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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D073 it is the complementary color #1E2F8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D073. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D073 shade: #E6D06E, #F7E281, #FFF494, #FFFFA7 and #FFFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D073. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D073 shade: #E1D073, #D0BE60, #BFAC4D, #AE9A3A and #9D8827

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D073 shade: #E1D074, #E1B374, #E19574, #E17874 and #E17474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D073 shade: #E1D074, #D4E174, #B7E174, #99E174 and #7CE174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D073 shade matches the following richer shades: #E1D074, #EFDA66 and #FCE358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D073 shade: #E1D074, #D3C781, #C6BD8F, #B8B49C and #ABABAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D073 shade: #E19474, #E1B274, #E1CF74, #D6E174 and #B9E174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D073 shade: #D3B930, #DAC552, #E1D074, #E8DC96 and #EFE7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D073 shade: #E1D073, #74E177 and #A374E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D073 shade: #E1D073, #74E1CF and #CF74E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D073 shade: #E1D073, #74E177, #7486E1 and #E174DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D073 shade: #E1D073, #74E198, #7486E1 and #E174BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

Complementary color

CMYK 79 / 66 / 0 / 45

HEX #1E2F8C

RGB 30 47 140

HSL 230.73, 0.65%, 0.33%

LAB 24.33, 28.36, -53.41

 

CMYK 0 / 10 / 52 / 10

HEX #E6D06E

RGB 230 208 110

HSL 49, 0.71%, 0.67%

LAB 83.47, -4.66, 50.92

 

CMYK 0 / 9 / 48 / 3

HEX #F7E281

RGB 247 226 129

HSL 49.32, 0.88%, 0.74%

LAB 89.74, -5.3, 49.73

 

CMYK 0 / 4 / 42 / 0

HEX #FFF494

RGB 255 244 148

HSL 53.83, 1%, 0.79%

LAB 95.2, -9.34, 47.47

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

CMYK 0 / 9 / 54 / 18

HEX #D0BE60

RGB 208 190 96

HSL 50.36, 0.54%, 0.6%

LAB 76.73, -5.61, 49.16

 

CMYK 0 / 10 / 60 / 25

HEX #BFAC4D

RGB 191 172 77

HSL 50, 0.47%, 0.53%

LAB 70.26, -4.83, 50.3

 

CMYK 0 / 11 / 67 / 32

HEX #AE9A3A

RGB 174 154 58

HSL 49.66, 0.5%, 0.45%

LAB 63.68, -3.89, 51.28

 

CMYK 0 / 13 / 75 / 38

HEX #9D8827

RGB 157 136 39

HSL 49.32, 0.6%, 0.38%

LAB 57, -2.74, 51.87

 

CMYK 0 / 8 / 48 / 12

HEX #E1D074

RGB 225 208 116

HSL 50.64, 0.64%, 0.67%

LAB 83.12, -6.17, 47.49

 

CMYK 0 / 20 / 48 / 12

HEX #E1B374

RGB 225 179 116

HSL 34.68, 0.64%, 0.67%

LAB 75.77, 8.95, 38.38

 

CMYK 0 / 34 / 48 / 12

HEX #E19574

RGB 225 149 116

HSL 18.17, 0.64%, 0.67%

LAB 68.58, 24.99, 29.12

 

CMYK 0 / 47 / 48 / 12

HEX #E17874

RGB 225 120 116

HSL 2.2, 0.64%, 0.67%

LAB 62.25, 40.24, 20.68

 

CMYK 0 / 48 / 48 / 12

HEX #E17474

RGB 225 116 116

HSL 0, 0.64%, 0.67%

LAB 61.45, 42.27, 19.58

 

CMYK 0 / 8 / 48 / 12

HEX #E1D074

RGB 225 208 116

HSL 50.64, 0.64%, 0.67%

LAB 83.12, -6.17, 47.49

 

CMYK 6 / 0 / 48 / 12

HEX #D4E174

RGB 212 225 116

HSL 67.16, 0.64%, 0.67%

LAB 86.56, -19.85, 51.41

 

CMYK 19 / 0 / 48 / 12

HEX #B7E174

RGB 183 225 116

HSL 83.12, 0.64%, 0.67%

LAB 84.58, -30.95, 48.55

 

CMYK 32 / 0 / 48 / 12

HEX #99E174

RGB 153 225 116

HSL 99.63, 0.64%, 0.67%

LAB 82.85, -41.61, 46.05

 

CMYK 45 / 0 / 48 / 12

HEX #7CE174

RGB 124 225 116

HSL 115.6, 0.64%, 0.67%

LAB 81.51, -50.7, 44.1

 

CMYK 0 / 8 / 48 / 12

HEX #E1D074

RGB 225 208 116

HSL 50.64, 0.64%, 0.67%

LAB 83.12, -6.17, 47.49

 

CMYK 0 / 9 / 57 / 6

HEX #EFDA66

RGB 239 218 102

HSL 50.8, 0.81%, 0.67%

LAB 86.73, -6.69, 58.61

 

CMYK 0 / 10 / 65 / 1

HEX #FCE358

RGB 252 227 88

HSL 50.85, 0.96%, 0.67%

LAB 90.02, -6.78, 68.51

 

