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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1ECDA it is the complementary color #1E1325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1ECDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1ECDA shade: #E6ECD5, #F7FEE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1ECDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1ECDA shade: #E1ECDA, #D0DAC7, #BFC8B4, #AEB6A1 and #9DA48E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1ECDA shade: #E0EBD9, #E5EBD9, #EAEBD9, #EBE8D9 and #EBE3D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1ECDA shade: #E0EBD9, #DCEBD9, #D9EBDC, #D9EBE1 and #D9EBE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1ECDA shade matches the following richer shades: #E0EBD9, #DFF0D5, #DEF5D0, #DDF9CC and #DCFEC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1ECDA shade: #E0EBD9, #E1E7DE, #E2E2E3, #E3DEE7 and #E4D9EC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1ECDA shade: #EAEBD9, #E5EBD9, #E1EBD9, #DCEBD9 and #D9EBDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1ECDA shade: #B4CFA3, #CADDBE, #E0EBD9 and #F7F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1ECDA shade: #E1ECDA, #D9EBE8 and #EBD9E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1ECDA shade: #E1ECDA, #D9E1EB and #EBD9E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1ECDA shade: #E1ECDA, #D9EBE8, #E4D9EB and #EBD9DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1ECDA shade: #E1ECDA, #D9EAEB, #E4D9EB and #EBDBD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

Complementary color

CMYK 19 / 49 / 0 / 85

HEX #1E1325

RGB 30 19 37

HSL 276.67, 0.32%, 0.11%

LAB 7.91, 10.13, -10.3

 

CMYK 3 / 0 / 10 / 7

HEX #E6ECD5

RGB 230 236 213

HSL 75.65, 0.38%, 0.88%

LAB 92.41, -5.97, 10.46

 

CMYK 3 / 0 / 9 / 0

HEX #F7FEE8

RGB 247 254 232

HSL 79.09, 0.92%, 0.95%

LAB 98.62, -6.07, 9.72

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

CMYK 5 / 0 / 9 / 15

HEX #D0DAC7

RGB 208 218 199

HSL 91.58, 0.2%, 0.82%

LAB 85.84, -6.77, 8.18

 

CMYK 5 / 0 / 10 / 22

HEX #BFC8B4

RGB 191 200 180

HSL 87, 0.15%, 0.75%

LAB 79.43, -6.7, 8.94

 

CMYK 4 / 0 / 12 / 29

HEX #AEB6A1

RGB 174 182 161

HSL 82.86, 0.13%, 0.67%

LAB 72.91, -6.62, 9.73

 

CMYK 4 / 0 / 13 / 36

HEX #9DA48E

RGB 157 164 142

HSL 79.09, 0.11%, 0.6%

LAB 66.27, -6.54, 10.57

 

CMYK 5 / 0 / 8 / 8

HEX #E0EBD9

RGB 224 235 217

HSL 96.67, 0.31%, 0.89%

LAB 91.81, -6.85, 7.46

 

CMYK 3 / 0 / 8 / 8

HEX #E5EBD9

RGB 229 235 217

HSL 80, 0.31%, 0.89%

LAB 92.17, -5.14, 8.03

 

CMYK 0 / 0 / 8 / 8

HEX #EAEBD9

RGB 234 235 217

HSL 63.33, 0.31%, 0.89%

LAB 92.54, -3.42, 8.61

 

CMYK 0 / 1 / 8 / 8

HEX #EBE8D9

RGB 235 232 217

HSL 50, 0.31%, 0.89%

LAB 91.86, -1.55, 7.64

 

CMYK 0 / 3 / 8 / 8

HEX #EBE3D9

RGB 235 227 217

HSL 33.33, 0.31%, 0.89%

LAB 90.6, 1.01, 5.83

 

CMYK 5 / 0 / 8 / 8

HEX #E0EBD9

RGB 224 235 217

HSL 96.67, 0.31%, 0.89%

LAB 91.81, -6.85, 7.46

 

CMYK 6 / 0 / 8 / 8

HEX #DCEBD9

RGB 220 235 217

HSL 110, 0.31%, 0.89%

LAB 91.52, -8.2, 7.02

 

CMYK 8 / 0 / 6 / 8

HEX #D9EBDC

RGB 217 235 220

HSL 130, 0.31%, 0.89%

LAB 91.39, -8.68, 5.23

 

CMYK 8 / 0 / 4 / 8

HEX #D9EBE1

RGB 217 235 225

HSL 146.67, 0.31%, 0.89%

LAB 91.51, -7.78, 2.8

 

CMYK 8 / 0 / 2 / 8

HEX #D9EBE6

RGB 217 235 230

HSL 163.33, 0.31%, 0.89%

LAB 91.63, -6.86, 0.37

 

CMYK 5 / 0 / 8 / 8

HEX #E0EBD9

RGB 224 235 217

HSL 96.67, 0.31%, 0.89%

LAB 91.81, -6.85, 7.46

 

CMYK 7 / 0 / 11 / 6

HEX #DFF0D5

RGB 223 240 213

HSL 97.78, 0.47%, 0.89%

LAB 92.93, -10.39, 11.14

 

CMYK 9 / 0 / 15 / 4

HEX #DEF5D0

RGB 222 245 208

HSL 97.3, 0.65%, 0.89%

LAB 94.05, -14.04, 15.3

 

