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Color name
HEX #E1B25A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1B25A it is the complementary color #1E4DA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1B25A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1B25A shade: #E6B255, #F7C468, #FFD67B, #FFE88E and #FFFAA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1B25A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1B25A shade: #E1B25A, #D0A047, #BF8E34, #AE7C21 and #9D6A0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1B25A shade: #E0B25B, #E08E5B, #E06A5B and #E05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1B25A shade: #E0B25B, #E0D65B, #C7E05B, #A3E05B and #7FE05B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1B25A shade matches the following richer shades: #E0B25B and #F0B74B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1B25A shade: #E0B25B, #D1AD6A, #C1A87A, #B1A48A and #A29F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1B25A shade: #E06A5B, #E08E5B, #E0B25B, #E0D55B and #C8E05B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1B25A shade: #C58D24, #DAA238, #E0B25B, #E7C27E and #EDD3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1B25A shade: #E1B25A, #6FE05B and #7C5BE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1B25A shade: #E1B25A, #5BE0B2 and #B25BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1B25A shade: #E1B25A, #6FE05B, #5B8AE0 and #CC5BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1B25A shade: #E1B25A, #5BE06F, #5B8AE0 and #E05BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

Complementary color

CMYK 82 / 53 / 0 / 35

HEX #1E4DA5

RGB 30 77 165

HSL 219.11, 0.69%, 0.38%

LAB 34.6, 17.78, -51.91

 

CMYK 0 / 23 / 63 / 10

HEX #E6B255

RGB 230 178 85

HSL 38.48, 0.74%, 0.62%

LAB 75.65, 9.1, 53.66

 

CMYK 0 / 21 / 58 / 3

HEX #F7C468

RGB 247 196 104

HSL 38.6, 0.9%, 0.69%

LAB 81.98, 8.03, 52.4

 

CMYK 0 / 16 / 52 / 0

HEX #FFD67B

RGB 255 214 123

HSL 41.36, 1%, 0.74%

LAB 87.38, 3.47, 49.9

 

CMYK 0 / 9 / 44 / 0

HEX #FFE88E

RGB 255 232 142

HSL 47.79, 1%, 0.78%

LAB 92.1, -3.95, 46.49

 

CMYK 0 / 2 / 37 / 0

HEX #FFFAA1

RGB 255 250 161

HSL 56.81, 1%, 0.82%

LAB 96.9, -10.94, 43.3

 

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

CMYK 0 / 23 / 66 / 18

HEX #D0A047

RGB 208 160 71

HSL 38.98, 0.59%, 0.55%

LAB 68.76, 8.49, 51.88

 

CMYK 0 / 26 / 73 / 25

HEX #BF8E34

RGB 191 142 52

HSL 38.85, 0.57%, 0.48%

LAB 62.23, 9.84, 52.91

 

CMYK 0 / 29 / 81 / 32

HEX #AE7C21

RGB 174 124 33

HSL 38.72, 0.68%, 0.41%

LAB 55.61, 11.44, 53.48

 

CMYK 0 / 32 / 91 / 38

HEX #9D6A0E

RGB 157 106 14

HSL 38.6, 0.84%, 0.34%

LAB 48.89, 13.35, 52.95

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 37 / 59 / 12

HEX #E08E5B

RGB 224 142 91

HSL 23.01, 0.68%, 0.62%

LAB 66.48, 26.23, 39.83

 

CMYK 0 / 53 / 59 / 12

HEX #E06A5B

RGB 224 106 91

HSL 6.77, 0.68%, 0.62%

LAB 58.89, 44.83, 30.39

 

CMYK 0 / 59 / 59 / 12

HEX #E05B5B

RGB 224 91 91

HSL 0, 0.68%, 0.62%

LAB 56.17, 51.91, 26.9

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 4 / 59 / 12

HEX #E0D65B

RGB 224 214 91

HSL 55.49, 0.68%, 0.62%

LAB 84.33, -11.6, 60.44

 

CMYK 11 / 0 / 59 / 12

HEX #C7E05B

RGB 199 224 91

HSL 71.28, 0.68%, 0.62%

LAB 85.1, -26.59, 60.76

 

CMYK 27 / 0 / 59 / 12

HEX #A3E05B

RGB 163 224 91

HSL 87.52, 0.68%, 0.62%

LAB 82.84, -40.26, 57.6

 

CMYK 43 / 0 / 59 / 12

HEX #7FE05B

RGB 127 224 91

HSL 103.76, 0.68%, 0.62%

LAB 81.06, -52.3, 55.12

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 24 / 69 / 6

HEX #F0B74B

RGB 240 183 75

HSL 39.27, 0.85%, 0.62%

LAB 77.82, 10.09, 60.77

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 17 / 49 / 18

HEX #D1AD6A

RGB 209 173 106

HSL 39.03, 0.53%, 0.62%

LAB 72.55, 4.64, 39.15

 

