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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D41D it is the complementary color #1E2BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D41D shade: #E6D418, #F7E62B, #FFF83E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D41D shade: #E1D41D, #D0C20A, #BFB000, #AE9E00 and #9D8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D41D shade: #E1D41D, #E19F1D, #E16A1D, #E1351D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D41D shade: #E1D41D, #B9E11D, #84E11D, #4FE11D and #1DE11F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D41D shade matches the following richer shades: #E1D41D and #F6E608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D41D shade: #E1D41D, #CDC231, #B8B046, #A39E5B and #8F8D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D41D shade: #E16B1D, #E1A01D, #E1D41D, #BAE11D and #86E11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D41D shade: #988F13, #BDB218, #E1D41D, #E6DB41 and #EBE266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D41D shade: #E1D41D, #1DE137 and #861DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D41D shade: #E1D41D, #1DE1D4 and #D41DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D41D shade: #E1D41D, #1DE137, #1D2AE1 and #E11DC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D41D shade: #E1D41D, #1DE172, #1D2AE1 and #E11D8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

Complementary color

CMYK 87 / 81 / 0 / 11

HEX #1E2BE2

RGB 30 43 226

HSL 236.02, 0.77%, 0.5%

LAB 32.91, 60.15, -90.4

 

CMYK 0 / 8 / 90 / 10

HEX #E6D418

RGB 230 212 24

HSL 54.76, 0.81%, 0.5%

LAB 83.95, -10.82, 81.37

 

CMYK 0 / 7 / 83 / 3

HEX #F7E62B

RGB 247 230 43

HSL 55, 0.93%, 0.57%

LAB 90.11, -12.18, 83.16

 

CMYK 0 / 3 / 76 / 0

HEX #FFF83E

RGB 255 248 62

HSL 57.82, 1%, 0.62%

LAB 95.47, -17.06, 83.05

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 0 / 7 / 95 / 18

HEX #D0C20A

RGB 208 194 10

HSL 55.76, 0.91%, 0.43%

LAB 77.29, -11.38, 77.3

 

CMYK 0 / 8 / 100 / 25

HEX #BFB000

RGB 191 176 0

HSL 55.29, 1%, 0.37%

LAB 70.96, -9.7, 73.06

 

CMYK 0 / 9 / 100 / 32

HEX #AE9E00

RGB 174 158 0

HSL 54.48, 1%, 0.34%

LAB 64.53, -7.87, 67.73

 

CMYK 0 / 11 / 100 / 38

HEX #9D8C00

RGB 157 140 0

HSL 53.5, 1%, 0.31%

LAB 57.97, -5.97, 62.3

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 0 / 29 / 87 / 12

HEX #E19F1D

RGB 225 159 29

HSL 39.8, 0.77%, 0.5%

LAB 70.1, 14.7, 69.28

 

CMYK 0 / 53 / 87 / 12

HEX #E16A1D

RGB 225 106 29

HSL 23.57, 0.77%, 0.5%

LAB 58.42, 42.42, 59.99

 

CMYK 0 / 76 / 87 / 12

HEX #E1351D

RGB 225 53 29

HSL 7.35, 0.77%, 0.5%

LAB 50.27, 64.17, 53.54

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 18 / 0 / 87 / 12

HEX #B9E11D

RGB 185 225 29

HSL 72.24, 0.77%, 0.5%

LAB 84.1, -35.63, 79.21

 

CMYK 41 / 0 / 87 / 12

HEX #84E11D

RGB 132 225 29

HSL 88.47, 0.77%, 0.5%

LAB 81.21, -55.02, 75.63

 

CMYK 65 / 0 / 87 / 12

HEX #4FE11D

RGB 79 225 29

HSL 104.69, 0.77%, 0.5%

LAB 79.39, -69.32, 73.35

 

CMYK 87 / 0 / 86 / 12

HEX #1DE11F

RGB 29 225 31

HSL 120.61, 0.77%, 0.5%

LAB 78.58, -76.27, 71.94

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 0 / 7 / 97 / 4

HEX #F6E608

RGB 246 230 8

HSL 55.97, 0.94%, 0.5%

LAB 89.95, -13.16, 88.3

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 0 / 5 / 76 / 20

HEX #CDC231

RGB 205 194 49

HSL 55.77, 0.61%, 0.5%

LAB 77.15, -11.75, 68.81

 

