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Color name
HEX #E1EBAC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1EBAC it is the complementary color #1E1453. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1EBAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1EBAC shade: #E6EBA7, #F7FDBA, #FFFFCD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1EBAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1EBAC shade: #E1EBAC, #D0D999, #BFC786, #AEB573 and #9DA360

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1EBAC shade: #E1EBAC, #EBE4AC, #EBD3AC, #EBC2AC and #EBB1AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1EBAC shade: #E1EBAC, #D0EBAC, #BFEBAC, #AEEBAC and #ACEBBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1EBAC shade matches the following richer shades: #E1EBAC, #E6F3A4 and #ECFB9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1EBAC shade: #E1EBAC, #DBE2B5, #D5DABD, #D0D2C5 and #CACACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1EBAC shade: #EBD3AC, #EBE3AC, #E1EBAC, #D1EBAC and #C0EBAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1EBAC shade: #C9DB6A, #D5E38B, #E1EBAC, #EDF3CE and #F9FBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1EBAC shade: #E1EBAC, #ACEBC2 and #DBACEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1EBAC shade: #E1EBAC, #ACE1EB and #EBACE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1EBAC shade: #E1EBAC, #ACEBC2, #B6ACEB and #EBACD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1EBAC shade: #E1EBAC, #ACEBD5, #B6ACEB and #EBACC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

Complementary color

CMYK 64 / 76 / 0 / 67

HEX #1E1453

RGB 30 20 83

HSL 249.52, 0.61%, 0.2%

LAB 11.96, 25.07, -36.69

 

CMYK 2 / 0 / 29 / 8

HEX #E6EBA7

RGB 230 235 167

HSL 64.41, 0.63%, 0.79%

LAB 91.25, -12.22, 32.53

 

CMYK 2 / 0 / 26 / 1

HEX #F7FDBA

RGB 247 253 186

HSL 65.37, 0.94%, 0.86%

LAB 97.46, -12.39, 31.49

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 4 / 0 / 29 / 15

HEX #D0D999

RGB 208 217 153

HSL 68.44, 0.46%, 0.73%

LAB 84.66, -13.27, 30.59

 

CMYK 4 / 0 / 33 / 22

HEX #BFC786

RGB 191 199 134

HSL 67.38, 0.37%, 0.65%

LAB 78.25, -13.1, 31.68

 

CMYK 4 / 0 / 36 / 29

HEX #AEB573

RGB 174 181 115

HSL 66.36, 0.31%, 0.58%

LAB 71.75, -12.9, 32.84

 

CMYK 4 / 0 / 41 / 36

HEX #9DA360

RGB 157 163 96

HSL 65.37, 0.27%, 0.51%

LAB 65.13, -12.64, 34.04

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 0 / 3 / 27 / 8

HEX #EBE4AC

RGB 235 228 172

HSL 53.33, 0.61%, 0.8%

LAB 89.92, -6.2, 28.25

 

CMYK 0 / 10 / 27 / 8

HEX #EBD3AC

RGB 235 211 172

HSL 37.14, 0.61%, 0.8%

LAB 85.62, 2.5, 22.38

 

CMYK 0 / 17 / 27 / 8

HEX #EBC2AC

RGB 235 194 172

HSL 20.95, 0.61%, 0.8%

LAB 81.41, 11.39, 16.54

 

CMYK 0 / 25 / 27 / 8

HEX #EBB1AC

RGB 235 177 172

HSL 4.76, 0.61%, 0.8%

LAB 77.33, 20.41, 10.78

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 11 / 0 / 27 / 8

HEX #D0EBAC

RGB 208 235 172

HSL 85.71, 0.61%, 0.8%

LAB 89.77, -19.56, 27.72

 

CMYK 19 / 0 / 27 / 8

HEX #BFEBAC

RGB 191 235 172

HSL 101.9, 0.61%, 0.8%

LAB 88.67, -25.52, 26.05

 

CMYK 26 / 0 / 27 / 8

HEX #AEEBAC

RGB 174 235 172

HSL 118.1, 0.61%, 0.8%

LAB 87.68, -31.21, 24.52

 

CMYK 27 / 0 / 20 / 8

HEX #ACEBBB

RGB 172 235 187

HSL 134.29, 0.61%, 0.8%

LAB 87.86, -29.28, 17.01

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 5 / 0 / 33 / 5

HEX #E6F3A4

RGB 230 243 164

HSL 69.87, 0.77%, 0.8%

LAB 93.28, -16.54, 36.73

 