CMYK 11 / 0 / 18 / 2

HEX #DDF9CC

RGB 221 249 204

HSL 97.33, 0.79%, 0.89%

LAB 94.94, -17, 18.6

 

CMYK 13 / 0 / 22 / 0

HEX #DCFEC7

RGB 220 254 199

HSL 97.09, 0.96%, 0.89%

LAB 96.09, -20.56, 22.74

 

CMYK 5 / 0 / 8 / 8

HEX #E0EBD9

RGB 224 235 217

HSL 96.67, 0.31%, 0.89%

LAB 91.81, -6.85, 7.46

 

CMYK 3 / 0 / 4 / 9

HEX #E1E7DE

RGB 225 231 222

HSL 100, 0.16%, 0.89%

LAB 90.98, -3.61, 3.67

 

CMYK 0 / 0 / 0 / 11

HEX #E2E2E3

RGB 226 226 227

HSL 240, 0.02%, 0.89%

LAB 89.91, 0.18, -0.5

 

CMYK 2 / 4 / 0 / 9

HEX #E3DEE7

RGB 227 222 231

HSL 273.33, 0.16%, 0.89%

LAB 89.08, 3.32, -3.8

 

CMYK 3 / 8 / 0 / 7

HEX #E4D9EC

RGB 228 217 236

HSL 274.74, 0.33%, 0.89%

LAB 88.05, 7.18, -7.94

 

CMYK 0 / 0 / 8 / 8

HEX #EAEBD9

RGB 234 235 217

HSL 63.33, 0.31%, 0.89%

LAB 92.54, -3.42, 8.61

 

CMYK 3 / 0 / 8 / 8

HEX #E5EBD9

RGB 229 235 217

HSL 80, 0.31%, 0.89%

LAB 92.17, -5.14, 8.03

 

CMYK 4 / 0 / 8 / 8

HEX #E1EBD9

RGB 225 235 217

HSL 93.33, 0.31%, 0.89%

LAB 91.88, -6.51, 7.58

 

CMYK 6 / 0 / 8 / 8

HEX #DCEBD9

RGB 220 235 217

HSL 110, 0.31%, 0.89%

LAB 91.52, -8.2, 7.02

 

CMYK 8 / 0 / 6 / 8

HEX #D9EBDC

RGB 217 235 220

HSL 130, 0.31%, 0.89%

LAB 91.39, -8.68, 5.23

 

CMYK 13 / 0 / 21 / 19

HEX #B4CFA3

RGB 180 207 163

HSL 96.82, 0.31%, 0.73%

LAB 80.16, -17.03, 18.92

 

CMYK 9 / 0 / 14 / 13

HEX #CADDBE

RGB 202 221 190

HSL 96.77, 0.31%, 0.81%

LAB 86, -11.91, 13.08

 

CMYK 5 / 0 / 8 / 8

HEX #E0EBD9

RGB 224 235 217

HSL 96.67, 0.31%, 0.89%

LAB 91.81, -6.85, 7.46

 

CMYK 1 / 0 / 2 / 2

HEX #F7F9F5

RGB 247 249 245

HSL 90, 0.25%, 0.97%

LAB 97.68, -1.36, 1.67

 

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

CMYK 8 / 0 / 1 / 8

HEX #D9EBE8

RGB 217 235 232

HSL 170, 0.31%, 0.89%

LAB 91.68, -6.49, -0.6

 

CMYK 0 / 8 / 1 / 8

HEX #EBD9E8

RGB 235 217 232

HSL 310, 0.31%, 0.89%

LAB 88.5, 8.79, -5.11

 

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

CMYK 8 / 4 / 0 / 8

HEX #D9E1EB

RGB 217 225 235

HSL 213.33, 0.31%, 0.89%

LAB 89.21, -0.79, -5.81

 

CMYK 0 / 8 / 4 / 8

HEX #EBD9E1

RGB 235 217 225

HSL 333.33, 0.31%, 0.89%

LAB 88.32, 7.55, -1.69

 

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

CMYK 8 / 0 / 1 / 8

HEX #D9EBE8

RGB 217 235 232

HSL 170, 0.31%, 0.89%

LAB 91.68, -6.49, -0.6

 

CMYK 3 / 8 / 0 / 8

HEX #E4D9EB

RGB 228 217 235

HSL 276.67, 0.31%, 0.89%

LAB 88.03, 6.99, -7.46

 

CMYK 0 / 8 / 6 / 8

HEX #EBD9DD

RGB 235 217 221

HSL 346.67, 0.31%, 0.89%

LAB 88.21, 6.86, 0.26

 

CMYK 5 / 0 / 8 / 7

HEX #E1ECDA

RGB 225 236 218

HSL 96.67, 0.32%, 0.89%

LAB 92.16, -6.84, 7.46

 

CMYK 8 / 0 / 0 / 8

HEX #D9EAEB

RGB 217 234 235

HSL 183.33, 0.31%, 0.89%

LAB 91.5, -5.41, -2.42

 

CMYK 3 / 8 / 0 / 8

HEX #E4D9EB

RGB 228 217 235

HSL 276.67, 0.31%, 0.89%

LAB 88.03, 6.99, -7.46

 

CMYK 0 / 7 / 8 / 8

HEX #EBDBD9

RGB 235 219 217

HSL 6.67, 0.31%, 0.89%

LAB 88.61, 5.15, 2.95

 

Description

Color code: HEX #E1ECDA | qconv.com Color code: HEX #E1ECDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 236 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 236 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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