CMYK 0 / 8 / 48 / 12

HEX #E1D074

RGB 225 208 116

HSL 50.64, 0.64%, 0.67%

LAB 83.12, -6.17, 47.49

 

CMYK 0 / 6 / 39 / 17

HEX #D3C781

RGB 211 199 129

HSL 51.22, 0.48%, 0.67%

LAB 79.77, -5.85, 36.55

 

CMYK 0 / 5 / 28 / 22

HEX #C6BD8F

RGB 198 189 143

HSL 50.18, 0.33%, 0.67%

LAB 76.3, -4.04, 24.45

 

CMYK 0 / 2 / 15 / 28

HEX #B8B49C

RGB 184 180 156

HSL 51.43, 0.16%, 0.67%

LAB 73.05, -2.71, 12.76

 

CMYK 0 / 0 / 1 / 33

HEX #ABABAA

RGB 171 171 170

HSL 60, 0.01%, 0.67%

LAB 69.96, -0.18, 0.51

 

CMYK 0 / 34 / 48 / 12

HEX #E19474

RGB 225 148 116

HSL 17.61, 0.64%, 0.67%

LAB 68.35, 25.52, 28.82

 

CMYK 0 / 21 / 48 / 12

HEX #E1B274

RGB 225 178 116

HSL 34.13, 0.64%, 0.67%

LAB 75.52, 9.48, 38.06

 

CMYK 0 / 8 / 48 / 12

HEX #E1CF74

RGB 225 207 116

HSL 50.09, 0.64%, 0.67%

LAB 82.86, -5.66, 47.18

 

CMYK 5 / 0 / 48 / 12

HEX #D6E174

RGB 214 225 116

HSL 66.06, 0.64%, 0.67%

LAB 86.71, -19.06, 51.62

 

CMYK 18 / 0 / 48 / 12

HEX #B9E174

RGB 185 225 116

HSL 82.02, 0.64%, 0.67%

LAB 84.7, -30.21, 48.74

 

CMYK 0 / 12 / 77 / 17

HEX #D3B930

RGB 211 185 48

HSL 50.43, 0.65%, 0.51%

LAB 75.3, -4.58, 67.64

 

CMYK 0 / 10 / 62 / 15

HEX #DAC552

RGB 218 197 82

HSL 50.74, 0.65%, 0.59%

LAB 79.3, -6.06, 58.7

 

CMYK 0 / 8 / 48 / 12

HEX #E1D074

RGB 225 208 116

HSL 50.64, 0.64%, 0.67%

LAB 83.12, -6.17, 47.49

 

CMYK 0 / 5 / 35 / 9

HEX #E8DC96

RGB 232 220 150

HSL 51.22, 0.64%, 0.75%

LAB 87.26, -6, 35.91

 

CMYK 0 / 3 / 23 / 6

HEX #EFE7B8

RGB 239 231 184

HSL 51.27, 0.63%, 0.83%

LAB 91.22, -4.62, 23.9

 

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

CMYK 48 / 0 / 47 / 12

HEX #74E177

RGB 116 225 119

HSL 121.65, 0.64%, 0.67%

LAB 81.23, -52.53, 42.23

 

CMYK 28 / 48 / 0 / 12

HEX #A374E1

RGB 163 116 225

HSL 265.87, 0.64%, 0.67%

LAB 57.76, 40.23, -48.94

 

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

CMYK 48 / 0 / 8 / 12

HEX #74E1CF

RGB 116 225 207

HSL 170.09, 0.64%, 0.67%

LAB 82.95, -35.69, -0.87

 

CMYK 8 / 48 / 0 / 12

HEX #CF74E1

RGB 207 116 225

HSL 290.09, 0.64%, 0.67%

LAB 62.67, 52.24, -40.88

 

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

CMYK 48 / 0 / 47 / 12

HEX #74E177

RGB 116 225 119

HSL 121.65, 0.64%, 0.67%

LAB 81.23, -52.53, 42.23

 

CMYK 48 / 40 / 0 / 12

HEX #7486E1

RGB 116 134 225

HSL 230.09, 0.64%, 0.67%

LAB 58.23, 17.89, -48.45

 

CMYK 0 / 48 / 2 / 12

HEX #E174DD

RGB 225 116 221

HSL 302.2, 0.64%, 0.67%

LAB 64.74, 56.55, -35.25

 

CMYK 0 / 8 / 49 / 12

HEX #E1D073

RGB 225 208 115

HSL 50.73, 0.65%, 0.67%

LAB 83.1, -6.26, 47.96

 

CMYK 48 / 0 / 32 / 12

HEX #74E198

RGB 116 225 152

HSL 139.82, 0.64%, 0.67%

LAB 81.75, -47.26, 26.3

 

CMYK 48 / 40 / 0 / 12

HEX #7486E1

RGB 116 134 225

HSL 230.09, 0.64%, 0.67%

LAB 58.23, 17.89, -48.45

 

CMYK 0 / 48 / 16 / 12

HEX #E174BD

RGB 225 116 189

HSL 319.82, 0.64%, 0.67%

LAB 63.49, 51.32, -19.19

 

Description

Color code: HEX #E1D073 | qconv.com Color code: HEX #E1D073 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 208 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 208 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 49 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 49% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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