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Color name
HEX #E1C950

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C950 it is the complementary color #1E36AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C950. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1C950 shade: #E6C94B, #F7DB5E, #FFED71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C950. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1C950 shade: #E1C950, #D0B73D, #BFA52A, #AE9317 and #9D8104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1C950 shade: #E1C950, #E1A250, #E17B50, #E15450 and #E15050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1C950 shade: #E1C950, #D2E150, #ABE150, #84E150 and #5DE150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1C950 shade matches the following richer shades: #E1C950 and #F1D440

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1C950 shade: #E1C950, #D0BE61, #C0B371, #AFA882 and #9F9D92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1C950 shade: #E17C50, #E1A250, #E1C950, #D2E150 and #ACE150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1C950 shade: #BFA420, #DBBE2D, #E1C950, #E7D473 and #EDDF97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1C950 shade: #E1C950, #50E155 and #8F50E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1C950 shade: #E1C950, #50E1C9 and #C950E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1C950 shade: #E1C950, #50E155, #5068E1 and #E150DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1C950 shade: #E1C950, #50E180, #5068E1 and #E150B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

Complementary color

CMYK 83 / 69 / 0 / 31

HEX #1E36AF

RGB 30 54 175

HSL 230.07, 0.71%, 0.4%

LAB 29.44, 36.94, -66.33

 

CMYK 0 / 13 / 67 / 10

HEX #E6C94B

RGB 230 201 75

HSL 48.77, 0.76%, 0.6%

LAB 81.35, -3.48, 64.14

 

CMYK 0 / 11 / 62 / 3

HEX #F7DB5E

RGB 247 219 94

HSL 49.02, 0.91%, 0.67%

LAB 87.6, -4.46, 63.3

 

CMYK 0 / 7 / 56 / 0

HEX #FFED71

RGB 255 237 113

HSL 52.39, 1%, 0.72%

LAB 93.02, -8.91, 61.21

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 12 / 71 / 18

HEX #D0B73D

RGB 208 183 61

HSL 49.8, 0.61%, 0.53%

LAB 74.58, -4.27, 62.19

 

CMYK 0 / 14 / 78 / 25

HEX #BFA52A

RGB 191 165 42

HSL 49.53, 0.64%, 0.46%

LAB 68.13, -3.04, 62.38

 

CMYK 0 / 16 / 87 / 32

HEX #AE9317

RGB 174 147 23

HSL 49.27, 0.77%, 0.39%

LAB 61.59, -1.58, 61.64

 

CMYK 0 / 18 / 97 / 38

HEX #9D8104

RGB 157 129 4

HSL 49.02, 0.95%, 0.32%

LAB 54.95, 0.15, 59.45

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 28 / 64 / 12

HEX #E1A250

RGB 225 162 80

HSL 33.93, 0.71%, 0.6%

LAB 71.16, 15.2, 50.84

 

CMYK 0 / 45 / 64 / 12

HEX #E17B50

RGB 225 123 80

HSL 17.79, 0.71%, 0.6%

LAB 62.3, 35.89, 40.63

 

CMYK 0 / 63 / 64 / 12

HEX #E15450

RGB 225 84 80

HSL 1.66, 0.71%, 0.6%

LAB 55, 54.63, 31.77

 

CMYK 0 / 64 / 64 / 12

HEX #E15050

RGB 225 80 80

HSL 0, 0.71%, 0.6%

LAB 54.37, 56.32, 30.99

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 7 / 0 / 64 / 12

HEX #D2E150

RGB 210 225 80

HSL 66.21, 0.71%, 0.6%

LAB 86.07, -23.43, 66.54

 

CMYK 24 / 0 / 64 / 12

HEX #ABE150

RGB 171 225 80

HSL 82.34, 0.71%, 0.6%

LAB 83.49, -38.65, 63.03

 

CMYK 41 / 0 / 64 / 12

HEX #84E150

RGB 132 225 80

HSL 98.48, 0.71%, 0.6%

LAB 81.48, -52.17, 60.27

 

CMYK 59 / 0 / 64 / 12

HEX #5DE150

RGB 93 225 80

HSL 114.62, 0.71%, 0.6%

LAB 80.04, -62.96, 58.3

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 12 / 73 / 5

HEX #F1D440

RGB 241 212 64

HSL 50.17, 0.86%, 0.6%

LAB 85.08, -4.99, 72.33

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 9 / 53 / 18

HEX #D0BE61

RGB 208 190 97

HSL 50.27, 0.54%, 0.6%

LAB 76.74, -5.52, 48.69

 

