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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1CECB it is the complementary color #1E3134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1CECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1CECB shade: #E6CEC6, #F7E0D9, #FFF2EC and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1CECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1CECB shade: #E1CECB, #D0BCB8, #BFAAA5, #AE9892 and #9D867F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1CECB shade: #E1CECB and #E1CBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1CECB shade: #E1CECB, #E1D4CB, #E1DACB, #E1E0CB and #DCE1CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1CECB shade matches the following richer shades: #E1CECB, #E7C9C4, #EEC4BD, #F5BFB7 and #FBBAB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1CECB shade: #E1CECB, #DAD2D1, #D4D7D8, #CDDCDE and #C6E1E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1CECB shade: #E1CBD3, #E1CBCE, #E1CECB, #E1D3CB and #E1D9CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1CECB shade: #C39C96, #D2B5B0, #E1CECB and #F0E6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1CECB shade: #E1CECB, #D9E1CB and #CBD1E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1CECB shade: #E1CECB, #CBE1CE and #CECBE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1CECB shade: #E1CECB, #D9E1CB, #CBDEE1 and #D2CBE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1CECB shade: #E1CECB, #D3E1CB, #CBDEE1 and #D9CBE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

Complementary color

CMYK 42 / 6 / 0 / 80

HEX #1E3134

RGB 30 49 52

HSL 188.18, 0.27%, 0.16%

LAB 18.89, -6.74, -4.37

 

CMYK 0 / 10 / 14 / 10

HEX #E6CEC6

RGB 230 206 198

HSL 15, 0.39%, 0.84%

LAB 84.51, 7.07, 7.02

 

CMYK 0 / 9 / 12 / 3

HEX #F7E0D9

RGB 247 224 217

HSL 14, 0.65%, 0.91%

LAB 90.82, 6.75, 6.28

 

CMYK 0 / 5 / 7 / 0

HEX #FFF2EC

RGB 255 242 236

HSL 18.95, 1%, 0.96%

LAB 96.34, 3.36, 4.44

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 10 / 12 / 18

HEX #D0BCB8

RGB 208 188 184

HSL 10, 0.2%, 0.77%

LAB 77.78, 6.41, 4.59

 

CMYK 0 / 11 / 14 / 25

HEX #BFAAA5

RGB 191 170 165

HSL 11.54, 0.17%, 0.7%

LAB 71.24, 6.75, 5.34

 

CMYK 0 / 13 / 16 / 32

HEX #AE9892

RGB 174 152 146

HSL 12.86, 0.15%, 0.63%

LAB 64.59, 7.13, 6.14

 

CMYK 0 / 15 / 19 / 38

HEX #9D867F

RGB 157 134 127

HSL 14, 0.13%, 0.56%

LAB 57.8, 7.55, 6.99

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 10 / 10 / 12

HEX #E1CBCB

RGB 225 203 203

HSL 0, 0.27%, 0.84%

LAB 83.46, 7.68, 2.79

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 6 / 10 / 12

HEX #E1D4CB

RGB 225 212 203

HSL 24.55, 0.27%, 0.84%

LAB 85.71, 2.96, 6.04

 

CMYK 0 / 3 / 10 / 12

HEX #E1DACB

RGB 225 218 203

HSL 40.91, 0.27%, 0.84%

LAB 87.22, -0.15, 8.22

 

CMYK 0 / 0 / 10 / 12

HEX #E1E0CB

RGB 225 224 203

HSL 57.27, 0.27%, 0.84%

LAB 88.75, -3.24, 10.4

 

CMYK 2 / 0 / 10 / 12

HEX #DCE1CB

RGB 220 225 203

HSL 73.64, 0.27%, 0.84%

LAB 88.63, -5.51, 10.18

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 13 / 15 / 9

HEX #E7C9C4

RGB 231 201 196

HSL 8.57, 0.42%, 0.84%

LAB 83.31, 9.74, 6.37

 

CMYK 0 / 18 / 21 / 7

HEX #EEC4BD

RGB 238 196 189

HSL 8.57, 0.59%, 0.84%

LAB 82.56, 13.86, 9.11

 

CMYK 0 / 22 / 25 / 4

HEX #F5BFB7

RGB 245 191 183

HSL 7.74, 0.76%, 0.84%

LAB 81.89, 18.21, 11.47

 

