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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1EE81 it is the complementary color #1E117E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1EE81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1EE81 shade: #E6EE7C, #F7FF8F, #FFFFA2, #FFFFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1EE81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1EE81 shade: #E1EE81, #D0DC6E, #BFCA5B, #AEB848 and #9DA635

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1EE81 shade: #E0ED81, #EDDD81, #EDC081, #EDA381 and #ED8581

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1EE81 shade: #E0ED81, #C3ED81, #A6ED81, #89ED81 and #81ED96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1EE81 shade matches the following richer shades: #E0ED81 and #E9F975

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1EE81 shade: #E0ED81, #D8E28C, #CFD698, #C6CBA3 and #BDBFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1EE81 shade: #EDC081, #EDDD81, #E1ED81, #C4ED81 and #A7ED81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1EE81 shade: #CFE338, #D8E85D, #E0ED81, #E9F2A5 and #F2F7C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1EE81 shade: #E1EE81, #81EDA3 and #CF81ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1EE81 shade: #E1EE81, #81E1ED and #ED81E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1EE81 shade: #E1EE81, #81EDA3, #8D81ED and #ED81CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1EE81 shade: #E1EE81, #81EDC4, #8D81ED and #ED81AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

Complementary color

CMYK 76 / 87 / 0 / 51

HEX #1E117E

RGB 30 17 126

HSL 247.16, 0.76%, 0.28%

LAB 16.42, 41.16, -57.64

 

CMYK 3 / 0 / 48 / 7

HEX #E6EE7C

RGB 230 238 124

HSL 64.21, 0.77%, 0.71%

LAB 91.43, -18.4, 53.82

 

CMYK 3 / 0 / 44 / 0

HEX #F7FF8F

RGB 247 255 143

HSL 64.29, 1%, 0.78%

LAB 97.34, -18.27, 52.39

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

CMYK 5 / 0 / 50 / 14

HEX #D0DC6E

RGB 208 220 110

HSL 66.55, 0.61%, 0.65%

LAB 84.85, -19.53, 52.13

 

CMYK 5 / 0 / 55 / 21

HEX #BFCA5B

RGB 191 202 91

HSL 65.95, 0.51%, 0.57%

LAB 78.5, -19.11, 53.19

 

CMYK 5 / 0 / 61 / 28

HEX #AEB848

RGB 174 184 72

HSL 65.36, 0.44%, 0.5%

LAB 72.06, -18.59, 54.13

 

CMYK 5 / 0 / 68 / 35

HEX #9DA635

RGB 157 166 53

HSL 64.78, 0.52%, 0.43%

LAB 65.51, -17.93, 54.79

 

CMYK 5 / 0 / 46 / 7

HEX #E0ED81

RGB 224 237 129

HSL 67.22, 0.75%, 0.72%

LAB 90.78, -19.77, 50.58

 

CMYK 0 / 7 / 46 / 7

HEX #EDDD81

RGB 237 221 129

HSL 51.11, 0.75%, 0.72%

LAB 87.63, -6.75, 46.93

 

CMYK 0 / 19 / 46 / 7

HEX #EDC081

RGB 237 192 129

HSL 35, 0.75%, 0.72%

LAB 80.34, 8.19, 37.75

 

CMYK 0 / 31 / 46 / 7

HEX #EDA381

RGB 237 163 129

HSL 18.89, 0.75%, 0.72%

LAB 73.41, 23.53, 28.7

 

CMYK 0 / 44 / 46 / 7

HEX #ED8581

RGB 237 133 129

HSL 2.22, 0.75%, 0.72%

LAB 66.8, 39.27, 19.8

 

CMYK 5 / 0 / 46 / 7

HEX #E0ED81

RGB 224 237 129

HSL 67.22, 0.75%, 0.72%

LAB 90.78, -19.77, 50.58

 

CMYK 18 / 0 / 46 / 7

HEX #C3ED81

RGB 195 237 129

HSL 83.33, 0.75%, 0.72%

LAB 88.81, -30.72, 47.71

 

CMYK 30 / 0 / 46 / 7

HEX #A6ED81

RGB 166 237 129

HSL 99.44, 0.75%, 0.72%

LAB 87.12, -40.95, 45.25

 

CMYK 42 / 0 / 46 / 7

HEX #89ED81

RGB 137 237 129

HSL 115.56, 0.75%, 0.72%

LAB 85.74, -50.11, 43.22

 

CMYK 46 / 0 / 37 / 7

HEX #81ED96

RGB 129 237 150

HSL 131.67, 0.75%, 0.72%

LAB 85.72, -49.22, 32.74

 

CMYK 5 / 0 / 46 / 7

HEX #E0ED81

RGB 224 237 129

HSL 67.22, 0.75%, 0.72%

LAB 90.78, -19.77, 50.58

 

CMYK 6 / 0 / 53 / 2

HEX #E9F975

RGB 233 249 117

HSL 67.27, 0.92%, 0.72%

LAB 94.47, -23.13, 60.65

 

CMYK 5 / 0 / 46 / 7

HEX #E0ED81

RGB 224 237 129

HSL 67.22, 0.75%, 0.72%

LAB 90.78, -19.77, 50.58

 