CMYK 0 / 7 / 41 / 25

HEX #C0B371

RGB 192 179 113

HSL 50.13, 0.39%, 0.6%

LAB 72.65, -4.83, 35.34

 

CMYK 0 / 4 / 26 / 31

HEX #AFA882

RGB 175 168 130

HSL 50.67, 0.22%, 0.6%

LAB 68.56, -3.67, 20.58

 

CMYK 0 / 1 / 8 / 38

HEX #9F9D92

RGB 159 157 146

HSL 50.77, 0.06%, 0.6%

LAB 64.61, -1.29, 6

 

CMYK 0 / 45 / 64 / 12

HEX #E17C50

RGB 225 124 80

HSL 18.21, 0.71%, 0.6%

LAB 62.51, 35.37, 40.88

 

CMYK 0 / 28 / 64 / 12

HEX #E1A250

RGB 225 162 80

HSL 33.93, 0.71%, 0.6%

LAB 71.16, 15.2, 50.84

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 7 / 0 / 64 / 12

HEX #D2E150

RGB 210 225 80

HSL 66.21, 0.71%, 0.6%

LAB 86.07, -23.43, 66.54

 

CMYK 24 / 0 / 64 / 12

HEX #ACE150

RGB 172 225 80

HSL 81.93, 0.71%, 0.6%

LAB 83.55, -38.27, 63.11

 

CMYK 0 / 14 / 83 / 25

HEX #BFA420

RGB 191 164 32

HSL 49.81, 0.71%, 0.44%

LAB 67.82, -2.85, 65.16

 

CMYK 0 / 13 / 79 / 14

HEX #DBBE2D

RGB 219 190 45

HSL 50, 0.71%, 0.52%

LAB 77.33, -3.82, 70.67

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 0 / 8 / 50 / 9

HEX #E7D473

RGB 231 212 115

HSL 50.17, 0.71%, 0.68%

LAB 84.65, -5.87, 49.95

 

CMYK 0 / 6 / 36 / 7

HEX #EDDF97

RGB 237 223 151

HSL 50.23, 0.7%, 0.76%

LAB 88.45, -5.47, 37.04

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 64 / 0 / 62 / 12

HEX #50E155

RGB 80 225 85

HSL 122.07, 0.71%, 0.6%

LAB 79.73, -65.27, 55.77

 

CMYK 36 / 64 / 0 / 12

HEX #8F50E1

RGB 143 80 225

HSL 266.07, 0.71%, 0.6%

LAB 48.28, 54.79, -64.27

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 64 / 0 / 11 / 12

HEX #50E1C9

RGB 80 225 201

HSL 170.07, 0.71%, 0.6%

LAB 81.71, -44.08, 0.38

 

CMYK 11 / 64 / 0 / 12

HEX #C950E1

RGB 201 80 225

HSL 290.07, 0.71%, 0.6%

LAB 55.68, 67.45, -51.98

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 64 / 0 / 62 / 12

HEX #50E155

RGB 80 225 85

HSL 122.07, 0.71%, 0.6%

LAB 79.73, -65.27, 55.77

 

CMYK 64 / 54 / 0 / 12

HEX #5068E1

RGB 80 104 225

HSL 230.07, 0.71%, 0.6%

LAB 48.31, 29.08, -64.46

 

CMYK 0 / 64 / 2 / 12

HEX #E150DC

RGB 225 80 220

HSL 302.07, 0.71%, 0.6%

LAB 58.89, 72.12, -43.85

 

CMYK 0 / 11 / 64 / 12

HEX #E1C950

RGB 225 201 80

HSL 50.07, 0.71%, 0.6%

LAB 80.94, -5.3, 61.51

 

CMYK 64 / 0 / 43 / 12

HEX #50E180

RGB 80 225 128

HSL 139.86, 0.71%, 0.6%

LAB 80.24, -59.46, 36.31

 

CMYK 64 / 54 / 0 / 12

HEX #5068E1

RGB 80 104 225

HSL 230.07, 0.71%, 0.6%

LAB 48.31, 29.08, -64.46

 

CMYK 0 / 64 / 21 / 12

HEX #E150B1

RGB 225 80 177

HSL 319.86, 0.71%, 0.6%

LAB 57, 65.76, -22.23

 

Description

Color code: HEX #E1C950 | qconv.com Color code: HEX #E1C950 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 201 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 201 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 64% 12% C M Y K

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