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Color name
HEX #E1D389

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D389 it is the complementary color #1E2C76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D389 shade: #E6D384, #F7E597, #FFF7AA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D389 shade: #E1D389, #D0C176, #BFAF63, #AE9D50 and #9D8B3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D389 shade: #E0D289, #E0BB89, #E0A389, #E08C89 and #E08989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D389 shade: #E0D289, #D7E089, #BFE089, #A7E089 and #90E089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D389 shade matches the following richer shades: #E0D289, #ECDA7D and #F8E371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D389 shade: #E0D289, #D4CA95, #C8C2A1, #BCBAAD and #B0B2B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D389 shade: #E0A389, #E0BA89, #E0D289, #D7E089 and #C0E089

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D389 shade: #CFBA47, #D8C668, #E0D289, #E9DFAA and #F1EBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D389 shade: #E1D389, #89E08C and #AF89E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D389 shade: #E1D389, #89E0D2 and #D289E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D389 shade: #E1D389, #89E08C, #8997E0 and #E089DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D389 shade: #E1D389, #89E0A6, #8997E0 and #E089C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

Complementary color

CMYK 75 / 63 / 0 / 54

HEX #1E2C76

RGB 30 44 118

HSL 230.45, 0.59%, 0.29%

LAB 21.53, 21.85, -44.13

 

CMYK 0 / 8 / 43 / 10

HEX #E6D384

RGB 230 211 132

HSL 48.37, 0.66%, 0.71%

LAB 84.52, -4.15, 41.43

 

CMYK 0 / 7 / 39 / 3

HEX #F7E597

RGB 247 229 151

HSL 48.75, 0.86%, 0.78%

LAB 90.8, -4.64, 40.25

 

CMYK 0 / 3 / 33 / 0

HEX #FFF7AA

RGB 255 247 170

HSL 54.35, 1%, 0.83%

LAB 96.28, -8.45, 38.04

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

CMYK 0 / 7 / 43 / 18

HEX #D0C176

RGB 208 193 118

HSL 50, 0.49%, 0.64%

LAB 77.79, -5.13, 39.58

 

CMYK 0 / 8 / 48 / 25

HEX #BFAF63

RGB 191 175 99

HSL 49.57, 0.42%, 0.57%

LAB 71.31, -4.57, 40.82

 

CMYK 0 / 10 / 54 / 32

HEX #AE9D50

RGB 174 157 80

HSL 49.15, 0.37%, 0.5%

LAB 64.72, -3.89, 42.07

 

CMYK 0 / 11 / 61 / 38

HEX #9D8B3D

RGB 157 139 61

HSL 48.75, 0.44%, 0.43%

LAB 58.01, -3.06, 43.27

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 0 / 17 / 39 / 12

HEX #E0BB89

RGB 224 187 137

HSL 34.48, 0.58%, 0.71%

LAB 77.99, 6.48, 30.28

 

CMYK 0 / 27 / 39 / 12

HEX #E0A389

RGB 224 163 137

HSL 17.93, 0.58%, 0.71%

LAB 72.13, 19.29, 22.41

 

CMYK 0 / 38 / 39 / 12

HEX #E08C89

RGB 224 140 137

HSL 2.07, 0.58%, 0.71%

LAB 66.83, 31.6, 15.11

 

CMYK 0 / 39 / 39 / 12

HEX #E08989

RGB 224 137 137

HSL 0, 0.58%, 0.71%

LAB 66.17, 33.2, 14.19

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 4 / 0 / 39 / 12

HEX #D7E089

RGB 215 224 137

HSL 66.21, 0.58%, 0.71%

LAB 86.78, -16.04, 41.56

 

CMYK 15 / 0 / 39 / 12

HEX #BFE089

RGB 191 224 137

HSL 82.76, 0.58%, 0.71%

LAB 85.1, -25.1, 39.06

 

CMYK 25 / 0 / 39 / 12

HEX #A7E089

RGB 167 224 137

HSL 99.31, 0.58%, 0.71%

LAB 83.62, -33.7, 36.86

 

CMYK 36 / 0 / 39 / 12

HEX #90E089

RGB 144 224 137

HSL 115.17, 0.58%, 0.71%

LAB 82.4, -41.29, 35.05

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 0 / 8 / 47 / 7

HEX #ECDA7D

RGB 236 218 125

HSL 50.27, 0.74%, 0.71%

LAB 86.73, -6.01, 47.75

 

CMYK 0 / 8 / 54 / 3

HEX #F8E371

RGB 248 227 113

HSL 50.67, 0.91%, 0.71%

LAB 89.9, -6.74, 57.46

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 0 / 5 / 30 / 17

HEX #D4CA95

RGB 212 202 149

HSL 50.48, 0.42%, 0.71%

LAB 80.97, -4.61, 27.77

 

