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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E204F0 it is the complementary color #1DFB0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E204F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E204F0 shade: #E704EB, #F816FE, #FF28FF, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E204F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E204F0 shade: #E204F0, #D100DD, #C000CA, #AF00B7 and #9E00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E204F0 shade: #E303F1, #F103BF, #F1037F, #F1033F and #F10303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E204F0 shade: #E303F1, #A303F1, #6203F1, #2203F1 and #0303F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E204F0 shade matches the following richer shades: #E303F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E204F0 shade: #E303F1, #D117DD, #C02BC9, #AE3FB5 and #9D52A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E204F0 shade: #6203F1, #A103F1, #E103F1, #F103C1 and #F10382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E204F0 shade: #96029F, #BC03C8, #E303F1, #EE22FB and #F14BFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E204F0 shade: #E204F0, #F12303 and #03F182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E204F0 shade: #E204F0, #F1E103 and #03F1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E204F0 shade: #E204F0, #F12303, #13F103 and #03D1F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E204F0 shade: #E204F0, #F16A03, #13F103 and #038AF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

Complementary color

CMYK 88 / 0 / 94 / 2

HEX #1DFB0F

RGB 29 251 15

HSL 116.44, 0.97%, 0.52%

LAB 86.65, -83.76, 81.15

 

CMYK 2 / 98 / 0 / 8

HEX #E704EB

RGB 231 4 235

HSL 298.96, 0.97%, 0.47%

LAB 55.15, 91.48, -58.19

 

CMYK 2 / 91 / 0 / 0

HEX #F816FE

RGB 248 22 254

HSL 298.45, 0.99%, 0.54%

LAB 59.6, 95.49, -61.5

 

CMYK 0 / 84 / 0 / 0

HEX #FF28FF

RGB 255 40 255

HSL 300, 1%, 0.58%

LAB 61.65, 94.33, -58.71

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

CMYK 5 / 100 / 0 / 13

HEX #D100DD

RGB 209 0 221

HSL 296.74, 1%, 0.43%

LAB 50.42, 86.33, -58.05

 

CMYK 5 / 100 / 0 / 21

HEX #C000CA

RGB 192 0 202

HSL 297.03, 1%, 0.4%

LAB 46.27, 80.86, -53.97

 

CMYK 4 / 100 / 0 / 28

HEX #AF00B7

RGB 175 0 183

HSL 297.38, 1%, 0.36%

LAB 42.05, 75.3, -49.81

 

CMYK 4 / 100 / 0 / 36

HEX #9E00A4

RGB 158 0 164

HSL 297.8, 1%, 0.32%

LAB 37.75, 69.63, -45.55

 

CMYK 6 / 99 / 0 / 5

HEX #E303F1

RGB 227 3 241

HSL 296.47, 0.98%, 0.48%

LAB 54.81, 91.81, -62.14

 

CMYK 0 / 99 / 21 / 5

HEX #F103BF

RGB 241 3 191

HSL 312.61, 0.98%, 0.48%

LAB 54.58, 87.51, -33.86

 

CMYK 0 / 99 / 47 / 5

HEX #F1037F

RGB 241 3 127

HSL 328.74, 0.98%, 0.48%

LAB 52.17, 81.28, 0.39

 

CMYK 0 / 99 / 74 / 5

HEX #F1033F

RGB 241 3 63

HSL 344.87, 0.98%, 0.48%

LAB 50.83, 77.68, 37.33

 

CMYK 0 / 99 / 99 / 5

HEX #F10303

RGB 241 3 3

HSL 0, 0.98%, 0.48%

LAB 50.42, 76.55, 63.61

 

CMYK 6 / 99 / 0 / 5

HEX #E303F1

RGB 227 3 241

HSL 296.47, 0.98%, 0.48%

LAB 54.81, 91.81, -62.14

 

CMYK 32 / 99 / 0 / 5

HEX #A303F1

RGB 163 3 241

HSL 280.34, 0.98%, 0.48%

LAB 44.52, 83.35, -79.32

 

CMYK 59 / 99 / 0 / 5

HEX #6203F1

RGB 98 3 241

HSL 263.95, 0.98%, 0.48%

LAB 36.01, 77.84, -93.65

 

CMYK 86 / 99 / 0 / 5

HEX #2203F1

RGB 34 3 241

HSL 247.82, 0.98%, 0.48%

LAB 31.25, 75.67, -101.72

 

CMYK 99 / 99 / 0 / 5

HEX #0303F1

RGB 3 3 241

HSL 240, 0.98%, 0.48%

LAB 30.49, 75.41, -103.01

 

CMYK 6 / 99 / 0 / 5

HEX #E303F1

RGB 227 3 241

HSL 296.47, 0.98%, 0.48%

LAB 54.81, 91.81, -62.14

 

CMYK 6 / 99 / 0 / 5

HEX #E303F1

RGB 227 3 241

HSL 296.47, 0.98%, 0.48%

LAB 54.81, 91.81, -62.14

 

