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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1DB1D it is the complementary color #1E24E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1DB1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1DB1D shade: #E6DB18, #F7ED2B, #FFFF3E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1DB1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1DB1D shade: #E1DB1D, #D0C90A, #BFB700, #AEA500 and #9D9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1DB1D shade: #E1DB1D, #E1A61D, #E1711D, #E13C1D and #E11D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1DB1D shade: #E1DB1D, #B2E11D, #7DE11D, #48E11D and #1DE126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1DB1D shade matches the following richer shades: #E1DB1D and #F6EF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1DB1D shade: #E1DB1D, #CDC831, #B8B446, #A3A15B and #8F8E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1DB1D shade: #E1721D, #E1A61D, #E1DB1D, #B3E11D and #7FE11D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1DB1D shade: #989413, #BDB818, #E1DB1D, #E6E141 and #EBE766

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1DB1D shade: #E1DB1D, #1DE13E and #8C1DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1DB1D shade: #E1DB1D, #1DE1DB and #DB1DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1DB1D shade: #E1DB1D, #1DE13E, #1D23E1 and #E11DC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1DB1D shade: #E1DB1D, #1DE178, #1D23E1 and #E11D86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

Complementary color

CMYK 87 / 84 / 0 / 11

HEX #1E24E2

RGB 30 36 226

HSL 238.16, 0.77%, 0.5%

LAB 31.87, 63.22, -92.13

 

CMYK 0 / 5 / 90 / 10

HEX #E6DB18

RGB 230 219 24

HSL 56.8, 0.81%, 0.5%

LAB 85.78, -14.3, 82.79

 

CMYK 0 / 4 / 83 / 3

HEX #F7ED2B

RGB 247 237 43

HSL 57.06, 0.93%, 0.57%

LAB 91.92, -15.61, 84.67

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3E

RGB 255 255 62

HSL 60, 1%, 0.62%

LAB 97.28, -20.42, 84.68

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 3 / 95 / 18

HEX #D0C90A

RGB 208 201 10

HSL 57.88, 0.91%, 0.43%

LAB 79.16, -14.91, 78.7

 

CMYK 0 / 4 / 100 / 25

HEX #BFB700

RGB 191 183 0

HSL 57.49, 1%, 0.37%

LAB 72.85, -13.3, 74.44

 

CMYK 0 / 5 / 100 / 32

HEX #AEA500

RGB 174 165 0

HSL 56.9, 1%, 0.34%

LAB 66.45, -11.55, 69.12

 

CMYK 0 / 6 / 100 / 38

HEX #9D9300

RGB 157 147 0

HSL 56.18, 1%, 0.31%

LAB 59.92, -9.74, 63.71

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 26 / 87 / 12

HEX #E1A61D

RGB 225 166 29

HSL 41.94, 0.77%, 0.5%

LAB 71.8, 10.97, 70.64

 

CMYK 0 / 50 / 87 / 12

HEX #E1711D

RGB 225 113 29

HSL 25.71, 0.77%, 0.5%

LAB 59.8, 38.93, 61.09

 

CMYK 0 / 73 / 87 / 12

HEX #E13C1D

RGB 225 60 29

HSL 9.49, 0.77%, 0.5%

LAB 51.07, 61.94, 54.18

 

CMYK 0 / 87 / 87 / 12

HEX #E11D1D

RGB 225 29 29

HSL 0, 0.77%, 0.5%

LAB 48.23, 69.94, 51.94

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 21 / 0 / 87 / 12

HEX #B2E11D

RGB 178 225 29

HSL 74.39, 0.77%, 0.5%

LAB 83.65, -38.39, 78.66

 

CMYK 44 / 0 / 87 / 12

HEX #7DE11D

RGB 125 225 29

HSL 90.61, 0.77%, 0.5%

LAB 80.9, -57.26, 75.25

 

CMYK 68 / 0 / 87 / 12

HEX #48E11D

RGB 72 225 29

HSL 106.84, 0.77%, 0.5%

LAB 79.22, -70.7, 73.14

 

CMYK 87 / 0 / 83 / 12

HEX #1DE126

RGB 29 225 38

HSL 122.76, 0.77%, 0.5%

LAB 78.61, -75.97, 70.42

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 3 / 97 / 4

HEX #F6EF08

RGB 246 239 8

HSL 58.24, 0.94%, 0.5%

LAB 92.28, -17.55, 90.02

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 2 / 76 / 20

HEX #CDC831

RGB 205 200 49

HSL 58.08, 0.61%, 0.5%

LAB 78.76, -14.78, 70.28

 