CMYK 6 / 0 / 38 / 2

HEX #ECFB9C

RGB 236 251 156

HSL 69.47, 0.92%, 0.8%

LAB 95.68, -19.14, 43.88

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 3 / 0 / 20 / 11

HEX #DBE2B5

RGB 219 226 181

HSL 69.33, 0.44%, 0.8%

LAB 88.35, -9.82, 21.25

 

CMYK 2 / 0 / 13 / 15

HEX #D5DABD

RGB 213 218 189

HSL 70.34, 0.28%, 0.8%

LAB 85.99, -6.68, 13.71

 

CMYK 1 / 0 / 6 / 18

HEX #D0D2C5

RGB 208 210 197

HSL 69.23, 0.13%, 0.8%

LAB 83.72, -2.99, 6.19

 

CMYK 1 / 1 / 0 / 20

HEX #CACACD

RGB 202 202 205

HSL 240, 0.03%, 0.8%

LAB 81.4, 0.56, -1.5

 

CMYK 0 / 10 / 27 / 8

HEX #EBD3AC

RGB 235 211 172

HSL 37.14, 0.61%, 0.8%

LAB 85.62, 2.5, 22.38

 

CMYK 0 / 3 / 27 / 8

HEX #EBE3AC

RGB 235 227 172

HSL 52.38, 0.61%, 0.8%

LAB 89.66, -5.69, 27.91

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 11 / 0 / 27 / 8

HEX #D1EBAC

RGB 209 235 172

HSL 84.76, 0.61%, 0.8%

LAB 89.84, -19.21, 27.82

 

CMYK 18 / 0 / 27 / 8

HEX #C0EBAC

RGB 192 235 172

HSL 100.95, 0.61%, 0.8%

LAB 88.73, -25.18, 26.14

 

CMYK 8 / 0 / 52 / 14

HEX #C9DB6A

RGB 201 219 106

HSL 69.56, 0.61%, 0.64%

LAB 84.03, -22.17, 52.89

 

CMYK 6 / 0 / 39 / 11

HEX #D5E38B

RGB 213 227 139

HSL 69.55, 0.61%, 0.72%

LAB 87.46, -18.06, 41.4

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 2 / 0 / 15 / 5

HEX #EDF3CE

RGB 237 243 206

HSL 69.73, 0.61%, 0.88%

LAB 94.55, -8.17, 17.19

 

CMYK 1 / 0 / 5 / 2

HEX #F9FBEF

RGB 249 251 239

HSL 70, 0.6%, 0.96%

LAB 98.18, -2.73, 5.5

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC2

RGB 172 235 194

HSL 140.95, 0.61%, 0.8%

LAB 88.01, -28, 13.57

 

CMYK 7 / 27 / 0 / 8

HEX #DBACEB

RGB 219 172 235

HSL 284.76, 0.61%, 0.8%

LAB 76.41, 28.09, -25

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 27 / 4 / 0 / 8

HEX #ACE1EB

RGB 172 225 235

HSL 189.52, 0.61%, 0.8%

LAB 86.32, -14.65, -10.41

 

CMYK 0 / 27 / 4 / 8

HEX #EBACE1

RGB 235 172 225

HSL 309.52, 0.61%, 0.8%

LAB 77.64, 31.41, -17.57

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 27 / 0 / 17 / 8

HEX #ACEBC2

RGB 172 235 194

HSL 140.95, 0.61%, 0.8%

LAB 88.01, -28, 13.57

 

CMYK 23 / 27 / 0 / 8

HEX #B6ACEB

RGB 182 172 235

HSL 249.52, 0.61%, 0.8%

LAB 73.19, 16.6, -30.23

 

CMYK 0 / 27 / 9 / 8

HEX #EBACD5

RGB 235 172 213

HSL 320.95, 0.61%, 0.8%

LAB 77.26, 29.35, -11.62

 

CMYK 4 / 0 / 27 / 8

HEX #E1EBAC

RGB 225 235 172

HSL 69.52, 0.61%, 0.8%

LAB 90.96, -13.41, 29.54

 

CMYK 27 / 0 / 9 / 8

HEX #ACEBD5

RGB 172 235 213

HSL 159.05, 0.61%, 0.8%

LAB 88.44, -24.31, 4.28

 

CMYK 23 / 27 / 0 / 8

HEX #B6ACEB

RGB 182 172 235

HSL 249.52, 0.61%, 0.8%

LAB 73.19, 16.6, -30.23

 

CMYK 0 / 27 / 17 / 8

HEX #EBACC2

RGB 235 172 194

HSL 339.05, 0.61%, 0.8%

LAB 76.72, 26.28, -2.08

 

Description

Color code: HEX #E1EBAC | qconv.com Color code: HEX #E1EBAC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 235 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 235 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 27% 8% C M Y K

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Provide designers and agencies with accurate color values.

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