CMYK 0 / 26 / 30 / 2

HEX #FBBAB0

RGB 251 186 176

HSL 8, 0.9%, 0.84%

LAB 81.16, 22.13, 14.27

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 4 / 4 / 15

HEX #DAD2D1

RGB 218 210 209

HSL 6.67, 0.11%, 0.84%

LAB 84.79, 2.58, 1.46

 

CMYK 2 / 0 / 0 / 15

HEX #D4D7D8

RGB 212 215 216

HSL 195, 0.05%, 0.84%

LAB 85.78, -0.83, -0.86

 

CMYK 8 / 1 / 0 / 13

HEX #CDDCDE

RGB 205 220 222

HSL 187.06, 0.2%, 0.84%

LAB 86.72, -4.62, -2.72

 

CMYK 14 / 2 / 0 / 10

HEX #C6E1E5

RGB 198 225 229

HSL 187.74, 0.37%, 0.84%

LAB 87.73, -8.07, -4.97

 

CMYK 0 / 10 / 6 / 12

HEX #E1CBD3

RGB 225 203 211

HSL 338.18, 0.27%, 0.84%

LAB 83.66, 9.03, -1.18

 

CMYK 0 / 10 / 8 / 12

HEX #E1CBCE

RGB 225 203 206

HSL 351.82, 0.27%, 0.84%

LAB 83.53, 8.18, 1.3

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 6 / 10 / 12

HEX #E1D3CB

RGB 225 211 203

HSL 21.82, 0.27%, 0.84%

LAB 85.46, 3.48, 5.68

 

CMYK 0 / 4 / 10 / 12

HEX #E1D9CB

RGB 225 217 203

HSL 38.18, 0.27%, 0.84%

LAB 86.97, 0.36, 7.86

 

CMYK 0 / 20 / 23 / 24

HEX #C39C96

RGB 195 156 150

HSL 8, 0.27%, 0.68%

LAB 67.71, 13.56, 8.64

 

CMYK 0 / 14 / 16 / 18

HEX #D2B5B0

RGB 210 181 176

HSL 8.82, 0.27%, 0.76%

LAB 76, 9.59, 6.38

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 0 / 4 / 5 / 6

HEX #F0E6E5

RGB 240 230 229

HSL 5.45, 0.27%, 0.92%

LAB 92.03, 3.21, 1.68

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 4 / 0 / 10 / 12

HEX #D9E1CB

RGB 217 225 203

HSL 81.82, 0.27%, 0.84%

LAB 88.41, -6.55, 9.83

 

CMYK 10 / 7 / 0 / 12

HEX #CBD1E1

RGB 203 209 225

HSL 223.64, 0.27%, 0.84%

LAB 83.83, 1.05, -8.6

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 10 / 0 / 8 / 12

HEX #CBE1CE

RGB 203 225 206

HSL 128.18, 0.27%, 0.84%

LAB 87.49, -10.82, 6.81

 

CMYK 8 / 10 / 0 / 12

HEX #CECBE1

RGB 206 203 225

HSL 248.18, 0.27%, 0.84%

LAB 82.52, 5.2, -10.51

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 4 / 0 / 10 / 12

HEX #D9E1CB

RGB 217 225 203

HSL 81.82, 0.27%, 0.84%

LAB 88.41, -6.55, 9.83

 

CMYK 10 / 1 / 0 / 12

HEX #CBDEE1

RGB 203 222 225

HSL 188.18, 0.27%, 0.84%

LAB 87.18, -5.72, -3.64

 

CMYK 7 / 10 / 0 / 12

HEX #D2CBE1

RGB 210 203 225

HSL 259.09, 0.27%, 0.84%

LAB 82.83, 6.51, -10.02

 

CMYK 0 / 8 / 10 / 12

HEX #E1CECB

RGB 225 206 203

HSL 8.18, 0.27%, 0.84%

LAB 84.21, 6.1, 3.87

 

CMYK 6 / 0 / 10 / 12

HEX #D3E1CB

RGB 211 225 203

HSL 98.18, 0.27%, 0.84%

LAB 87.97, -8.62, 9.16

 

CMYK 10 / 1 / 0 / 12

HEX #CBDEE1

RGB 203 222 225

HSL 188.18, 0.27%, 0.84%

LAB 87.18, -5.72, -3.64

 

CMYK 4 / 10 / 0 / 12

HEX #D9CBE1

RGB 217 203 225

HSL 278.18, 0.27%, 0.84%

LAB 83.39, 8.84, -9.13

 

Description

Color code: HEX #E1CECB | qconv.com Color code: HEX #E1CECB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 206 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 206 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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