CMYK 0 / 4 / 62 / 28

HEX #B8B046

RGB 184 176 70

HSL 55.79, 0.45%, 0.5%

LAB 70.65, -10.41, 53.72

 

CMYK 0 / 3 / 44 / 36

HEX #A39E5B

RGB 163 158 91

HSL 55.83, 0.28%, 0.5%

LAB 64.16, -8.05, 35.54

 

CMYK 0 / 1 / 22 / 44

HEX #8F8D6F

RGB 143 141 111

HSL 56.25, 0.13%, 0.5%

LAB 58.07, -4.47, 16.31

 

CMYK 0 / 52 / 87 / 12

HEX #E16B1D

RGB 225 107 29

HSL 23.88, 0.77%, 0.5%

LAB 58.61, 41.92, 60.15

 

CMYK 0 / 29 / 87 / 12

HEX #E1A01D

RGB 225 160 29

HSL 40.1, 0.77%, 0.5%

LAB 70.34, 14.17, 69.47

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 17 / 0 / 87 / 12

HEX #BAE11D

RGB 186 225 29

HSL 71.94, 0.77%, 0.5%

LAB 84.16, -35.24, 79.29

 

CMYK 40 / 0 / 87 / 12

HEX #86E11D

RGB 134 225 29

HSL 87.86, 0.77%, 0.5%

LAB 81.3, -54.37, 75.74

 

CMYK 0 / 6 / 88 / 40

HEX #988F13

RGB 152 143 19

HSL 55.94, 0.78%, 0.34%

LAB 58.38, -9.55, 59.1

 

CMYK 0 / 6 / 87 / 26

HEX #BDB218

RGB 189 178 24

HSL 56, 0.77%, 0.42%

LAB 71.37, -11.27, 69.92

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 0 / 5 / 72 / 10

HEX #E6DB41

RGB 230 219 65

HSL 56, 0.77%, 0.58%

LAB 85.94, -13.07, 72.48

 

CMYK 0 / 4 / 57 / 8

HEX #EBE266

RGB 235 226 102

HSL 55.94, 0.77%, 0.66%

LAB 88.45, -12.32, 60.47

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 87 / 0 / 76 / 12

HEX #1DE137

RGB 29 225 55

HSL 127.96, 0.77%, 0.5%

LAB 78.69, -74.96, 65.71

 

CMYK 40 / 87 / 0 / 12

HEX #861DE1

RGB 134 29 225

HSL 272.14, 0.77%, 0.5%

LAB 40.22, 73.1, -77.45

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 87 / 0 / 6 / 12

HEX #1DE1D4

RGB 29 225 212

HSL 176.02, 0.77%, 0.5%

LAB 81.22, -46.5, -6.28

 

CMYK 6 / 87 / 0 / 12

HEX #D41DE1

RGB 212 29 225

HSL 296.02, 0.77%, 0.5%

LAB 52.19, 84.43, -57.47

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 87 / 0 / 76 / 12

HEX #1DE137

RGB 29 225 55

HSL 127.96, 0.77%, 0.5%

LAB 78.69, -74.96, 65.71

 

CMYK 87 / 81 / 0 / 12

HEX #1D2AE1

RGB 29 42 225

HSL 236.02, 0.77%, 0.5%

LAB 32.6, 60.28, -90.35

 

CMYK 0 / 87 / 12 / 12

HEX #E11DC7

RGB 225 29 199

HSL 307.96, 0.77%, 0.5%

LAB 52.96, 82.99, -41.23

 

CMYK 0 / 6 / 87 / 12

HEX #E1D41D

RGB 225 212 29

HSL 56.02, 0.77%, 0.5%

LAB 83.54, -12.85, 79.99

 

CMYK 87 / 0 / 49 / 12

HEX #1DE172

RGB 29 225 114

HSL 146.02, 0.77%, 0.5%

LAB 79.23, -68.27, 41.73

 

CMYK 87 / 81 / 0 / 12

HEX #1D2AE1

RGB 29 42 225

HSL 236.02, 0.77%, 0.5%

LAB 32.6, 60.28, -90.35

 

CMYK 0 / 87 / 38 / 12

HEX #E11D8C

RGB 225 29 140

HSL 326.02, 0.77%, 0.5%

LAB 50.43, 76.18, -10.38

 

Description

Color code: HEX #E1D41D | qconv.com Color code: HEX #E1D41D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 212 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 212 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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