CMYK 0 / 13 / 37 / 24

HEX #C1A87A

RGB 193 168 122

HSL 38.87, 0.36%, 0.62%

LAB 70, 2.47, 27.13

 

CMYK 0 / 7 / 22 / 31

HEX #B1A48A

RGB 177 164 138

HSL 40, 0.2%, 0.62%

LAB 67.82, 0.44, 15.21

 

CMYK 0 / 2 / 6 / 36

HEX #A29F99

RGB 162 159 153

HSL 40, 0.05%, 0.62%

LAB 65.58, -0.02, 3.5

 

CMYK 0 / 53 / 59 / 12

HEX #E06A5B

RGB 224 106 91

HSL 6.77, 0.68%, 0.62%

LAB 58.89, 44.83, 30.39

 

CMYK 0 / 37 / 59 / 12

HEX #E08E5B

RGB 224 142 91

HSL 23.01, 0.68%, 0.62%

LAB 66.48, 26.23, 39.83

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 5 / 59 / 12

HEX #E0D55B

RGB 224 213 91

HSL 55.04, 0.68%, 0.62%

LAB 84.07, -11.1, 60.15

 

CMYK 11 / 0 / 59 / 12

HEX #C8E05B

RGB 200 224 91

HSL 70.83, 0.68%, 0.62%

LAB 85.17, -26.2, 60.85

 

CMYK 0 / 28 / 82 / 23

HEX #C58D24

RGB 197 141 36

HSL 39.13, 0.69%, 0.46%

LAB 62.55, 12.39, 59.62

 

CMYK 0 / 26 / 74 / 15

HEX #DAA238

RGB 218 162 56

HSL 39.26, 0.69%, 0.54%

LAB 70.2, 10.94, 60.17

 

CMYK 0 / 21 / 59 / 12

HEX #E0B25B

RGB 224 178 91

HSL 39.25, 0.68%, 0.62%

LAB 75.1, 7, 50.04

 

CMYK 0 / 16 / 45 / 9

HEX #E7C27E

RGB 231 194 126

HSL 38.86, 0.69%, 0.7%

LAB 80.22, 4.44, 39.02

 

CMYK 0 / 11 / 32 / 7

HEX #EDD3A0

RGB 237 211 160

HSL 39.74, 0.68%, 0.78%

LAB 85.57, 1.73, 28.6

 

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

CMYK 50 / 0 / 59 / 12

HEX #6FE05B

RGB 111 224 91

HSL 110.98, 0.68%, 0.62%

LAB 80.43, -56.92, 54.23

 

CMYK 45 / 59 / 0 / 12

HEX #7C5BE0

RGB 124 91 224

HSL 254.89, 0.68%, 0.62%

LAB 48.45, 44.72, -63.52

 

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

CMYK 59 / 0 / 21 / 12

HEX #5BE0B2

RGB 91 224 178

HSL 159.25, 0.68%, 0.62%

LAB 81.15, -47.2, 11.78

 

CMYK 21 / 59 / 0 / 12

HEX #B25BE0

RGB 178 91 224

HSL 279.25, 0.68%, 0.62%

LAB 54.37, 56.93, -53.68

 

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

CMYK 50 / 0 / 59 / 12

HEX #6FE05B

RGB 111 224 91

HSL 110.98, 0.68%, 0.62%

LAB 80.43, -56.92, 54.23

 

CMYK 59 / 38 / 0 / 12

HEX #5B8AE0

RGB 91 138 224

HSL 218.8, 0.68%, 0.62%

LAB 57.83, 9.87, -48.61

 

CMYK 9 / 59 / 0 / 12

HEX #CC5BE0

RGB 204 91 224

HSL 290.98, 0.68%, 0.62%

LAB 57.75, 63.23, -48.1

 

CMYK 0 / 21 / 60 / 12

HEX #E1B25A

RGB 225 178 90

HSL 39.11, 0.69%, 0.62%

LAB 75.19, 7.34, 50.65

 

CMYK 59 / 0 / 50 / 12

HEX #5BE06F

RGB 91 224 111

HSL 129.02, 0.68%, 0.62%

LAB 80, -59.42, 44.38

 

CMYK 59 / 38 / 0 / 12

HEX #5B8AE0

RGB 91 138 224

HSL 218.8, 0.68%, 0.62%

LAB 57.83, 9.87, -48.61

 

CMYK 0 / 59 / 9 / 12

HEX #E05BCC

RGB 224 91 204

HSL 309.02, 0.68%, 0.62%

LAB 59.61, 64.9, -33.68

 

Description

Color code: HEX #E1B25A | qconv.com Color code: HEX #E1B25A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 178 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 178 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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