CMYK 5 / 90 / 0 / 13

HEX #D117DD

RGB 209 23 221

HSL 296.36, 0.81%, 0.48%

LAB 51.14, 84.21, -56.91

 

CMYK 4 / 79 / 0 / 21

HEX #C02BC9

RGB 192 43 201

HSL 296.58, 0.65%, 0.48%

LAB 48.45, 74.13, -49.9

 

CMYK 4 / 65 / 0 / 29

HEX #AE3FB5

RGB 174 63 181

HSL 296.44, 0.48%, 0.48%

LAB 46.83, 60.18, -41.01

 

CMYK 2 / 49 / 0 / 37

HEX #9D52A1

RGB 157 82 161

HSL 296.96, 0.33%, 0.48%

LAB 46.68, 43, -29.63

 

CMYK 59 / 99 / 0 / 5

HEX #6203F1

RGB 98 3 241

HSL 263.95, 0.98%, 0.48%

LAB 36.01, 77.84, -93.65

 

CMYK 33 / 99 / 0 / 5

HEX #A103F1

RGB 161 3 241

HSL 279.83, 0.98%, 0.48%

LAB 44.22, 83.13, -79.82

 

CMYK 7 / 99 / 0 / 5

HEX #E103F1

RGB 225 3 241

HSL 295.97, 0.98%, 0.48%

LAB 54.47, 91.51, -62.7

 

CMYK 0 / 99 / 20 / 5

HEX #F103C1

RGB 241 3 193

HSL 312.1, 0.98%, 0.48%

LAB 54.67, 87.74, -34.87

 

CMYK 0 / 99 / 46 / 5

HEX #F10382

RGB 241 3 130

HSL 327.98, 0.98%, 0.48%

LAB 52.26, 81.51, -1.29

 

CMYK 6 / 99 / 0 / 38

HEX #96029F

RGB 150 2 159

HSL 296.56, 0.98%, 0.32%

LAB 36.04, 67.3, -45.36

 

CMYK 6 / 99 / 0 / 22

HEX #BC03C8

RGB 188 3 200

HSL 296.35, 0.97%, 0.4%

LAB 45.53, 79.67, -54.03

 

CMYK 6 / 99 / 0 / 5

HEX #E303F1

RGB 227 3 241

HSL 296.47, 0.98%, 0.48%

LAB 54.81, 91.81, -62.14

 

CMYK 5 / 86 / 0 / 2

HEX #EE22FB

RGB 238 34 251

HSL 296.41, 0.96%, 0.56%

LAB 58.31, 91.88, -62.01

 

CMYK 4 / 70 / 0 / 1

HEX #F14BFC

RGB 241 75 252

HSL 296.27, 0.97%, 0.64%

LAB 62.31, 82.54, -56.14

 

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

CMYK 0 / 85 / 99 / 5

HEX #F12303

RGB 241 35 3

HSL 8.07, 0.98%, 0.48%

LAB 51.73, 72.77, 64.15

 

CMYK 99 / 0 / 46 / 5

HEX #03F182

RGB 3 241 130

HSL 152.02, 0.98%, 0.48%

LAB 84.25, -71.94, 40.28

 

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

CMYK 0 / 7 / 99 / 5

HEX #F1E103

RGB 241 225 3

HSL 55.97, 0.98%, 0.48%

LAB 88.24, -12.84, 87.25

 

CMYK 99 / 0 / 7 / 5

HEX #03F1E1

RGB 3 241 225

HSL 175.97, 0.98%, 0.48%

LAB 86.19, -50.53, -5.81

 

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

CMYK 0 / 85 / 99 / 5

HEX #F12303

RGB 241 35 3

HSL 8.07, 0.98%, 0.48%

LAB 51.73, 72.77, 64.15

 

CMYK 92 / 0 / 99 / 5

HEX #13F103

RGB 19 241 3

HSL 115.97, 0.98%, 0.48%

LAB 83.47, -81.87, 79.54

 

CMYK 99 / 13 / 0 / 5

HEX #03D1F1

RGB 3 209 241

HSL 188.07, 0.98%, 0.48%

LAB 77.26, -31.36, -27.74

 

CMYK 6 / 98 / 0 / 6

HEX #E204F0

RGB 226 4 240

HSL 296.44, 0.97%, 0.48%

LAB 54.6, 91.45, -61.92

 

CMYK 0 / 56 / 99 / 5

HEX #F16A03

RGB 241 106 3

HSL 25.97, 0.98%, 0.48%

LAB 60.8, 48.14, 68.8

 

CMYK 92 / 0 / 99 / 5

HEX #13F103

RGB 19 241 3

HSL 115.97, 0.98%, 0.48%

LAB 83.47, -81.87, 79.54

 

CMYK 99 / 43 / 0 / 5

HEX #038AF1

RGB 3 138 241

HSL 205.97, 0.98%, 0.48%

LAB 56.63, 7.31, -60.1

 

Description

Color code: HEX #E204F0 | qconv.com Color code: HEX #E204F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 4 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 4 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 98 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 98% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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