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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E20372 it is the complementary color #1DFC8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E20372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E20372 shade: #E7036D, #F81580, #FF2793, #FF39A6 and #FF4BB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E20372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E20372 shade: #E20372, #D1005F, #C0004C, #AF0039 and #9E0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E20372 shade: #E20372, #E20336 and #E20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E20372 shade: #E20372, #E203AE, #D903E2, #9D03E2 and #6103E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E20372 shade matches the following richer shades: #E20372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E20372 shade: #E20372, #CF1672, #BC2872, #AA3B72 and #974D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E20372 shade: #DA03E2, #E203AE, #E20372, #E20337 and #E20A03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E20372 shade: #900249, #B9025D, #E20372, #FB1386 and #FC3B9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E20372 shade: #E20372, #E29F03 and #03CBE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E20372 shade: #E20372, #72E203 and #0372E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E20372 shade: #E20372, #E29F03, #03E272 and #0346E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E20372 shade: #E20372, #E2E203, #03E272 and #0303E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

Complementary color

CMYK 88 / 0 / 44 / 1

HEX #1DFC8D

RGB 29 252 141

HSL 150.13, 0.97%, 0.55%

LAB 87.87, -72.65, 39.6

 

CMYK 0 / 99 / 53 / 9

HEX #E7036D

RGB 231 3 109

HSL 332.11, 0.97%, 0.46%

LAB 49.69, 77.78, 7.52

 

CMYK 0 / 92 / 48 / 3

HEX #F81580

RGB 248 21 128

HSL 331.72, 0.94%, 0.53%

LAB 54.08, 81.39, 2.73

 

CMYK 0 / 85 / 42 / 0

HEX #FF2793

RGB 255 39 147

HSL 330, 1%, 0.58%

LAB 56.9, 81.82, -4.32

 

CMYK 0 / 78 / 35 / 0

HEX #FF39A6

RGB 255 57 166

HSL 326.97, 1%, 0.61%

LAB 58.92, 79.59, -12.46

 

CMYK 0 / 71 / 27 / 0

HEX #FF4BB9

RGB 255 75 185

HSL 323.33, 1%, 0.65%

LAB 61.48, 76.33, -19.56

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 100 / 55 / 18

HEX #D1005F

RGB 209 0 95

HSL 332.73, 1%, 0.41%

LAB 44.78, 72.15, 8.61

 

CMYK 0 / 100 / 60 / 25

HEX #C0004C

RGB 192 0 76

HSL 336.25, 1%, 0.38%

LAB 40.78, 67.03, 14.53

 

CMYK 0 / 100 / 67 / 31

HEX #AF0039

RGB 175 0 57

HSL 340.46, 1%, 0.34%

LAB 36.76, 61.92, 20.73

 

CMYK 0 / 100 / 76 / 38

HEX #9E0026

RGB 158 0 38

HSL 345.57, 1%, 0.31%

LAB 32.72, 56.86, 27.14

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 99 / 76 / 11

HEX #E20336

RGB 226 3 54

HSL 346.28, 0.97%, 0.45%

LAB 47.62, 73.82, 38.15

 

CMYK 0 / 99 / 99 / 11

HEX #E20303

RGB 226 3 3

HSL 0, 0.97%, 0.45%

LAB 47.29, 72.9, 60.49

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 99 / 23 / 11

HEX #E203AE

RGB 226 3 174

HSL 313.99, 0.97%, 0.45%

LAB 51.02, 82.76, -29.69

 

CMYK 4 / 99 / 0 / 11

HEX #D903E2

RGB 217 3 226

HSL 297.58, 0.97%, 0.45%

LAB 52.18, 88.07, -58

 

CMYK 31 / 99 / 0 / 11

HEX #9D03E2

RGB 157 3 226

HSL 281.43, 0.97%, 0.45%

LAB 42.34, 79.87, -74.41

 

CMYK 57 / 99 / 0 / 11

HEX #6103E2

RGB 97 3 226

HSL 265.29, 0.97%, 0.45%

LAB 34.19, 74.44, -88.14

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 89 / 45 / 19

HEX #CF1672

RGB 207 22 114

HSL 330.16, 0.81%, 0.45%

LAB 45.71, 70.84, -1.92

 