CMYK 4 / 0 / 38 / 11

HEX #D8E28C

RGB 216 226 140

HSL 66.98, 0.6%, 0.72%

LAB 87.43, -16.31, 40.91

 

CMYK 3 / 0 / 29 / 16

HEX #CFD698

RGB 207 214 152

HSL 66.77, 0.43%, 0.72%

LAB 83.77, -12.26, 29.9

 

CMYK 2 / 0 / 20 / 20

HEX #C6CBA3

RGB 198 203 163

HSL 67.5, 0.28%, 0.72%

LAB 80.38, -8.47, 19.42

 

CMYK 1 / 0 / 8 / 25

HEX #BDBFAF

RGB 189 191 175

HSL 67.5, 0.11%, 0.72%

LAB 76.79, -3.56, 7.82

 

CMYK 0 / 19 / 46 / 7

HEX #EDC081

RGB 237 192 129

HSL 35, 0.75%, 0.72%

LAB 80.34, 8.19, 37.75

 

CMYK 0 / 7 / 46 / 7

HEX #EDDD81

RGB 237 221 129

HSL 51.11, 0.75%, 0.72%

LAB 87.63, -6.75, 46.93

 

CMYK 5 / 0 / 46 / 7

HEX #E1ED81

RGB 225 237 129

HSL 66.67, 0.75%, 0.72%

LAB 90.85, -19.39, 50.69

 

CMYK 17 / 0 / 46 / 7

HEX #C4ED81

RGB 196 237 129

HSL 82.78, 0.75%, 0.72%

LAB 88.87, -30.35, 47.8

 

CMYK 30 / 0 / 46 / 7

HEX #A7ED81

RGB 167 237 129

HSL 98.89, 0.75%, 0.72%

LAB 87.18, -40.61, 45.33

 

CMYK 9 / 0 / 75 / 11

HEX #CFE338

RGB 207 227 56

HSL 67.02, 0.75%, 0.55%

LAB 86.25, -26.84, 75.06

 

CMYK 7 / 0 / 60 / 9

HEX #D8E85D

RGB 216 232 93

HSL 66.91, 0.75%, 0.64%

LAB 88.5, -23.53, 63.98

 

CMYK 5 / 0 / 46 / 7

HEX #E0ED81

RGB 224 237 129

HSL 67.22, 0.75%, 0.72%

LAB 90.78, -19.77, 50.58

 

CMYK 4 / 0 / 32 / 5

HEX #E9F2A5

RGB 233 242 165

HSL 67.01, 0.75%, 0.8%

LAB 93.25, -14.81, 36.24

 

CMYK 2 / 0 / 19 / 3

HEX #F2F7C9

RGB 242 247 201

HSL 66.52, 0.74%, 0.88%

LAB 95.84, -9.14, 21.6

 

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

CMYK 46 / 0 / 31 / 7

HEX #81EDA3

RGB 129 237 163

HSL 138.89, 0.75%, 0.72%

LAB 85.95, -47.01, 26.43

 

CMYK 13 / 46 / 0 / 7

HEX #CF81ED

RGB 207 129 237

HSL 283.33, 0.75%, 0.72%

LAB 65.81, 47.92, -42.61

 

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

CMYK 46 / 5 / 0 / 7

HEX #81E1ED

RGB 129 225 237

HSL 186.67, 0.75%, 0.72%

LAB 84.29, -25.3, -14.7

 

CMYK 0 / 46 / 5 / 7

HEX #ED81E1

RGB 237 129 225

HSL 306.67, 0.75%, 0.72%

LAB 68.85, 54.33, -30.97

 

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

CMYK 46 / 0 / 31 / 7

HEX #81EDA3

RGB 129 237 163

HSL 138.89, 0.75%, 0.72%

LAB 85.95, -47.01, 26.43

 

CMYK 41 / 46 / 0 / 7

HEX #8D81ED

RGB 141 129 237

HSL 246.67, 0.75%, 0.72%

LAB 59.41, 30.3, -53.13

 

CMYK 0 / 46 / 14 / 7

HEX #ED81CB

RGB 237 129 203

HSL 318.89, 0.75%, 0.72%

LAB 68.03, 50.76, -20

 

CMYK 5 / 0 / 46 / 7

HEX #E1EE81

RGB 225 238 129

HSL 67.16, 0.76%, 0.72%

LAB 91.12, -19.87, 51.01

 

CMYK 46 / 0 / 17 / 7

HEX #81EDC4

RGB 129 237 196

HSL 157.22, 0.75%, 0.72%

LAB 86.61, -40.56, 10.27

 

CMYK 41 / 46 / 0 / 7

HEX #8D81ED

RGB 141 129 237

HSL 246.67, 0.75%, 0.72%

LAB 59.41, 30.3, -53.13

 

CMYK 0 / 46 / 28 / 7

HEX #ED81AA

RGB 237 129 170

HSL 337.22, 0.75%, 0.72%

LAB 66.98, 46.03, -3.05

 

Description

Color code: HEX #E1EE81 | qconv.com Color code: HEX #E1EE81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 238 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 238 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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