CMYK 0 / 2 / 62 / 28

HEX #B8B446

RGB 184 180 70

HSL 57.89, 0.45%, 0.5%

LAB 71.74, -12.48, 54.89

 

CMYK 0 / 1 / 44 / 36

HEX #A3A15B

RGB 163 161 91

HSL 58.33, 0.28%, 0.5%

LAB 64.99, -9.65, 36.57

 

CMYK 0 / 1 / 22 / 44

HEX #8F8E6F

RGB 143 142 111

HSL 58.13, 0.13%, 0.5%

LAB 58.35, -5.03, 16.7

 

CMYK 0 / 49 / 87 / 12

HEX #E1721D

RGB 225 114 29

HSL 26.02, 0.77%, 0.5%

LAB 60.01, 38.42, 61.25

 

CMYK 0 / 26 / 87 / 12

HEX #E1A61D

RGB 225 166 29

HSL 41.94, 0.77%, 0.5%

LAB 71.8, 10.97, 70.64

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 20 / 0 / 87 / 12

HEX #B3E11D

RGB 179 225 29

HSL 74.08, 0.77%, 0.5%

LAB 83.72, -38, 78.74

 

CMYK 44 / 0 / 87 / 12

HEX #7FE11D

RGB 127 225 29

HSL 90, 0.77%, 0.5%

LAB 80.99, -56.63, 75.35

 

CMYK 0 / 3 / 88 / 40

HEX #989413

RGB 152 148 19

HSL 58.2, 0.78%, 0.34%

LAB 59.8, -12.21, 60.26

 

CMYK 0 / 3 / 87 / 26

HEX #BDB818

RGB 189 184 24

HSL 58.18, 0.77%, 0.42%

LAB 73, -14.34, 71.23

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 0 / 2 / 72 / 10

HEX #E6E141

RGB 230 225 65

HSL 58.18, 0.77%, 0.58%

LAB 87.51, -16.04, 73.98

 

CMYK 0 / 2 / 57 / 8

HEX #EBE766

RGB 235 231 102

HSL 58.2, 0.77%, 0.66%

LAB 89.75, -14.79, 61.93

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 87 / 0 / 72 / 12

HEX #1DE13E

RGB 29 225 62

HSL 130.1, 0.77%, 0.5%

LAB 78.73, -74.43, 63.41

 

CMYK 38 / 87 / 0 / 12

HEX #8C1DE1

RGB 140 29 225

HSL 273.98, 0.77%, 0.5%

LAB 41.04, 73.83, -76.07

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 87 / 0 / 3 / 12

HEX #1DE1DB

RGB 29 225 219

HSL 178.16, 0.77%, 0.5%

LAB 81.42, -44.52, -9.71

 

CMYK 3 / 87 / 0 / 12

HEX #DB1DE1

RGB 219 29 225

HSL 298.16, 0.77%, 0.5%

LAB 53.36, 85.6, -55.53

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 87 / 0 / 72 / 12

HEX #1DE13E

RGB 29 225 62

HSL 130.1, 0.77%, 0.5%

LAB 78.73, -74.43, 63.41

 

CMYK 87 / 84 / 0 / 12

HEX #1D23E1

RGB 29 35 225

HSL 238.16, 0.77%, 0.5%

LAB 31.58, 63.3, -92.04

 

CMYK 0 / 87 / 15 / 12

HEX #E11DC0

RGB 225 29 192

HSL 310.1, 0.77%, 0.5%

LAB 52.61, 82.07, -37.74

 

CMYK 0 / 3 / 87 / 12

HEX #E1DB1D

RGB 225 219 29

HSL 58.16, 0.77%, 0.5%

LAB 85.38, -16.32, 81.47

 

CMYK 87 / 0 / 47 / 12

HEX #1DE178

RGB 29 225 120

HSL 147.86, 0.77%, 0.5%

LAB 79.31, -67.3, 38.91

 

CMYK 87 / 84 / 0 / 12

HEX #1D23E1

RGB 29 35 225

HSL 238.16, 0.77%, 0.5%

LAB 31.58, 63.3, -92.04

 

CMYK 0 / 87 / 40 / 12

HEX #E11D86

RGB 225 29 134

HSL 327.86, 0.77%, 0.5%

LAB 50.22, 75.62, -7.07

 

Description

Color code: HEX #E1DB1D | qconv.com Color code: HEX #E1DB1D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 219 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 219 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 87 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 87% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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