CMYK 0 / 79 / 39 / 26

HEX #BC2872

RGB 188 40 114

HSL 330, 0.65%, 0.45%

LAB 43.4, 62.35, -5.75

 

CMYK 0 / 65 / 33 / 33

HEX #AA3B72

RGB 170 59 114

HSL 330.27, 0.48%, 0.45%

LAB 42.6, 50.56, -7.28

 

CMYK 0 / 49 / 25 / 41

HEX #974D72

RGB 151 77 114

HSL 330, 0.32%, 0.45%

LAB 42.92, 35.57, -7.11

 

CMYK 4 / 99 / 0 / 11

HEX #DA03E2

RGB 218 3 226

HSL 297.85, 0.97%, 0.45%

LAB 52.36, 88.23, -57.71

 

CMYK 0 / 99 / 23 / 11

HEX #E203AE

RGB 226 3 174

HSL 313.99, 0.97%, 0.45%

LAB 51.02, 82.76, -29.69

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 99 / 76 / 11

HEX #E20337

RGB 226 3 55

HSL 346.01, 0.97%, 0.45%

LAB 47.64, 73.85, 37.58

 

CMYK 0 / 96 / 99 / 11

HEX #E20A03

RGB 226 10 3

HSL 1.88, 0.97%, 0.45%

LAB 47.49, 72.33, 60.57

 

CMYK 0 / 99 / 49 / 44

HEX #900249

RGB 144 2 73

HSL 330, 0.97%, 0.29%

LAB 30.53, 55.23, 0.57

 

CMYK 0 / 99 / 50 / 27

HEX #B9025D

RGB 185 2 93

HSL 330.16, 0.98%, 0.37%

LAB 39.83, 66.38, 2.14

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 92 / 47 / 2

HEX #FB1386

RGB 251 19 134

HSL 330.26, 0.97%, 0.53%

LAB 54.76, 82.73, 0.19

 

CMYK 0 / 77 / 38 / 1

HEX #FC3B9B

RGB 252 59 155

HSL 330.16, 0.97%, 0.61%

LAB 58.22, 77.23, -7.13

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 30 / 99 / 11

HEX #E29F03

RGB 226 159 3

HSL 41.97, 0.97%, 0.45%

LAB 70.16, 14.78, 73.78

 

CMYK 99 / 10 / 0 / 11

HEX #03CBE2

RGB 3 203 226

HSL 186.19, 0.97%, 0.45%

LAB 74.96, -33.3, -23.19

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 50 / 0 / 99 / 11

HEX #72E203

RGB 114 226 3

HSL 90.13, 0.97%, 0.45%

LAB 80.73, -61.46, 78.14

 

CMYK 99 / 50 / 0 / 11

HEX #0372E2

RGB 3 114 226

HSL 210.13, 0.97%, 0.45%

LAB 48.94, 16.4, -64.11

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 30 / 99 / 11

HEX #E29F03

RGB 226 159 3

HSL 41.97, 0.97%, 0.45%

LAB 70.16, 14.78, 73.78

 

CMYK 99 / 0 / 50 / 11

HEX #03E272

RGB 3 226 114

HSL 149.87, 0.97%, 0.45%

LAB 79.4, -69.76, 41.92

 

CMYK 99 / 69 / 0 / 11

HEX #0346E2

RGB 3 70 226

HSL 221.97, 0.97%, 0.45%

LAB 37.65, 44.59, -82.57

 

CMYK 0 / 99 / 50 / 11

HEX #E20372

RGB 226 3 114

HSL 330.13, 0.97%, 0.45%

LAB 48.82, 77.04, 3.08

 

CMYK 0 / 0 / 99 / 11

HEX #E2E203

RGB 226 226 3

HSL 60, 0.97%, 0.45%

LAB 87.27, -19.65, 86

 

CMYK 99 / 0 / 50 / 11

HEX #03E272

RGB 3 226 114

HSL 149.87, 0.97%, 0.45%

LAB 79.4, -69.76, 41.92

 

CMYK 99 / 99 / 0 / 11

HEX #0303E2

RGB 3 3 226

HSL 240, 0.97%, 0.45%

LAB 28.32, 71.77, -98.08

 

Description

Color code: HEX #E20372 | qconv.com Color code: HEX #E20372 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 3 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 3 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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