSL 20, 0.66%, 0.64%

LAB 66.62, 27, 34.69

 

CMYK 0 / 22 / 55 / 12

HEX #E0AF65

RGB 224 175 101

HSL 36.1, 0.66%, 0.64%

LAB 74.47, 9.35, 44.39

 

CMYK 0 / 7 / 55 / 12

HEX #E0D065

RGB 224 208 101

HSL 52.2, 0.66%, 0.64%

LAB 82.86, -7.84, 54.3

 

CMYK 7 / 0 / 55 / 12

HEX #D0E065

RGB 208 224 101

HSL 67.8, 0.66%, 0.64%

LAB 85.84, -22.25, 57.39

 

CMYK 0 / 32 / 80 / 20

HEX #CB8B28

RGB 203 139 40

HSL 36.44, 0.67%, 0.48%

LAB 62.77, 16.25, 58.68

 

CMYK 0 / 27 / 69 / 15

HEX #D99E43

RGB 217 158 67

HSL 36.4, 0.66%, 0.56%

LAB 69.19, 13.2, 54.45

 

CMYK 0 / 21 / 55 / 12

HEX #E0B065

RGB 224 176 101

HSL 36.59, 0.66%, 0.64%

LAB 74.72, 8.82, 44.69

 

CMYK 0 / 16 / 41 / 9

HEX #E7C188

RGB 231 193 136

HSL 36, 0.66%, 0.72%

LAB 80.13, 5.99, 33.74

 

CMYK 0 / 11 / 29 / 7

HEX #EED3AA

RGB 238 211 170

HSL 36.18, 0.67%, 0.8%

LAB 85.84, 3.37, 23.77

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 44 / 0 / 55 / 12

HEX #7EE065

RGB 126 224 101

HSL 107.8, 0.66%, 0.64%

LAB 81.12, -51.54, 50.7

 

CMYK 44 / 55 / 0 / 12

HEX #7E65E0

RGB 126 101 224

HSL 252.2, 0.66%, 0.64%

LAB 50.83, 39.44, -59.66

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 55 / 0 / 22 / 12

HEX #65E0AF

RGB 101 224 175

HSL 156.1, 0.66%, 0.64%

LAB 81.39, -45.83, 13.73

 

CMYK 22 / 55 / 0 / 12

HEX #AF65E0

RGB 175 101 224

HSL 276.1, 0.66%, 0.64%

LAB 55.89, 51.18, -51.28

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 44 / 0 / 55 / 12

HEX #7EE065

RGB 126 224 101

HSL 107.8, 0.66%, 0.64%

LAB 81.12, -51.54, 50.7

 

CMYK 55 / 33 / 0 / 12

HEX #6596E0

RGB 101 150 224

HSL 216.1, 0.66%, 0.64%

LAB 61.62, 4.83, -42.59

 

CMYK 11 / 55 / 0 / 12

HEX #C865E0

RGB 200 101 224

HSL 288.29, 0.66%, 0.64%

LAB 58.95, 57.58, -46.24

 

CMYK 0 / 22 / 55 / 12

HEX #E1B065

RGB 225 176 101

HSL 36.29, 0.67%, 0.64%

LAB 74.82, 9.23, 44.83

 

CMYK 55 / 0 / 50 / 12

HEX #65E071

RGB 101 224 113

HSL 125.85, 0.66%, 0.64%

LAB 80.33, -56.83, 43.89

 

CMYK 55 / 33 / 0 / 12

HEX #6596E0

RGB 101 150 224

HSL 216.1, 0.66%, 0.64%

LAB 61.62, 4.83, -42.59

 

CMYK 0 / 55 / 5 / 12

HEX #E065D4

RGB 224 101 212

HSL 305.85, 0.66%, 0.64%

LAB 61.57, 61.79, -35.14

 

Description

Color code: HEX #E1B065 | qconv.com Color code: HEX #E1B065 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 176 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 176 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 55 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 55% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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