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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C864 it is the complementary color #1E379B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C864. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1C864 shade: #E6C85F, #F7DA72, #FFEC85, #FFFE98 and #FFFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C864. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1C864 shade: #E1C864, #D0B651, #BFA43E, #AE922B and #9D8018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1C864 shade: #E1C864, #E1A664, #E18564 and #E16464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1C864 shade: #E1C864, #D8E164, #B7E164, #95E164 and #73E164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1C864 shade matches the following richer shades: #E1C864 and #F0D155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1C864 shade: #E1C864, #D2BF73, #C3B682, #B5AD91 and #A6A5A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1C864 shade: #E18664, #E1A764, #E1C864, #D9E164 and #B8E164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1C864 shade: #CCAB27, #DBBC42, #E1C864, #E8D487 and #EEE1AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1C864 shade: #E1C864, #64E164 and #9664E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1C864 shade: #E1C864, #64E1C8 and #C864E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1C864 shade: #E1C864, #64E164, #647DE1 and #E164E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1C864 shade: #E1C864, #64E18A, #647DE1 and #E164BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

Complementary color

CMYK 81 / 65 / 0 / 39

HEX #1E379B

RGB 30 55 155

HSL 228, 0.68%, 0.36%

LAB 27.78, 28.75, -56.99

 

CMYK 0 / 13 / 59 / 10

HEX #E6C85F

RGB 230 200 95

HSL 46.67, 0.73%, 0.64%

LAB 81.27, -1.71, 55.38

 

CMYK 0 / 12 / 54 / 3

HEX #F7DA72

RGB 247 218 114

HSL 46.92, 0.89%, 0.71%

LAB 87.55, -2.53, 54.22

 

CMYK 0 / 7 / 48 / 0

HEX #FFEC85

RGB 255 236 133

HSL 50.66, 1%, 0.76%

LAB 92.99, -6.79, 51.93

 

CMYK 0 / 0 / 40 / 0

HEX #FFFE98

RGB 255 254 152

HSL 59.42, 1%, 0.8%

LAB 97.8, -13.84, 48.8

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 0 / 13 / 61 / 18

HEX #D0B651

RGB 208 182 81

HSL 47.72, 0.57%, 0.57%

LAB 74.48, -2.56, 53.6

 

CMYK 0 / 14 / 68 / 25

HEX #BFA43E

RGB 191 164 62

HSL 47.44, 0.51%, 0.5%

LAB 68, -1.56, 54.57

 

CMYK 0 / 16 / 75 / 32

HEX #AE922B

RGB 174 146 43

HSL 47.18, 0.6%, 0.43%

LAB 61.42, -0.35, 55.16

 

CMYK 0 / 18 / 85 / 38

HEX #9D8018

RGB 157 128 24

HSL 46.92, 0.73%, 0.35%

LAB 54.73, 1.12, 54.96

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 0 / 26 / 56 / 12

HEX #E1A664

RGB 225 166 100

HSL 31.68, 0.68%, 0.64%

LAB 72.36, 14.48, 42.36

 

CMYK 0 / 41 / 56 / 12

HEX #E18564

RGB 225 133 100

HSL 15.84, 0.68%, 0.64%

LAB 64.73, 32.09, 32.85

 

CMYK 0 / 56 / 56 / 12

HEX #E16464

RGB 225 100 100

HSL 0, 0.68%, 0.64%

LAB 58.08, 48.75, 24.23

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 4 / 0 / 56 / 12

HEX #D8E164

RGB 216 225 100

HSL 64.32, 0.68%, 0.64%

LAB 86.69, -19.63, 58.96

 

CMYK 19 / 0 / 56 / 12

HEX #B7E164

RGB 183 225 100

HSL 80.16, 0.68%, 0.64%

LAB 84.4, -32.51, 55.74

 

CMYK 34 / 0 / 56 / 12

HEX #95E164

RGB 149 225 100

HSL 96.48, 0.68%, 0.64%

LAB 82.46, -44.73, 53

 

CMYK 49 / 0 / 56 / 12

HEX #73E164

RGB 115 225 100

HSL 112.8, 0.68%, 0.64%

LAB 80.97, -55.22, 50.87

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 0 / 13 / 65 / 6

HEX #F0D155

RGB 240 209 85

HSL 48, 0.84%, 0.64%

LAB 84.37, -2.82, 63.46

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 0 / 9 / 45 / 18

HEX #D2BF73

RGB 210 191 115

HSL 48, 0.51%, 0.64%

LAB 77.4, -3.58, 40.64

 