CMYK 0 / 3 / 20 / 22

HEX #C8C2A1

RGB 200 194 161

HSL 50.77, 0.26%, 0.71%

LAB 78.13, -3.34, 17.38

 

CMYK 0 / 1 / 8 / 26

HEX #BCBAAD

RGB 188 186 173

HSL 52, 0.1%, 0.71%

LAB 75.34, -1.61, 6.83

 

CMYK 5 / 4 / 0 / 27

HEX #B0B2B9

RGB 176 178 185

HSL 226.67, 0.06%, 0.71%

LAB 72.61, 0.65, -3.81

 

CMYK 0 / 27 / 39 / 12

HEX #E0A389

RGB 224 163 137

HSL 17.93, 0.58%, 0.71%

LAB 72.13, 19.29, 22.41

 

CMYK 0 / 17 / 39 / 12

HEX #E0BA89

RGB 224 186 137

HSL 33.79, 0.58%, 0.71%

LAB 77.74, 7.01, 29.95

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 4 / 0 / 39 / 12

HEX #D7E089

RGB 215 224 137

HSL 66.21, 0.58%, 0.71%

LAB 86.78, -16.04, 41.56

 

CMYK 14 / 0 / 39 / 12

HEX #C0E089

RGB 192 224 137

HSL 82.07, 0.58%, 0.71%

LAB 85.16, -24.73, 39.16

 

CMYK 0 / 10 / 66 / 19

HEX #CFBA47

RGB 207 186 71

HSL 50.74, 0.59%, 0.55%

LAB 75.35, -5.71, 58.9

 

CMYK 0 / 8 / 52 / 15

HEX #D8C668

RGB 216 198 104

HSL 50.36, 0.59%, 0.63%

LAB 79.61, -5.76, 48.89

 

CMYK 0 / 6 / 39 / 12

HEX #E0D289

RGB 224 210 137

HSL 50.34, 0.58%, 0.71%

LAB 83.83, -5.48, 37.92

 

CMYK 0 / 4 / 27 / 9

HEX #E9DFAA

RGB 233 223 170

HSL 50.48, 0.59%, 0.79%

LAB 88.45, -4.67, 27.26

 

CMYK 0 / 2 / 16 / 5

HEX #F1EBCB

RGB 241 235 203

HSL 50.53, 0.58%, 0.87%

LAB 92.76, -3.18, 16.27

 

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

CMYK 39 / 0 / 38 / 12

HEX #89E08C

RGB 137 224 140

HSL 122.07, 0.58%, 0.71%

LAB 82.12, -42.99, 33.1

 

CMYK 22 / 39 / 0 / 12

HEX #AF89E0

RGB 175 137 224

HSL 266.21, 0.58%, 0.71%

LAB 63.66, 31.57, -39.01

 

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

CMYK 39 / 0 / 6 / 12

HEX #89E0D2

RGB 137 224 210

HSL 170.34, 0.58%, 0.71%

LAB 83.59, -29.43, -1.42

 

CMYK 6 / 39 / 0 / 12

HEX #D289E0

RGB 210 137 224

HSL 290.34, 0.58%, 0.71%

LAB 67.26, 41.99, -33.14

 

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

CMYK 39 / 0 / 38 / 12

HEX #89E08C

RGB 137 224 140

HSL 122.07, 0.58%, 0.71%

LAB 82.12, -42.99, 33.1

 

CMYK 39 / 33 / 0 / 12

HEX #8997E0

RGB 137 151 224

HSL 230.34, 0.58%, 0.71%

LAB 64.03, 12.89, -38.67

 

CMYK 0 / 39 / 1 / 12

HEX #E089DD

RGB 224 137 221

HSL 302.07, 0.58%, 0.71%

LAB 68.72, 45.68, -29.09

 

CMYK 0 / 6 / 39 / 12

HEX #E1D389

RGB 225 211 137

HSL 50.45, 0.59%, 0.71%

LAB 84.17, -5.6, 38.38

 

CMYK 39 / 0 / 26 / 12

HEX #89E0A6

RGB 137 224 166

HSL 140, 0.58%, 0.71%

LAB 82.58, -38.57, 20.32

 

CMYK 39 / 33 / 0 / 12

HEX #8997E0

RGB 137 151 224

HSL 230.34, 0.58%, 0.71%

LAB 64.03, 12.89, -38.67

 

CMYK 0 / 39 / 13 / 12

HEX #E089C3

RGB 224 137 195

HSL 320, 0.58%, 0.71%

LAB 67.78, 41.24, -16.06

 

Description

Color code: HEX #E1D389 | qconv.com Color code: HEX #E1D389 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 211 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 211 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 39 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 39% 12% C M Y K

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Provide designers and agencies with accurate color values.

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