CMYK 0 / 7 / 33 / 24

HEX #C3B682

RGB 195 182 130

HSL 48, 0.35%, 0.64%

LAB 73.98, -3.22, 28.18

 

CMYK 0 / 4 / 20 / 29

HEX #B5AD91

RGB 181 173 145

HSL 46.67, 0.2%, 0.64%

LAB 70.7, -1.82, 15.43

 

CMYK 0 / 1 / 4 / 35

HEX #A6A5A0

RGB 166 165 160

HSL 50, 0.03%, 0.64%

LAB 67.69, -0.57, 2.71

 

CMYK 0 / 40 / 56 / 12

HEX #E18664

RGB 225 134 100

HSL 16.32, 0.68%, 0.64%

LAB 64.94, 31.56, 33.13

 

CMYK 0 / 26 / 56 / 12

HEX #E1A764

RGB 225 167 100

HSL 32.16, 0.68%, 0.64%

LAB 72.6, 13.95, 42.65

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 4 / 0 / 56 / 12

HEX #D9E164

RGB 217 225 100

HSL 63.84, 0.68%, 0.64%

LAB 86.76, -19.23, 59.06

 

CMYK 18 / 0 / 56 / 12

HEX #B8E164

RGB 184 225 100

HSL 79.68, 0.68%, 0.64%

LAB 84.46, -32.13, 55.83

 

CMYK 0 / 16 / 81 / 20

HEX #CCAB27

RGB 204 171 39

HSL 48, 0.68%, 0.48%

LAB 70.95, -0.6, 66.32

 

CMYK 0 / 14 / 70 / 14

HEX #DBBC42

RGB 219 188 66

HSL 47.84, 0.68%, 0.56%

LAB 76.93, -1.9, 62.92

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 0 / 9 / 42 / 9

HEX #E8D487

RGB 232 212 135

HSL 47.63, 0.68%, 0.72%

LAB 84.99, -3.56, 40.55

 

CMYK 0 / 5 / 29 / 7

HEX #EEE1AA

RGB 238 225 170

HSL 48.53, 0.67%, 0.8%

LAB 89.36, -3.81, 28.56

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 56 / 0 / 56 / 12

HEX #64E164

RGB 100 225 100

HSL 120, 0.68%, 0.64%

LAB 80.45, -59.13, 50.13

 

CMYK 33 / 56 / 0 / 12

HEX #9664E1

RGB 150 100 225

HSL 264, 0.68%, 0.64%

LAB 52.99, 45.8, -56.64

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 56 / 0 / 11 / 12

HEX #64E1C8

RGB 100 225 200

HSL 168, 0.68%, 0.64%

LAB 82.23, -40.76, 1.73

 

CMYK 11 / 56 / 0 / 12

HEX #C864E1

RGB 200 100 225

HSL 288, 0.68%, 0.64%

LAB 58.82, 58.25, -47.01

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 56 / 0 / 56 / 12

HEX #64E164

RGB 100 225 100

HSL 120, 0.68%, 0.64%

LAB 80.45, -59.13, 50.13

 

CMYK 56 / 44 / 0 / 12

HEX #647DE1

RGB 100 125 225

HSL 228, 0.68%, 0.64%

LAB 54.88, 19.81, -53.84

 

CMYK 0 / 56 / 0 / 12

HEX #E164E1

RGB 225 100 225

HSL 300, 0.68%, 0.64%

LAB 62.13, 64.68, -41.56

 

CMYK 0 / 11 / 56 / 12

HEX #E1C864

RGB 225 200 100

HSL 48, 0.68%, 0.64%

LAB 80.87, -3.41, 52.48

 

CMYK 56 / 0 / 39 / 12

HEX #64E18A

RGB 100 225 138

HSL 138.24, 0.68%, 0.64%

LAB 80.96, -53.6, 32.31

 

CMYK 56 / 44 / 0 / 12

HEX #647DE1

RGB 100 125 225

HSL 228, 0.68%, 0.64%

LAB 54.88, 19.81, -53.84

 

CMYK 0 / 56 / 16 / 12

HEX #E164BC

RGB 225 100 188

HSL 317.76, 0.68%, 0.64%

LAB 60.56, 58.78, -23.09

 

Description

Color code: HEX #E1C864 | qconv.com Color code: HEX #E1C864 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 200 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 200 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 56 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 56% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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